Then there are the multimedia families in groups, who say, "All right, now let's get a shot of Anthony, Damascus, Theresa, Doug, Amy, Paul,and Vanity can we squeeze them all together? Santa, how about you let Doug sit on your shoulders, can we do that?"
During these visits the children are rarely allowed to discuss their desires with Santa. They are too busy being art-directed by the parents.
"Vanity and Damascus, look over here, no, lookhere."
"Santa, can you put your arm around Amy and shake hands with Paul at the same time?"
"That's good. That's nice."
I have seen parents sit their child upon Santa's lap and immediately proceed to groom: combing hair, arranging a hemline, straightening a necktie. I saw a parent spray their child's hair, Santa treated as though he were a false prop made of cement, turning his head and wincing as the hair spray stung his eyes.
Young children, ages two to four, tend to be frightened of Santa. They have no interest in having their pictures taken because they don't know what a picture is. They're not vain, they're babies. They are babies and they act accordingly they cry. A Photo Elf understands that, once a child starts crying, it's over. They start crying in Santa's house and they don't stop until they are at least ten blocks away.
When the child starts crying, Santa will offer comfort for a moment or two before saying, "Maybe we'll try again next year."
The parents had planned to send the photos to relatives and place them in scrapbooks. They waited in line for over an hour and are not about to give up so easily. Tonight I saw a woman slap and shake her sobbing daughter, yelling, "Goddamn it, Rachel, get on that man's lap and smile or I'll give you something to cry about."
I often take photographs of crying children. Even more grotesque is taking a picture of a crying child with a false grimace. It's not a smile so much as the forced shape of a smile. Oddly, it pleases the parents.
"Good girl, Rachel. Now, let's get the hell out of here. Your mother has a headache that won't quit until you're twenty-one."
At least a third of Santa's visitors are adults: couples, and a surprising number of men and women alone. Most of the single people don't want to sit on Santa's lap; they just stop by to shake his hand and wish him luck. Often the single adults are foreigners who just happened to be shopping at Macy's and got bullied into the Maze by the Entrance Elf, whose job it is to hustle people in. One moment the foreigner is looking at china, and the next thing he knows he is standing at the Magic Tree, where an elf holding a palm-sized counter is asking how many in his party are here to see Santa.
"How many in your party?"
The foreigner answers, "Yes."
"How many in your party is not a yes or no question."
"Yes."
Then a Santa Elf leads the way to a house where the confused and exhausted visitor addresses a bearded man in a red suit, and says, "Yes, OK. Today I am good." He shakes Santa's hand and runs, shaken, for the back door.
This afternoon a man came to visit Santa, a sloppy, good-looking man in his mid-forties. I thought he was another confused European, so I reassured him that many adults come to visit Santa, everyone is welcome. An hour later, I noticed the same man, back again to fellowship with Santa. I asked what he and Santa talk about, and in a cracked and puny voice he answered, "Toys. All the toys."
I noticed a dent in the left side of his forehead. You could place an acorn in a dent like this. He waited in line and returned to visit a third time. On his final visit he got so excited he peed on Santa's lap.
So far in SantaLand, I have seen Simone from "General Hospital," Shawn from "All My Children," Walter Cronkite, and Phil Collins. Last year one of the elves was suspended after asking Goldie Hawn to autograph her hand. We have been instructed to leave the stars alone.
Walter Cronkite was very tall, and I probably wouldn't have recognized him unless someone had pointed him out to me. Phil Collins was small and well groomed. He arrived with his daughter and an entourage of three. I don't care about Phil Collins one way or the other but I saw some people who might and I felt it was my duty to tap them on the shoulder and say, "Look, there's Phil Collins!"
Many of Santa's visitors are from out of town and welcome the opportunity to view a celebrity, as it rounds out their New York experience. I'd point out Phil Collins and people would literally squeal with delight. Seeing as it is my job to make people happy, I didn't have any problem with it. Phil Collins wandered through the Maze, videotaping everything with his camcorder and enjoying himself. Once he entered the Magic Tree, he was no longer visible to the Maze audience, so I began telling people that if they left immediately and took a right at the end of the hall, they could probably catch up with Phil Collins after his visit with Santa. So they did. People left. When Phil Collins walked out of SantaLand, there was a crowd of twenty people waiting for autographs. When the managers came looking for the big mouth, I said, "Phil Collins, who's he?"
I spent a few hours in the Maze with Puff, a young elf from Brooklyn. We were standing near the Lollipop Forest when we realized thatSanta is an anagram ofSatan. Father Christmas or the Devil so close but yet so far. We imagined a SatanLand where visitors would wade through steaming pools of human blood and feces before arriving at the Gates of Hell, where a hideous imp in a singed velvet costume would take them by the hand and lead them toward Satan. Once we thought of it we couldn't get it out of our minds. Overhearing the customers we would substitute the wordSatan for the wordSanta.
"What do you think, Michael? Do you think Macy's has the real Satan?"
"Don't forget to thank Satan for the Baby Alive he gave you last year."
"I love Satan."
"Who doesn't? Everyone loves Satan."
I would rather drive upholstery tacks into my gums than work as the Usher Elf. The Usher stands outside Santa's exit door and fills out the photo forms. While I enjoy trying to guess where people are from, I hate listening to couples bicker over how many copies they want.
It was interesting the first time I did it, but not anymore. While the parents make up their minds, the Usher has to prevent the excited children from entering Santa's back door to call out the names of three or four toys they had neglected to request earlier.
When things are slow, an Usher pokes in his head and watches Santa with his visitors. This afternoon we were slow and I watched a forty-year-old woman and her ancient mother step in to converse with Santa. The daughter wore a short pink dress, decorated with lace the type of dress that a child might wear. Her hair was trained into pigtails and she wore ruffled socks and patent leather shoes. This forty-year-old girl ran to Santa and embraced him, driving rouge into his beard. She spoke in a baby voice and then lowered it to a whisper. When they left I asked if they wanted to purchase the photo and the biggest little girl in the world whispered something in her mother's ear and then she skipped away. She skipped. I watched her try and commune with the youngsters standing around the register until her mother pulled her away.
This morning I spent some time at the Magic Window with Sleighbell, an entertainer who is in the process of making a music video with her all-girl singing group. We talked about one thing and another, and she told me that she has appeared on a few television shows, mainly soap operas. I asked if she has ever done "One Life to Live," and she said, yes, she had a bit part as a flamenco dancer a few years ago when Cord and Tina remarried and traveled to Madrid for their honeymoon.
Suddenly I remembered Sleighbell perfectly. On that episode she wore a red lace dress and stomped upon a shiny nightclub floor until Spain's greatest bullfighter entered, challenging Cord to a duel. Sleighbell intervened. She stopped dancing and said to Cord, "Don't do it, Se. Yoot be a fool to fight weeth Spain's greatest boolfighter!"
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