José Saramago - All the Names

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All the Names: краткое содержание, описание и аннотация

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Senhor José is a low-grade clerk in the city's Central Registry, where the living and the dead share the same shelf space. A middle-aged bachelor, he has no interest in anything beyond the certificates of birth, marriage, divorce, and death that are his daily preoccupations. In the evenings, and on weekends, he works on bringing up to date his clipping file of the famous, the rising stars, the notorious. But when one day he comes across the birth certificate of an anonymous young woman, he decides that this cannot have been mere chance, he has to discover more about her. After all, to know a name is not to know the person.
Under the increasingly mystified eye of the Registrar, a godlike figure whose name is spoken only in whispers, the now obsessed Senhor José sets off, in every moment he can steal from work, to follow the thread that leads him to the woman's school, to her godmother, to her father and mother-but as he gets closer to a meeting with the unknown woman, he discovers more about her, and about himself, than he would have wished....
The loneliness of people's lives, the effects of chance and moments of recognition, the discovery of love, however tentative...once again José Saramago has written a timeless story.

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The label on the drawer was explicit, Students in Alphabetical Order, other drawers were marked differently, First-year Students, Second-year Students, Third-year Students and so on up to the final year of school. Senhor José took a quiet professional pleasure in the archive system, organised in such a way as to facilitate access to the cards of students by two convergent and complementary routes, one general, the other particular. A separate drawer contained the teachers' record cards, as one could tell from the label, Teachers. Seeing that label immediately set in motion, in Senhor José's mind, the gears of his highly efficient deductive mechanism, If, as it is logical to suppose, he thought, the teachers in this drawer are those currently teaching in the school, then the student cards, out of mere archivistic coherence, must refer to the current student population, besides, anyone can see that the record cards of thirty years' worth of students, and that's a low estimate, could never fit in these half-dozen drawers, however thin the cards. With no hope of finding the card, but merely to soothe his conscience, Senhor José opened the drawer where, according to the alphabet, the card belonging to the unknown woman would be found. It wasn't there. He closed the drawer and looked around him, There must be another card index for former pupils, he thought, they can't possibly destroy them when they come to the end of their course, that would be a crime against the most elementary rules of archivism. If such a card index existed, however, it wasn't there. Nervously, and knowing full well that the search would be fruitless, he opened the cupboards and the drawers in the desk. Nothing. As if it could not bear the disappointment, his headache intensified. What now, José, he asked himself. We must look elsewhere, he replied. He left the secretary's office and looked up and down the long corridor. There were no classrooms here, therefore the rooms on this floor, apart from the head teacher's study, must have other uses, one of them, as he saw straightaway, was the staff room, another seemed to be a storeroom for redundant school material, and the other two contained, at last, what seemed to be, what must be, the schools historic archive, arranged in boxes on large shelves. Senhor José was at first exultant, but, and this is the advantage of someone with experience in his line of work, or, given his suddenly dashed hopes, the painful disadvantage, only a few minutes sufficed for him to realise that what he wanted wasn't there either, the files were of a purely bureaucratic nature, letters received, duplicates of letters sent, statistics, attendance records, progress charts, rule books. He searched again, twice, in vain. Feeling desperate, he went out into the corridor, All this effort for nothing, he said, and then, again, forcing himself to obey logic, It's impossible, those wretched record cards must be somewhere, if these people keep all those years of correspondence that is of no use to anyone, they must have kept students' record cards, which are vital documents for biographies, it wouldn't surprise me in the least if some of the people in my collection were students at this school. In other circumstances, it might have occurred to Senhor José that, just as he had enriched his collection of clippings with copies of the relevant birth certificates, it would also be interesting to add documents regarding attendance and success at school. However, that would never be anything but an impossible dream. It was one thing having the birth certificate in hand in the Central Registry, quite another having to wander the city breaking into schools in order to find out if so-and-so got an eight or a fifteen in math in the fourth year, and if someone else really was such an unruly pupil as he claimed to have been in interviews. And if, in order to get into each of those schools, he had to suffer as much as he had suffered breaking into this one, then it would be better to remain in the peace and quiet of his home, resigned to knowing of the world only what the hands can grasp without actually leaving the house, words, images, illusions.

Determined to get to the bottom of things once and for all, Senhor José went back into the archive, If there's any logic in this world, then the record cards must be here, he said. He went through the shelves in the first room, box by box, bundle by bundle, with a fine-tooth comb, a turn of phrase that must have its origins in the days when people needed to comb their hair with what was also called a nit comb in order to catch what a normal comb missed, but the search again proved vain, there were no record cards. That is, there were, placed higgledy-piggledy in a large box, but only from the last five years. Convinced now that all the other record cards had been destroyed, torn up, thrown into the rubbish, if not burned, it was with a feeling of hopelessness, with the indifference of someone merely fulfilling a useless obligation, that Senhor José went into the second room. However, his eyes, if the expression is not entirely inappropriate, took pity on him, however hard you try you will find no other explanation for the fact that they im mediately placed before him a narrow door between two shelves, as if they knew, from the start, that the door was there. Senhor José thought he had reached the end of his work, the crowning moment of all his efforts, indeed the opposite would reveal an unforgivable harshness on the part of fate, there must be some reason why ordinary people persist in saying, despite all life's vicissitudes, that bad luck is not always waiting just behind the door, behind this one, anyway, as in the old stories, there must be a treasure, even if, in order to reach it, it might still be necessary to fight the dragon. This one does not have furious, drooling jaws, it does not snort smoke and fire through its nostrils, it does not roar loud as any earthquake, it is simply a waiting, stagnant darkness, thick and silent as the ocean deeps, there are reputedly brave people who would not have the courage to go any farther, some would even run away at once, terrified, fearful that the obscene beast would grab them round the throat with its claws. Although not a person whom one could give as an example or model of bravery, Senhor José, after his years in the Central Registry, has acquired a knowledge of the night, of shadows, obscurity and darkness that makes up for his natural timidity and now permits him, without excessive fear, to reach his arm into the body of the dragon in search of the light switch. He found it, he flicked it on, but there was no light. Shuffling forwards so as not to stumble, he advanced little until he barked his right shin on something hard. He bent down to feel the obstacle and, just as he realised that it was a metal step he felt the shape of the flashlight in his pocket in the midst of so many contradictory emotions, he had completely forgotten about it. Before him was a spiral staircase that ascended into thicker darkness than that on the threshold and which swallowed up the beam of light before it could show him the way upwards. The staircase has no bannister exactly what chronic vertigo sufferer does not need on the fifth step, if he manages to get that far Senhor José will lose all notion of the real height he has reached, he will feel that he's going to fall helplessly to the ground, and he will fell. But that is not what happened. Senhor José is being ridiculous, but it doesn't matter, only he knows just how absurd and ridiculous what he is doing is, no one will see him drag himself up that staircase like a lizard recently awoken from hibernation, clinging anxiously to the steps, one after the other, his body trying to follow the apparently never-ending, spiralling curve, his knees again bearing the brunt. When Senhor José's hands finally touched the smooth floor of the attic, his physical strength had long since lost the battle with his frightened spirit, which is why he could not immediately get up, he lay down there, his shirt and face resting on the dust covering the floor, his feet hanging over the steps, what torments people have to go through when they leave the safety of their homes to become embroiled in mad adventures.

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