Laura Furman - The O Henry Prize Stories 2005

Здесь есть возможность читать онлайн «Laura Furman - The O Henry Prize Stories 2005» весь текст электронной книги совершенно бесплатно (целиком полную версию без сокращений). В некоторых случаях можно слушать аудио, скачать через торрент в формате fb2 и присутствует краткое содержание. Жанр: Современная проза, на английском языке. Описание произведения, (предисловие) а так же отзывы посетителей доступны на портале библиотеки ЛибКат.

The O Henry Prize Stories 2005: краткое содержание, описание и аннотация

Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «The O Henry Prize Stories 2005»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.

Usually, this is where the rhapsody would begin; strings would swell; breasts would be clasped with great feeling: The short story isn't dead; it lives!
I will abstain. If you're interested in The O. Henry Prize Stories 2005 at all, you're already an adherent of short prose, and know that it's alive and flourishing (as long as you can track it down on the smaller and smaller presses to which it's often relegated).
If the short story's cachet has evinced some decline over the course of the past century, it's a decline in public exposure and lucrative potential, not in quality. In terms of sales and public profile, the short story collection can't keep apace with the novel or pop nonfiction, but it's still absolutely kicking poetry's ass on all fronts, and, like poetry, remains in general more adventurous, fluid, and vitally modern than its novelistic big brother.
To review these stories in terms of their quality seems redundant – that they're terrific is a no-brainer. Entering its eighty-fifth year, The O. Henry Prize Stories consistently collects – I won't say the finest short fiction, but it collects inarguably exquisite short fiction published in the U.S. and Canada. We'll concede that there may be better stories out there, simmering under the radar or even (gasp!) unpublished, which does nothing to detract from the eminence of the ones collected here. This is a damn good read.
This year's edition was edited and introduced by Laura Furman, with a jury consisting of celebrated writers Cristina Garcia, Ann Patchett and Richard Russo. It's dedicated to Chekov upon the centenary of his death, which is forgivably predictable, given his pervasive influence on the short form. Besides illuminating notes from the writers on their work, the 2005 edition contains an essay by each of the judges on their favorite story, and a glossary of literary journals big and small that will be a valuable resource for writers and readers alike.
If quality is a given, it seems the best utility a review of the The O. Henry Prize Stories can have is to pick out the affinities between them and see (a) what writers were compelled to write about in the past year, (b) what editors were compelled to publish, and (c) which literary organs are currently in vogue. Word to the wise: If you'd like to win an O. Henry Prize, relentlessly submit to the New Yorker, which originally published no less than six of the twenty stories here, comfortably vanquishing silver-medallists The Kenyon Review and Zoetrope, who clock in with an admirable (if measly by comparison) two stories apiece.
No less than four stories in the volume revolve around music, all of which are deeply appreciative, none entirely trusting. Michael Palmer's atmospheric tale, "The Golden Era of Heartbreak", is haunted by a lovelorn trucker's song that carries everywhere in a town flattened by the departure of the narrator's wife. "My house filled to the eaves with this song," he states in his spare, lyrical tone, and the story is filled with it as well: The prose, like the town, is "flat as an envelope," and the trucker's song stretches spectrally across it.
A personal favorite of mine, Ben Fountain's "Fantasy for Eleven Fingers", is an elliptical, richly detailed character sketch in the vein of Millhauser or Hemon, about the intertwined destinies of two eleven-fingered pianists in nineteenth century Vienna, steeped in all the paranoia, political and ethnic tensions, and obsolete superstitions of the day.
In Timothy Crouse's "Sphinxes", a remarkably confident and unclassifiable tale, piano lessons, love affairs and subtle emotional maneuvering are braided together with increasing complexity until they become indistinguishable. In each of these stories, music is salvation and undoing, pure force and calculated metaphor: a paradox, a chimera, a sphinx.
And Gail Jones's "Desolation" is about a primal, alienating sexual encounter at a Death in Vegas concert, although it cross-references with the second type of story that heavily informs this year's volume, the community / exile story, which we're coming to just now.
Many stories in The O. Henry Prize Stories 2005 revolve around issues of community, but not the traditional, fixed community – these stories are about the provisional communities that arise in times of crisis, and the communities forged by travelers, strangers, souls in spiritual and physical exile.
Judge favorite "Mudlavia", a coming of age tale by Elizabeth Stuckey-French, finds a young boy and his mother in a health resort filled with questionable, exciting characters of colorful mien and shady provenance – slowly, away from their domineering father and husband, we watch them come alive to their own desires, desires that this alien context was necessary to draw out.
Another judge favorite, Ruth Prawer Jhabvala's period piece "Exile in London", evokes the faded aura of postwar London by way of the young narrator's recollections of the ragged diaspora in her aunt's boarding house. And Nell Freudenberger's "The Tutor" details the tensions, both sexual and cultural, between a prototypically American teenager in Bombay and her native Indian tutor.
But the finest story in The O. Henry Prize Stories 2005 has to be Sherman Alexie's "What You Pawn I Will Redeem", which describes the plight of a homeless, admittedly "crazy" Spokane Native American as he embarks on a day-long quest to raise one-thousand dollars to buy back his Grandmother's tribal regalia from a pawn shop. That the story's themes are large and poignant is obvious; what's remarkable is that it manages funny, hopeful, angry, and redemptive at once. The narrator's refusal to lapse into self-pity or misanthropy at his pathetic plight is counterintuitive yet rings true, and by the time the story reaches its conclusion, not-at-all inevitable and uncommonly generous of spirit, one feels every inch of his joy.
In the end, this is the short-story function that trumps all the others: The ability to vault the reader into realms of unanticipated joy. While not all the stories in The O. Henry Prize Stories 2005 achieve this as viscerally as Alexie's fable, each one loudly debunks any nonsense about the short story's obsolescence.

