Doris Lessing - Love, Again

'Oh, Shirl,' said Alison, 'I'm going to lock you up if no one else does. Help yourself, Mrs Durham. It's all in the big fridge.'

Sarah chose orange juice, thinking vitamin C was good for depression.

'Do you know where Mrs Ellington-Smith is?'

'She and Norah were around not long ago. I think they went upstairs.'

As Sarah left she heard the two young women start up again: giggles and teasing. It occurred to Sarah she was thinking of them as if they were two new-laid free-range eggs; and that she didn't want to know if one was a single parent and the other looked after an invalid mother.

Stephen had not moved a muscle. She said to him, 'Stephen, please drink this. You've got to drink in this weather.' She set the glass down on the bench, but he did not take it; she held it to his lips, but he did not drink.

She said, 'I'm going off for a little, but I'll be back.' She had to find Elizabeth. If not her, then Norah. It was mid- afternoon. She went up the steps at the front of the house, where Henry had stood looking after her on that last morning, and into the hall, and then into the room where the company had had their buffet meals, and through the room where the family ate informal meals, and then into the back part of the house, not to the main staircase, but the one where she had seen Stephen's James stand to gaze out at the tree as if it were a friend. She went on up past that landing to a room that Elizabeth used as an office. She had to force herself to knock, because she was afraid of Elizabeth: not her anger, but her incomprehension. And what was she, Sarah, going to say? 'I'm worried about Stephen — you know, your husband.' And what would Elizabeth say? 'Thank you so much, Sarah. It is kind of you.'

No reply. She heard voices. Yes, they were Elizabeth's and Norah's voices. It occurred to her that not only Elizabeth's office but her sitting room and her and Norah's bedroom were up here. She had never been into these rooms. There was a wide corridor with rooms off it, a pleasant corridor with old-fashioned floral wallpaper. It was dimly lit from a skylight and from the tall window halfway up, or down, the stairs. The scene was domestic, intimate.

She stopped halfway along the corridor. The strength was going from her legs. She leaned against the wall. Elizabeth and Norah were laughing. There was a silence, which Sarah was hearing as Stephen might, then more laughter, loud and conspiratorial, and the two voices were talking, and they went on in an intimate murmur, not from the office, or the sitting room, but from the bedroom. It was no use saying that Elizabeth and Norah often laughed, that women like laughing and make occasions and excuses to laugh, that often these two seemed like schoolgirls, enjoying babyish jokes. They laughed again. A small cold horror was invading Sarah, because she was hearing it through Stephen's ears. It sounded suggestive and ignorant and even cruel. But of course they were not laughing at Stephen. They were probably laughing at some small silly thing. They lay in each other's arms on the top of the covers, because of this hot afternoon, or side by side, and they laughed as the two women downstairs giggled at the flour on Shirley's hair. But the laughter hurt, squeezed her heart, as if it were her they mocked… if so, fair enough; she was a traditional figure of fun. Why did she take it for granted they did not ridicule Stephen? Perhaps they did. Stephen had said he avoided this part of the house when he knew Elizabeth and Norah were up here.

They must not, absolutely must not, find her here. She crept down the stairs. She stood on the back steps, making and discarding plans, such as that she would put Stephen into a taxi and take him back to London. She walked slowly through the heat towards the ash tree. When she turned a corner, a brick pillar tapestried with variegated ivy, she saw the empty bench and the untouched orange juice, where she had put it.

She called once — 'Stephen' — in a low voice. Then she went fast, half running, along paths, past fields, looking for him, thinking, I'll see him now… I'll see him when I get to that tree. But the benches they had sat on were all empty, and the glade where the shooting lesson had gone on did not now have a post sticking up in the middle. It was only a sunny hollow patched with shade from old trees. It was much later than she had thought, getting on for five. Soon the evening's audience would start arriving. She thought she might write notes for Elizabeth and Norah and leave them with the girls in the kitchen. Like this?: Dear Elizabeth, I came down because I was worried about Stephen. Perhaps you should… Or: Dear Norah, please don't be surprised I am approaching you and not Elizabeth, but I cannot help feeling that she…

In the end she walked out through the big gates, then along the road, caught a bus and then a train home.

That night she rang Stephen. Never had she felt more ridiculous and she had to force herself to do it. It was because on the one hand there were all those acres, the house, his life, his wife; there were his brothers and friends everywhere, his children, their schools, where he had himself been… against this mesh, this web, this spread and proliferation of responsibilities and privileges, she had to offer only: let me bring you here and look after you. But this sensible offer did not get made, because when he answered his voice sounded normal. It was slow, certainly, but he did not mumble, or lapse into interminable silences. He understood what she was saying and assured her that he would look after himself. 'I know you were here today. Did you come to visit me? If I was rude, I am sorry.' She told herself, Perhaps I am exaggerating it all.

Two days later Norah rang to say she was telephoning for Elizabeth: Stephen had killed himself, making it seem an accident while shooting rabbits. The rabbits are very bad again, you know. They got into the new garden — the Elizabethan garden — and ate everything to the ground.'

Sarah went down for the funeral service, which was in the local church. Several hundred people crowded church and churchyard. It occurred to her that Stephen and she had never discussed what they did or did not believe, or what he felt about religion, but this scene was certainly in key with what he was: the old church — eleventh century, some of it — the Church of England funeral service, these country-living people, some of whose names were on the church walls and the gravestones.

She went back to the house for the usual drinks and sandwiches. Every room she went into was crammed, including the kitchen, where Shirley and Alison were at work, both tear-stained. She glimpsed the three boys — pale and sick- looking — across a room, with Norah, but otherwise did not see one face she knew. There was a heavy, gloomy, and even irritable atmosphere. Let's get this over with. Condemnation. These people had passed judgement on Stephen and found him guilty. Sarah was accusing them of letting him down. She did not like them, or what she saw of them today. These are people — that is, the English upper classes — at their best at balls, formal occasions, festivals, when dressed in ball gowns and tiaras, the men handsome in their uniforms and their rows of medals and orders. But funerals are not their talent. They wore clumsy dark clothes and were graceless and uncomfortable in them.

When the crowds began to thin, Elizabeth asked Sarah into a gloomy room that had a billiard table in it and, on the walls, every kind of weapon, from pikes and arquebuses to World War I revolvers. Elizabeth stood with her back to racks holding shotguns and rifles, with a glass of whisky in her hand. She looked heavy and commonplace in her black. She probably kept it at the back of a cupboard just for funerals.

She was blazing with anger, her cheeks scarlet, her swollen eyes glittering.