Tony Parsons - One For My Baby

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One For My Baby: краткое содержание, описание и аннотация

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New novel about men, love and relationships by the author of the Book of the Year, Man and Boy. Alfie Budd found the perfect woman with whom to spend the rest of his life, and then lost her. He doesn't believe you get a second chance at love. Returning to the England he left behind during the brief, idyllic time of his marriage, Alfie finds the rest of his world collapsing around him. He takes comfort in a string of pointless, transient affairs with his students at Churchill's Language School, and he tries to learn Tai Chi from an old Chinese man, George Chang. Will Alfie ever find a family life as strong as the Changs'? Can he give up meaningless sex for a meaningful relationship? And how do you play it when the woman you like has a difficult child who is infatuated with a TV wrestler known as The Slab? Like his runaway bestseller, Man and Boy, Tony Parsons's new novel is full of laughter and tears, biting social comment and overwhelming emotion.

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Then we go to see the nice Indian doctor that my nan likes so much, and he tells her-so matter of fact that I will remember it forever-that she is dying.

“We’ve had a look at the result of your biopsy, Mrs. Budd, and I have to tell you that we have found a tumor in the lining of your lung. And, as I would expect in someone of your age, the tumor is malignant.”

They have known this for how long? Hours? Days? Weeks? Certainly before we arrived today, before the hearty good mornings and my nan wandering the X-ray department with her hospital smock undone.

But it is news to us.

Tumor. Malignant. Nobody says the word. And I feel ashamed that nobody in my family-not me, not my mother, not my father-has had the courage to say the word since all this began. We assumed-we were so sure-that the word would go away if we never said it. And here it is, still not being said out loud, but growing in the lining of my grandmother’s lung.

They didn’t know, the doctor says, absolving my family of cowardice at not saying the word. They couldn’t know until the fluid was drained from her lungs and the biopsy had been performed. And he really is a good man, but he does not burst into tears or allow his voice to tremble with emotion when he tells my nan that there is nothing that can be done, no chemo, no surgery, no miracle cure, and that the tumor in the lining of her lung is secondary, meaning that the source of this thing, this terrible thing, is somewhere else, could be anywhere else in her poor old body, and they just don’t know.

It is not the first time that the doctor has given this speech. Perhaps not even the first time today.

More undressing, more examination. When the doctor and I are alone, and my nan is chatting happily to the young nurse on the other side of the screen, I ask him the obvious question.

“How long has she got?”

“In a patient of your grandmother’s age-probably a few months. Perhaps even until the summer.”

He talks about the medical term for what my nan has, the technical word for this pleural tumor-it’s called mesothelioma-and I get him to write it down, mesothelioma, thinking how you should know how to spell the thing that is going to kill you.

When my nan is examined and dressed, she thanks the doctor. She really likes him. She is a woman of courage and manners, and I feel ashamed again, wondering how I will carry myself when this day comes for me.

Outside the hospital her mouth is set in a firm line. I notice how crooked her eyebrows are drawn on today. The gap between her desire to look nice and her inability to do it as well as she once did shreds my heart.

She rubs her side, the side where they drained her lungs, and I remember that we thought it was where the tube had been stuck into her side that was hurting, a wound that wouldn’t heal, but we now know it was always more than that, this pain that comes in great waves and doesn’t let her sleep and takes her from her bed in the middle of the night.

“I’m going to beat this thing,” she declares, and I don’t know what to say, because I know it can’t be beaten-can it?-and so anything I say will sound either like surrender or a lie.

We go back to her little white flat and she slips into her old routine. Kettle on, music on, Sinatra singing “I’ve Got the World on a String,” the Mirror on the coffee table, turned to the TV page, circles in blue ballpoint around the programs she wants to watch while the rest of us are off doing something else when we should be with her, making the most of every day, every moment, and these shaky circles around her favorite TV programs make me feel like crying.

She is singing. I am shaking, scared of what I have to do. I have to call my father, I have to call my mother. But that can wait. Now we sit on the sofa, drinking our hot, sweet tea, listening to Sinatra sing “Someone to Watch over Me,” and my nan holds my hand like she will never let it go.

When I go to the park for the first time in ages, the morning is cold and frosty, the scrubby grass covered in a mist that the weak winter sunlight can’t burn away. He is there, of course, as I knew he would be, and I watch him for a while as he moves under the bare trees with that unhurried power, making what he is doing look like everything-meditation, martial art, physical exercise, breathing lesson and slow, lonely dance. Making every movement special, making every second sacred.

But today George Chang is not alone.

There’s a bunch of young business types in their dry-cleaned running gear politely watching him. There must be ten of them, mostly young men, their soft office bodies pumped up from weight training and contact sports, but there are also a couple of thin women with dyed blonde hair, good-looking but hard as nails. Modern boys and girls. They all look as though they should be going for the burn in a gym, or whatever it is they do in there.

“Alfie?”

It’s Josh. He looks a little heavier than I remember. And I am accustomed to seeing him in a suit from Hugo Boss or Giorgio Armani or Paul Smith, not a tracksuit from Nike. But it is definitely old Josh.

“What are you doing here?” I ask him.

He indicates George.

“Our company sent us to him.”

“What for?”

“Tai Chi is part of our new corporate strategy for stress management. Our firm loses too many person-hours to stress.”

“Person-hours?”

“Yes, too many person-hours. Tai Chi is said to reduce stress levels. And it’s also to help us think outside the box.”

“Think outside the box? What’s that supposed to mean?”

“Change the way we use our imagination. Help us think creatively. Stop us using the same old tired business techniques. Think outside the box, Alfie. At first I thought it was just a load of New Age business bollocks, this year’s half-baked corporate philosophy. But I’ve changed my mind after watching Master Chang.”

Master Chang? George never calls himself Master Chang. Who are these posers and what are they doing in our park?

George demonstrates the opening moves of the form. Then he gets them to do it. Or to try. It’s very basic stuff. He doesn’t even get them to put the breathing with the movement. As Josh and his friends wave their arms about, I take George to one side.

“You’re not really teaching these idiots, are you?”

He shrugs. “New students.”

“I don’t understand how they got here. I don’t understand how our park is suddenly full of suits talking about thinking outside the box and person-hours. All these suits talking about Tai Chi saving money for some rich company that has probably got too much money in the first place. This is our park.”

“Their boss comes to Shanghai Dragon. Good client of mine. Lives not far. Big-shot lawyer. Says, ‘George-I want you to teach Tai Chi to some of my people. Hear it good for stress. Will you do it, George?’ I say, sure, why not?”

“Why not? Because they’re not going to stick at it, that’s why not. You think they’re going to stick at it? They’ll last five minutes. Next week it will be something else. Yoga. Muay Thai. Morris Dancing. Anything.”

“How long did you last?”

“That’s not fair. I’ve had a lot on my plate lately.”

He turns and faces me. “Everybody always has a lot on plate. Everybody. Always. Lot on plate. You talk, talk, talk. Talk as though this is part of rat race. One more thing you have to do in busy life. It’s not. Tai Chi is get away from rat race. Understand?”

“But I liked it when it was just you and me, George.”

“Things change.”

“But I don’t like change.”

“Change part of life.”

“But I can’t stand it. I like it when things stay the same.”

He shakes his head impatiently. “Tai Chi all about change. About coping with change. Don’t you know that yet?”

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