David Sedaris - Barrel Fever and Other Stories

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Barrel Fever and Other Stories: краткое содержание, описание и аннотация

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In David Sedaris's world, no one is safe and no cows are sacred. A manic cross between Mark Leyner, Fran Leibowitz and the National Enquirer, Sedaris's collection of essays is a rollicking tour through the national Zeitgeist: a do-it-yourself suburban dad saves money by performing home surgery; a man who is loved too much flees the heavyweight champion of the world; a teenage suicide tries to incite a lynch mob at her funeral; a bitter Santa abuses the elves.
David Sedaris made his debut on NPR's Morning Edition with "SantaLand Diaries," recounting his strange-but-true experiences as an elf at Macy's, and soom became one of the show's most popular commentators. With a perfect eye and a voice infused with as much empathy as wit, Sedaris writes stories and essays that target the soulful ridiculousness of our behavior.
Barrel Fever is a blind date with modern life, and anything can happen.

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And I said, "What, a priest?"

Goddamn her! Mrs. Peacock has been talking and my parents have decided to listen. This brings my mother and father down several more notches, which is not good, as they have been in the negative column for quite some time. Listening to Mrs. Peacock is like trying to decipher what a groundhog might mean when it clicks its tongue three times and paws at the earth with a hind foot. Mrs. Peacock's thoughts and actions might be of interest to a group of behavioral scientists in search of the missing link, but other than that the woman is worthless and I rue the day she forcibly entered my life.

When my brother was born I told my parents that, while I was very happy for them, I would not, under any circumstances, share my room. I have always had my own room and I plan to keep it that way. My mother is always barging in to say, "Why don't you brighten things up in here, put up a few posters and add a little life?" My mother would not care for any of the posters I might enjoy and it is a constant battle to keep my room clear of anything she might refer to as "a little life." I have a small bed, a lamp, a dresser, and a desk. The only thing I lack is a typewriter. I keep my room very clean and always have. I have been making my bed since I was able to walk and am perfectly capable of washing and ironing my own clothes. I can take care of myself and would appreciate the opportunity to do so in an apartment or small house, even a trailer. While they mean well, I have no use for my parents or Mrs. Peacock, the maid hired shortly after my brother was born. She says she's a housekeeper and not a maid, the difference being that a housekeeper is white, while a maid is colored. She quibbles over words. If, as she says, a housekeeper earns more money than a maid, does a whore earn more money than a slut?

I have not liked or trusted Mrs. Peacock from the moment she entered our home. She looks like she just crawled out of a cave absolutely wild. She is an animal and no white uniform can disguise it. Every now and then she'll be playing around with my brother, wasting time, and she'll get up close to his face and say, "I'm gonna eat you! Yes, I am, I'm gonna eat you up," which scares the life out of him because it seems entirely possible.

On her second day of work Mrs. Peacock barged into my room uninvited and ripped the covers off the bed, which I was currently, happily, occupying. Fortunately I was wearing pajama bottoms, but how was she to know that? She does the same thing to my sisters, but they don't seem to mind as they are willing to suffer any indignity in order to have someone make their beds.

I put a neatly lettered sign upon my bedroom door reading, "If you can read this message you are already too close. Go away. Iron, sweep the driveway, polish the car, or empty the dishwasher, but leave this room alone." My sign did no good, probably because she can't even read. I should have set steel-jawed leg traps or rigged a bucket of battery acid over the door, seeing as nothing but brute force will keep this hunting-and-gathering primate out of my private domain. The first time Mrs. Peacock violated my privacy she rifled through my dresser drawers and came away with an old summer camp T-shirt I use for. . testing ideas for my manuscript. I refer to it, in print, as my fantasy rag. I came home from school and she had the nerve to confront me with it. She held it in her dimpled hands as far away from her bloated body as her arms could reach.

"What's this?" she says to me, waving the stiff T-shirt before my eyes. I took issue with this and told her that she knows damned well what it is, anyone with five children should know semen when they see it. She goes, "I never. ." as if her children were not made by human contact but found beneath one of the tires lying in her yard. I took my property out of her hands and told her that if I ever catch her in my bedroom again I will sue her for unlawful entry and then, just for the fun of it, I will hunt her down and crush her empty skull. She slapped me. I couldn't believe it. She caught me when my guard was down and it still hurts to sleep on the left side of my face. "Nobody has ever talked to me like that," she said.

Nobody? In my book, all the sensible women have gone off to live in Europe and Mrs. Peacock is the only female left in the United States of America. This initially excites her because she is a nymphomaniac slut who looks forward to fucking and sucking her way from Maine to California. Unfortunately for her, though, her dreams will not be realized. Left with no alternative but her, each and every man in America becomes an insatiable homosexual whom I alone can control to do my bidding. They are slaves to their own desire and to me. I order two dozen of my nude and muscular workers to carry Mrs. Peacock off to The Chad Holt (that is my name in the book) Museum of Natural History, where she is put on permanent display as an odd and ugly specimen, reflecting a brutal, bygone world that no longer exists.

I thought about including my mother in the display but decided on sending her to Europe with the rest of her tribe. In her own way she tries, but again and again her mouth gets in the way.

A few days ago I received an emergency page at school, a yellow slip. A yellow slip usually means either death or destruction. I am not terribly attached to anyone in my family, and my parents are heavily insured, so on the way to the office I tried to look on the bright side. It was my mother on the phone calling to say that Mrs. Peacock had found some blood in my underpants. I can't believe that. Those underpants were in a paper bag at the very bottom of the garbage can. I thought they would be safely destroyed, but Mrs. Peacock must have gone through the trash before the garbage studs came to take it away. She goes through everything. "You're not going to throw this away, are you?" she says, and she'll be talking about the grains of rice in the bottom of the salt shaker. "No, Mrs. Peacock, by all means, you take them. They'll come in handy when your son gets out of prison and marries your niece." She doesn't want these things, not really. Her trick is to act like she's happy with any little scrap. She does it to make us look bad and so that my parents will feel sorry for her. I can't believe she made such a big deal out of those underpants.

On the phone I told my mother that some guys at school had been horsing around, putting raw chicken livers in the seats of the brightest students and that I had sat on one. It sounded like a logical story to me. Those assholes in the eighth grade are capable of anything stupid and petty. In my manuscript, though, I have made them capable of anything period! I could just kick myself for not burning those underpants, and isn't it a shame that it's come to that, having to burn things? It started bleeding back there a few weeks ago, but I have it under control now.

While the imagination certainly has its place, I feel that it is important for a writer to back certain chapters with a little experience, so a few months ago I started hanging out in the rest room of JCPenney in hopes of getting just that a little experience.

I stood at the urinal for almost two hours before someone finally took the bait and gave me a signal that he was there to play hardball. Meeting his eyes I understood that I could use him as my research stud, fodder for my manuscript a little footnote who would drive my future biographers wild and leave my readers breathless and hungry for more. Research Stud and I skipped over all of the bullshit that everyone else goes through: the formal introductions, the phone calls, the dates we just got to the exclamation point right there in the stall! Afterwards, he sort of ruined everything by telling me that he is a political science major at N.C. state and his name is Julian. I hate that name. In my manuscript he is named Dirk. I've made him about three inches taller and have then him a good, thick ten and one-half inches between his legs. Julian and I met in the rest room a few more times before we were interrupted by a store detective who, I am convinced, was interested in arranging a three-way. After that, we started doing it in Julian's car. He'd drive us out into the country and park behind an abandoned house set on a dirt road.

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