Louis Maistros - The Sound of Building Coffins

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It is 1891 in New Orleans, and young Typhus Morningstar cycles under the light of the half-moon to fulfill his calling, re-birthing aborted foetuses in the fecund waters of the Mississippi River. He cannot know that nearby, events are unfolding that will change his life forever – events that were set in motion by a Vodou curse gone wrong, forty years before he was born. In the humble home of Sicilian immigrants, a one-year-old boy has been possessed by a demon. His father dead, lynched by a mob, his distraught mother at her wits' end, this baby who yesterday could only crawl and gurgle is now walking, dancing, and talking – in a voice impossibly deep. The doctor has fled, and several men of the cloth have come and gone, including Typhus' father, warned off directly by the clear voice of his Savoir. A newspaper man, shamed by the part he played in inciting the lynch mob that cost this boy his father, appalled by what he sees, goes in search of help. Seven will be persuaded, will try to help…and all seven will be profoundly affected by what takes place in that one-room house that dark night. Not all will leave alive, and all will be irrevocably changed by this demonic struggle, and by the sound of the first notes blown of a new musical form: jazz.

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“That gold horseshoe up his ass gotta shake loose sometime, Walter,” pitched in Fat Tommy. “I’m with Otis. Double it up!”

“Ain’t sure I got nuff left to go double,” said Skinny meekly.

“Then I guess you’d be out, Roy,” Otis barked without looking up.

Nervous nods dipped around the table, no one asking young “Nick” if he minded doubling the stakes-no one particularly caring whether he minded or not. This was as it should be with any good touch. Make sure the mark makes as many bad decisions as he can of his own design and free will. Nudge only when necessary.

Being the only sober mind left at the table, Dropsy had no further need of cleverness in the switch. He could have put a pig’s ear in the hat without raising an eyebrow. One of the few advantages enjoyed by colored persons in this business was that white folks prefer not to drink with you-and, therefore, rarely protest if you choose not to partake. A white man’s own sense of natural-born privilege could often be used against him in this way-you only need be aware of the fact, Dropsy had learned.

The hat went around until the inevitable occurred, Jim cleaning up once more. Drooping drunken faces stretched longer still as Otis slammed his fist to the table, the impact of the blow causing Skinny Roy’s shot glass to bounce noisily to the floor.

Timing was everything:

Jim stood up quick, wobbling mightily, with both hands on the table for support.

Dropsy casually scooped up his partner’s winnings as Jim spoke in a drunkenly disabled voice that no longer needed faking:

“My ma will be so happy for the groceries I done made!” Without warning, the kid keeled over, flopping face first onto the table, then bouncing backwards onto the floor.

Dropsy dove down to retrieve him, stuffing his pockets with more bills along the way. Slapping Jim gently on the cheeks: “Y’okay, little fella?”

“Don’t feel so good. Think I gonna be sick.”

Walter rolled his eyes, peeved at the inconvenience. “Ah, crap. Why don’t ya take ol’ Nick outside, hero. Then come on back in and we’ll have another go or two. Let us weary travelers have a chance at winning some of that money back.”

“Just what I was thinking, sir.” Jim began to heave as Dropsy pulled him to his feet.

“Hurry fer chrissakes!” Otis, the Least Remarkable Man, was concerned that the sight of Jim puking may trigger the contents of his own destabilizing gut.

As Dropsy and Jim neared the door, Jim’s retching got louder. The second to last thing Dropsy heard from the table of used-up suckers was the voice of Skinny Roy:

“Dang, Walter, maybe we shouldn’t have made that youngster drink so much whiskey. Ain’t sure how such a little guy drunk so much without droppin’ over dead.”

And the very last thing Dropsy heard was the sound of the Pennsylvanians’ own dumb laughter-laughing at what they believed to be the misery of a poor, sick boy just sixteen years old.

Dropsy couldn’t have hoped for a cleaner getaway. He slipped Black Benny a wad of currency before helping Jim down the stairs. Benny gave up a rare smile witnessed by no one.

Upon reaching the dark Perdido Street alley outside, Jim did indeed vomit for the best of two solid minutes. In the aftermath of sickness, he wiped chin to sleeve, then brushed sleeve to hand. The night’s winnings came out of Dropsy’s pocket for a final tally in the shadows. The split was fifty-fifty-fair and square just like always.

