Laura Furman - The O. Henry Prize Stories 2011

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The PEN/O. Henry Prize Stories 2011 contains twenty unforgettable stories selected from hundreds of literary magazines. The winning tales take place in such far-flung locales as Madagascar, Nantucket, a Midwestern meth lab, Antarctica, and a post-apocalyptic England, and feature a fascinating array of characters: aging jazzmen, avalanche researchers, a South African wild child, and a mute actor in silent films. Also included are essays from the eminent jurors on their favorite stories, observations from the winners on what inspired them, and an extensive resource list of magazines.

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Break time. Little Fry always lights up first because she’s the hungriest. She passes to me as we slump on the couch. James walks in to retrieve me and air comes punching into the room. He carries his own weather, RJ said one time when he was gakked.

In bed is where reputation gets iffy. It’s only as good as who’s on top of you, a girl named Share, who is no longer with us, used to say. I wonder what that means vis-à-vis James.

Oh, but James goes down, unlike most guys. When you’re made of iron and brass, I think, sliding up on the pillow, you’re not afraid of anything.

Sex is as selfish as drugs, I think, my nerves undulating inside my arms and legs like earthworms, and I like to be selfish, at least that’s what my parents used to say, screaming outside my bedroom door. James doesn’t have to work hard or long. He just breathes on me, just shivers me, until I answer back and then James disappears in a suck of air. I don’t open my eyes until he’s in and over me. Then I come again while he watches. The sun sets over his shoulder, a red blazing that seems to start the cornstalks on fire, while the last of the light slides off the side of the barn. James always leaves me gasping. From the bed, I grab his ankles. He puts on his jeans anyway.

I get dressed and go out to the living room. RJ has turned on the light over the barn door, so we know he’s out there with the chef. Little Fry is back at the table, guzzling Mountain Dew. She solves the puzzle of the paper strips. The house shakes with James’s absence, every atom chiding us.

Merilee, she of the cheery name, is James’s wife. She lives elsewhere. Sometime in the morning she comes in her TrailBlazer with Riley, the boy she has with James. Merilee lets Riley lay on the horn until James comes out, pulling cash from his back pocket. She does all right-the bitch, James always says after she leaves. Then he laughs. Today Merilee and James talk at the car window, while Riley pulls at the ends of James’s long hair.

Fritzie, keep going, RJ says. I’m sweeping in front of his mop: double-team double-clean, RJ calls it. He’d lick the floor if he could. Little Fry continues her Good Work at the table, selfless and tireless, like a nun. James sometimes calls her Holy One, she does her one thing so pure.

Oh, Merilee, I think, how have you kept your narrow waist, your big boobs, and your auburn hair to the ripe age of thirty-five? Oh, Merilee, how do you hold on to a husband/boyfriend/father/sugar daddy/fucker like James? Merilee, how? Neither James nor Merilee use anymore. Because of Riley, Merilee says, which James claims too. But I know it’s really because James is CEO. You can’t run a business and do its work at the same time.

Riley cries in the window of the TrailBlazer as it turns around in the yard slush. James comes into the living room, tracking. Get it, get it, RJ yells, pushing me and my broom along.

RJ, James says, you and Fritzie go to town. He gives us a card and the keys to the old Ninety-Eight.

I’m not done here! RJ yells.

James puts his hand on RJ’s neck and he calms down. I’ll keep an eye on it, James says. Get going.

RJ holds the steering wheel as if it’s made of eggs. If you let me drive, I say, we’ll get there lickety-split. Cops, RJ says.

They’ll think something is really wrong with you, you go like this, I say.

RJ ignores me and starts on the list of his DUIs, DWIs, driving while fucked up, short stints in the pokey, and I mention that these incidents always center on a wayward girl. Correct, RJ says. Women are the bane of my existence. Were.

RJ and I have this same conversation every time we go to town. Everything is always the same, right down to the number and kind of transgressions. I just go with it. RJ has been with James for a few years, so his stories and his thoughts run in the same tight circle. The cornfields finally give out and then we’re chugging through the outskirts of the city so slowly that I have plenty of time to read NO SOLICITING on at least five doors.

I make RJ go to the Hy-Vee on our side of the city proper so I won’t see anyone I know. We do a foilie in the car for courage and strength, RJ says, as if there’s going to be heavy lifting. He’s right about the possibilities, though. One day, when he was gakked and ergo superhuman, RJ sawed down a whole tree and cut it into perfect logs even though our fireplace is broken. But here, well. The city is full of people we’ve never seen and expectations that have passed us by, and we’re never sure how we’re presenting ourselves. To us, we’re just fine.

Inside the store, RJ grabs a cart; I stand on the back and he pushes me. We have a list. We like lists and tasks, but we’re never very hungry. Uck, RJ says too loudly, looking around at all the food. I know, I say, but whisper, man. What’s first?

When Little Fry eats, it’s always bananas and milk because she heard somewhere that it’s the perfect combination of food. I point out that there’s no protein there, but my opinions on diet don’t carry much weight anymore. So RJ and I load up on bananas and the kiwi James likes, then fruit leather for RJ. We tour meat for James’s chicken parts, then zoom to dairy for Little Fry’s milk and RJ’s string cheese, then over to cereal for Cheerios. I’ve eaten them since I was a baby; my parents have a picture of me sitting in my high chair, those little oaty lifesavers on the tray. Now I like them in a red bowl, one by one, while I work. The last thing for the cart is cigarettes, different brands to please everyone. On the way up to check out we swing by the drug section, and even though I didn’t plan it, I grab some cold medicine and head back to the bathroom. A surprise for James. I put the foil sheets of pills in my pocket and bury the box under paper towels in the trash. RJ rolls us up to the registers. The checker slides our stuff over the reader, but she also takes some time to look us over. She’s seen photos on billboards of guys like RJ, all skinny and snuffly and with that new kind of acne, teeth sprung. I can feel her thinking about calling the manager, but for what? We haven’t done a thing but ride the cart. RJ hasn’t noticed any of this; he’s just holding out the shaking card. I sign in the swiper window-Jacqueline Zingle-and then, thank God, we’re out in the parking lot loading bags. We progress at grandma speed back to James’s.

When we get there, the football players’ Jeep is in the yard. The team is going to a bowl game, and everyone in the city is in a fever. Part of the proceeds from the sale of RJ’s string cheese goes to a fund for the new stadium.

Four huge men stand around the living room, slushing up RJ’s clean floor. Hey, he shouts, and drops the bag he’s carrying.

Let’s keep it moving, James says, hustling RJ and me into the kitchen. I go back out, though, just to get a gander at all that healthy flesh. The players are ruddy, thick. Veins pop out on their hands. They fill out their team jackets, and their feet are as big as oars in their matching shoes. One of them looks in my direction, but he stops at my hair and frowns. Little Fry couldn’t keep her hands still one night, so I gave her a pair of scissors and closed my eyes. Now my hair is like little blonde eruptions all over my head.

There’s a new guy this time, the biggest one of the group, wearing a hemp necklace and a small gold cross. You take checks? he asks James.

RJ, James, me, even Little Fry crack up. What? the guy asks, looking around.

Don’t be a dipshit, the one black player says. He’s the only gentleman of color, as RJ always calls him, who ever comes around, and he tries hard not to look at anything.

The player who looks like an oversize cowboy, down to the Resistol covering his crew cut, pulls out the cash.

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