The O Henry Prize Stories 2005 — читать онлайн бесплатно полную книгу (весь текст) целиком

Ниже представлен текст книги, разбитый по страницам. Система сохранения места последней прочитанной страницы, позволяет с удобством читать онлайн бесплатно книгу «The O Henry Prize Stories 2005», без необходимости каждый раз заново искать на чём Вы остановились. Поставьте закладку, и сможете в любой момент перейти на страницу, на которой закончили чтение.

Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

“Sin City,” Mother said, cocking one eyebrow.

I asked Mother, “If everybody knows these people are criminals, how come nobody calls the cops?”

“Don’t ask ‘how come,’” Mother said. “Don’t say ‘cops.’” Then she rubbed her fingers and thumb together. “Boodle,” she whispered, and we both snickered.

On the way out of the dining room she pushed my chair past the parrot, who turned to watch us, his beady eyes blinking. I lurched toward him. He gave a loud squawk, flapped off his perch, and then swooped low over the tables and circled the dining room like a mutant bat, causing the diners to shriek and duck. The bobbed woman leaped up and charged after him. Finally the bird perched at the top of one of the tall windows, and as we left I heard the bobbed woman imploring him to come down. “Tyrone,” she was calling. “Come to Mama.” Mother called me Tyrone for the rest of the evening.

So Mother and I were having a grand time. The only trouble was that my knee wasn’t getting any better. For the first week it didn’t feel worse, and I credited the treatment, but now I think the wheelchair might’ve been the reason. Then it began to hurt worse, with an even sharper pain that kept me awake at night. I didn’t say a word about the pain, didn’t even acknowledge it to myself. Harry's lady friends had disappeared, and he began sitting with us every night at dinner, and Mother and I were having too much fun thinking of ways to get him to reveal his true identity. We got bolder and bolder.

“So how did you carry your mailbag?” Mother asked him. “Over which shoulder?”

“Right, of course,” Harry said. “We’re required to.”

“What's the most collected stamp ever?” I asked him.

“Pocahontas five-cent.” He took a slurp of his cold cucumber soup. He always answered our questions without hesitation, and he could’ve been telling the truth, of course, though we preferred not to think so.

One morning I got another postal from Dottie B. “We saw your father in downtown Indianapolis,” she wrote. “He was walking with your cousin. What a stylish lady! Her skirt was up almost to her knees and she wore a sailor hat. I pestered Mother till she bought me a sailor hat too.” Something told me, even at age ten, to rip this postal up before Mother could see it.

“Your mother is a beautiful woman,” Harry said to me the next morning when we lay on our cots, covered with mud. “But don’t tell her I said that.”

“I won’t,” I said, even though his tone indicated that he wanted me to tell her. Everything said at Mudlavia seemed to mean just the opposite. I didn’t like his saying that my mother was beautiful, because it was true, and the whole point of our relationship was to tell lies. Mother doesn’t really like you, I wanted to tell him. She's just pretending. But I knew that she and I were only pretending not to like him. It was all too confusing. “Mother likes you,” I was surprised to hear myself say. “I do too,” I added.

“Really?” he said, grinning at me. He was so thin that he looked like pictures I’d seen of Egyptian mummies. “She does? Really?”