“Nice little take there, fellas?” The voice of Buddy Bolden startled the two. Cigar clamped between teeth, and horn in hand, Buddy’s tall frame conspired with the light of the alley’s mouth to form a long shadow.

Chapter thirty. What Dropsy Saw

“Thought you was gettin’ busy with them girls,” Dropsy deadpanned.

“Howdy, Buddy!” Jim grinned with yellowy eyes. “Some mighty nice playin’ tonight. Sorry we can’t stay for the next set.”

“Reckon that wouldn’t be too safe, all things considered and such, eh Jim?” said the silhouette of Buddy Bolden.

“Ah, hell, I’d keep on going but them fellas tapped out. Ain’t as fat as I reckoned.” Then, after a moment’s consideration. “From some place called Pennsylvania. Not much money up there, I guess.”

“Well then,” Buddy sounded tired. “What’ll you be spending all that hard earned cash on, Ratboy?”

“Funny you should mention, Buddy.” Jim smiled, a patch of dried vomit on his cheek cracking into a dozen smaller pieces. “I was thinking of buying that horn of yours offa ya. If yer willin’, I mean.”

“Didn’t know you played, Jim.” Pretending he didn’t know all about Jim’s grand notions of graduating from the rat killing business in favor of musical stardom.

“Well, if I had a horn I might.” Smile gone, vomit bits reassembled.

“Lots of horns besides this one around, I reckon. Better ones, ’n cheaper too, I s’pose.”

“I like that one,” Jim insisted, eyebrows nearly joined. “Ready to pay top dollar fer it, too.”

“That makes some sense, I guess. This horn does have some history. But it’s also got sentimental value can’t be bought. Anyway, after I’m done with it, it’s already spoken for by some-other-body.”

“Spoken for? By who?”

Dropsy had never seen such plain disappointment on Jim’s face. The sight of it made him uneasy.

“That little boy of mine,” Buddy answered coldly. “This horn got some of his daddy’s magic in it, I guess. Some other kinda magic too, most likely. Figgered on hanging onto it fer awhile then pass it on to West one day. Least I kin do fer the little guy ’sidderin’ I left him to be raised by a whore.”

“That horn may be worth twenty dollars brand new,” Jim angled. “I’ll give ya sixty fer it right now.” Jim’s eagerness tipped his hand. One more thing Dropsy had never before witnessed Jim do.

“Sixty, eh? Well, that’s a mighty tempting offer, son.” Playing with the player is what Buddy had in mind. “But I’ll have to pass.”

“Eighty?” Jim’s desperation brought Dropsy close to tears. Buddy smiled but shook his head, stroking the horn like a kitten.

“Hunnert, then,” said Jim firmly with beaten, angry eyes. “Final offer.”

Buddy’s expression softened with a thing approaching genuine remorse-or, more likely, pity:

“I’ll tell ya what. I’ll give you a little blow fer free. Just so’s you can see if you like it. Playin’ horns ain’t fer everyone, y’know. Might not be fer you once you have a go.”

“Really? I mean, ya wouldn’t mind? Ya ain’t kiddin’?”

“Normally I’d mind plenty, sonny. But truth is you and this horn have a special history-though you was too young then to remember ’bout it now. Sang to you when you was a little baby, this horn. Put a breath in yer chest and a smile on yer mama’s face. Only seems right you should have one little blow on it. Fer old time’s sake.” Buddy, unlike Dropsy, was aware of Jim’s true history. Knew that Jim Jam Jump was a stage name invented for him by Crawfish Bob, and that his real name was Dominick Carolla, son of Sicilian immigrants in spite of fair skin and blue eyes.

“Well, all right then.” Jim wasn’t exactly sure what Buddy was talking about, but it was true he’d felt a certain connection with this particular horn. It wasn’t just in the way that Buddy played it; there was something about the horn itself.

Reverently, Jim took the cornet from Buddy’s outstretched hand. Dropsy suddenly realized that, until this moment, he’d never seen Buddy not holding the damn thing. The man looked surprisingly thin and vulnerable without it in his hand.

Jim drew in a deep breath and closed his eyes, then: lips to mouthpiece.

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