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Scott Spencer: Endless Love

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Scott Spencer Endless Love

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One of the most celebrated novels of its time, Endless Love remains perhaps the most powerful novel ever written about young love. Riveting, compulsively readable, and ferociously sexual, Endless Love tells the story of David Axelrod and his overwhelming love for Jade Butterfield. David's and Jade's lives are consumed with each other; their rapport, their desire, their sexuality take them further than they understand. And when Jade's father suddenly banishes David from the house, he fantasizes the forgiveness his rescue of the family will bring and he sets a "perfectly safe" fire to their house. What unfolds is a nightmare, a dark world in which David's love is a crime and a disease, a world of anonymous phone calls, crazy letters, and new fears ― and the inevitable and punishing pursuit of the one thing that remains most real to him: his endless love for Jade and her family.

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The Butterfield house was on Blackstone in the Hyde Park section of Chicago. I ran north, knees locked, toward 57th Street. As far as I remember, I passed no one. And no passer-by walked near the Butterfields to notice those smoldering papers. Hyde Park had not yet turned into an indoor society because of crime- fear. You still had accidental meetings in the street, and though the University of Chicago already had its own private police force and a separate busline to transport students around the neighborhood, Hyde Park was an open, busy place, even at night. (Jade and I, before her parents accepted our love affair and all of its inflexible demands, often walked those streets at two, three, even four in the morning, leaning on parked cars to kiss, embracing and even lying on top of each other on darkened porch stoops, and we never felt unsafe—our only fear was interruption.) But that night, when one watchful pedestrian could have changed everything, I had that long block to myself.

When I reached 57th Street, I went into the second stage of my plan. I paced slowly on the corner for perhaps a minute—though knowing my tendency to rush when I’m uncertain, it was probably less time than that. Then, while trying to invent a quick, plausible excuse for being on that block in case Jade or any other Butterfield asked me, I walked south, retracing my tin-soldier steps back to their house. My heart was clapping with lonely, lunatic intensity but I can’t say that by then I was wishing I’d never struck that match. I hadn’t seen or spoken to Jade in seventeen days (though when Hugh Butterfield had told me, as he banished me from the house, that he and Jade had decided I would have to stay away for thirty days, I had unfounded but powerful suspicions they had engineered a separation that might never end). This banishment, this sudden expulsion from the center of my life, was the core of all thought and feeling. And while misgivings and second thoughts buzzed around my determination, they were as ineffectual as houseflies. I was scared that I’d done such a strange thing as burn the newspapers that had collected on the Butterfield porch, but there is no sense calling this nervousness, this surprise-with-myself, regret. My major concern was that the ploy would work.

I stood in front of their house. The sidewalk was fifteen yards from the porch and I could see perfectly well that the flame had not gone out. But neither had it grown. A steady haze of smoke wafted off the newspapers, yet still no Butterfields had been aroused by it. I had an impulse to sneak back onto the porch and blow on the flame or perhaps loosen up the papers so they could catch fire more easily. But I didn’t want to nudge chance with too firm a hand. Since my whole faked-up meeting was to be based on the pretense of coincidence, I wanted to leave a little room for the quirky meanderings of fate: if I engineered things too carefully, I might not be able to imitate astonishment when the time came. I walked past the house, southward this time to the corner of 59th.

On 59th Street I did see people walking around, but no one I knew. I saw a rather glamorous older woman (meaning, then, a woman in her twenties) walking a large, nervous red dog. She wore sunglasses, a floppy straw hat, and smoked a cigarette out of a long black and silver holder. I think I may have stared at her, just to occupy my thoughts. She cocked her head and smiled at me and said hello. Her voice startled me and I experienced that quick intestinal collapse you sometimes get in bed when you think you are falling. I made a brisk British military nod (that month’s mask, picked up in the psychological warehouse that stored other people’s discarded personalities) and I thought: I’m getting the timing screwed up. My life would have had to be a movie for the plan to really work the way I wanted—I wanted to time my passing the Butterfields’ house just as they were coming out. But I felt there was some split-second urgency involved and so I quickly started out toward the house, first at a trot and then at a dead run.

Was I running for the sake of my masterplan or did I somehow know that the fire I’d set had leapt out of control? Did I smell smoke or did the part of me that had understood from the beginning the consequence of my actions finally fight its way through the thicket of wilfulness and heartsickness to scream its alarm? I ran and now my heart was not beating with a lover’s mournful nervousness but it seemed to bound against my chest like a furious dog against a fence.

I don’t understand how fire works; I haven’t learned the scientific explanations for its cunning and greed. A lick of flame can scurry like a cat while it hunts for the choicest morsel of fuel. An infant flame is subject to the government of the elements. But by adolescence, fire is as brave and artful as a revolutionary band, snatching easy victories here, extending the limits of its power there, consolidating, attacking, brightening with triumph. At its full force, its victory over the stable world complete and everything from Doric columns to magazine racks within its mercy, fire is messianic—it rules over its domain with a blistering, totalitarian authority and seems to believe that all of creation ought be in flames. By the time I reached Jade’s house, the fire I’d set was not in its uncontrollable maturity but it had advanced to its daredevil adolescence. The central flame, headquartered in the stack of newspapers, had sent attack parties of smaller flames to menace the house itself. Points of flame scattered along the side of the house and fluttered like small orange pennants. A circle of fire had been dispatched to the floor of the porch and seemed to race around the newspapers for a short time, and then, thrilled with the very fact of its existence and drunk with the berserkness of its cause, spread out in a dozen different directions.

I backed away. I already felt the heat on my face, burning through the passive warmth of the August air. I backed off until I slipped off the curb and rammed myself against Hugh’s car, a ten-year-old Bentley that he nursed and loved to excess and beyond. I rubbed my back—a moron checking for a bruise on his spine while everyone he loves sits in a burning house. The flames that darted this way and that on the house itself were all on the feeble side, but there were so many of them and they had enough confidence in their power to continually divide themselves. And then, almost as if the fire was controlled by a dial like the flame on a gas stove, in an instant the flames—all of them—tripled in size and power. I let out a cry and rushed toward the house.

The porch was already half covered with flame—there were shoots of fire everywhere, an intermediate garden of fire. I flung the screen door open and tried to open the big wooden door, which was usually unlocked (not as a gesture of trust but an accommodation to the constant human traffic). Tonight, however, the door was locked. I pounded on it with my fists and shouted—no, not “Fire!” but “Let me in! Let me in, goddamnit! Let me in!”

Sammy opened the door. He was, in fact, on his way out because now, finally, they all smelled smoke. “David,” he said, and put up his small hands as if to stop me.

I pulled him out onto the porch and then ran into the house. The small, cluttered foyer already smelled of smoke and when I made the familiar right turn into the living room, Hugh was backing away from the window with his hand over his eyes.

“We’re on fire,” I said. (Hugh was later to testify that I’d said this in a “casual” tone of voice. It seems incredible; but I don’t remember.)

The living room was hotter than any summer’s day. It didn’t so much seem that smoke was rushing in as that the air itself was turning into smoke. The fire, with its tactical instinct, had surrounded the frame of the largest window on the outside, maneuvering toward the easiest entry into the house. It raced around the pulpy, half-rotten wood, multiplying its intensity, dancing, dancing like warriors working themselves up before a battle, until the heat was powerful enough to explode the window and a long orange arm reached in and turned the curtains to flame.

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