I assured him that she did, but I was surprised to find myself hurt that he cared about Mother more than about me. I’d thought of us as the new threesome, now that his lady friends were out of the picture. “My father has a lady friend,” I said to Harry, and told him about the postal I’d received the day before. He listened to me intently, frowning, and without saying a word. I expected him to express shock and outrage, to jump up and do something, or to at least promise to do something. When he continued to lie there, silent and unmoving, I felt a cold anger welling underneath my mud-warmed skin. I’d confided in him because, despite all the games we were playing, I believed that he would want to help us. I’d thought he was our friend.

That night at dinner I watched him joking and talking with Mother, listening to her silly replies. They didn’t seem to notice that I wasn’t participating in their little charade. I realized, with a sickening feeling, that I had served my purpose and was now expendable. I didn’t like the way he stared at Mother, and I didn’t like the way she gazed back at him. I’d never seen her look at anyone else that way. It was as if she’d been infected by some strange virus and couldn’t help herself. I sulked through dinner, refusing to meet their eyes, grunting and shrugging when I was addressed. Before Mother could finish her cherry Bavarian cream, I told her I was tired and wanted to turn in early. I hoped she would read in bed and keep me company, but she tucked me in and said she was going back down to sit on the porch. It was too hot to read upstairs, she said. Did I mind?

“What happened to the parrot lady?” I asked Mother, who was brushing her hair in front of the mirror. “And Sylvia? Where’d they go? Maybe he rubbed them out.”

She rewound her hair in a bun and dug a tortoiseshell comb into it. “Don’t be silly,” she said.

“Harry says this place is a con game,” I said. “He says the mud is just ordinary.”

“Go to sleep,” she said.

I lay in bed, sweating in my nightshirt, imagining how I was going to get even. I considered calling the cops and ratting on Harry; then I decided to write a letter to Father, not mentioning Harry but asking him to come and get us. I was sorry that I’d ratted on my father, and I asked God for forgiveness. I finally dozed off. When I woke up, a full moon hung outside my window, and Mother's bed was still empty. I clambered out of bed, ignoring the throbbing in my knee, and hopped to the window, where I stuck my head outside, hoping to feel a breeze on my face.

Then I heard Mother and Harry talking on the porch. Their voices were quiet and intimate. I heard no teasing or laughing, no protesting or measured politeness. For the first time since we’d been there, I was hearing the sound of honest speech, and it spooked me. I couldn’t see them, and strain as I might, I couldn’t make out their words. Were they sitting side by side? Or standing, looking up at the moon? A sharp, stabbing pain went through my knee, and I collapsed on the floor. As I lay there, stinging truths seeped into my conscious mind, drop by drop. Something was very wrong with my knee. I would never be an Olympic champion. I would never jump again. Never use my leg again. Never.

I crawled underneath the bed and curled up in a ball. Mother finally found me there when she came in. “My God!” she said. “What's happened?” She kneeled in front of the bed, sounding satisfyingly terrified.

I rolled out from my hiding place. “My knee's been hurting worse and worse,” I said. “It's not getting better.” I started to cry then, relieved to be telling the truth, but feeling that I was tricking her all the same, and doing it for her own good. For our own good.

She laid a cool hand on my forehead. “We’ll see the doctor first thing in the morning,” she said, and I could hear the despair in her voice. “I’m sorry. I’m a terrible mother. I’ll never forgive myself.”

I closed my eyes and said nothing.

The next morning Mother found the Mudlavia doctor playing poker in Sin City, and he advised her to take me immediately to a hospital. Mother notified my father and made arrangements; we sat in the lobby with our suitcases all morning, waiting to leave. Many people stopped to wish us well, including Buster. He bowed to Mother and shook my hand. “The Human Frog didn’t go to the Olympics till he was twenty-six,” Buster said. “Remember that.” I could give him only a distracted smile. Harry never appeared, and Mother never left my side. That afternoon she and I began a journey to Chicago's Augustana Hospital. The doctor declared that I had a malignant tumor in my knee, and half my leg had to be removed. If we’d waited much longer, the surgeon told us, I might be dead.

Читать дальше
Тёмная тема
Сбросить

Интервал:

Закладка:

Сделать

Похожие книги на «The O Henry Prize Stories 2005»

Представляем Вашему вниманию похожие книги на «The O Henry Prize Stories 2005» списком для выбора. Мы отобрали схожую по названию и смыслу литературу в надежде предоставить читателям больше вариантов отыскать новые, интересные, ещё непрочитанные произведения.


Отзывы о книге «The O Henry Prize Stories 2005»

Обсуждение, отзывы о книге «The O Henry Prize Stories 2005» и просто собственные мнения читателей. Оставьте ваши комментарии, напишите, что Вы думаете о произведении, его смысле или главных героях. Укажите что конкретно понравилось, а что нет, и почему Вы так считаете.

x