Julian Rathbone - Kings of Albion

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'There are moments in this novel when one could be watching an episode of Blackadder. Frivolity abounds… Hut beneath the gags,.I serious historical novel is lurking. Julian Rathbone has had the excellent idea of viewing the Wars of the Roses from the perspective of some visitors from India. Their reactions to what they see. ranging from disgust to bemusement, shed unexpected light on fifteenth-century England' Sally Cousins, Sunday Telegraph
'Set in 1460, this hugely enjoyable romp is narrated by Mah-Lo from Mandalay – a wink at Joseph Conrad and the sort of sly joke with which the book abounds. The heart of darkness is not Africa, however, but England in the grip of the Wars of the Roses. The novel tells of a group of men who travel from Goa to trace a kinsman. Rathbone vividly describes the "Inglysshe, the least civilised and most barbaric people on earth", and brings to life the sounds, sights and, above all. smells of fifteenth-century England' Sunday Times
'Rathbone's novel is excellent, both as a fictional adventure story and as a detailed and enlightening description of an ancient land' The Times
Kirkus Reviews
No doubt hoping to extend the extravagant sweep-of-history-on-the-road theme of his previous novel (The Last English King, 1999), but falling short, Rathbone shifts to the Wars of the Roses, and a group of travelers from India who arrive just in time to be in the thick of the intrigue. In 1459, the disfigured but widely traveled Arab trader Ali, already pushing 60, agrees to deliver a packet from a mysterious, soon-dead stranger he meets in an English inn to the royal family of Vijayanagara in southern India. Ali's success earns him a return to the cold and rain of Albion, but this time with a prince of the family and his retinue in tow. The mission now: to track down the prince's brother, long estranged and believed to be practicing a secret, forbidden religion somewhere in the north. As they head west, Ali discovers that the monk in their party is actually a sensuous young woman he met briefly before leaving India. Later, Uma seduces him in a Cairo bathhouse, and adds a teenaged English nobleman to her list of conquests as they prepare to cross the English Channel. The boy, Eddie, is one of those plotting to overthrow the king of England; finding a hostile reception when Ali and company make it to London, he is forced to flee. Ali and the others get caught up in the civil war as well, with the prince shut up in the Tower of London and Ali and Uma leaving town without him. When Ali falls ill and stops in a monastery to recuperate, Uma keeps going, looking for Eddie, but she's thrown in prison, too, just as the two sides begin their series of bloody battles. Eventually, she finds her hot-blooded boy, and the prince finds his brother-but these reunions aren't what they've been expecting.The rambling seems more travelogue than novel, including, as it does, everything from theology to weather reports, and the notion of strangers in a strange land never quite catches fire.

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After a day or two during which our path meandered with a river we came to its confluence with a larger waterway, one of the two great rivers of that empire, the great Tungabhadra, and the next day the most wonderful sight I had ever seen presented itself to my eyes as we wound with the river round a vast crag and saw beneath us the City of Victory.

It is a city larger, more beautiful, more harmonious in architecture and in the lives of the hundred thousand who live there, than anywhere else in the world. Byzantium and Rome may have monuments to equal those of the City of Victory, but none to surpass them, and by no means so numerous, and both have suffered the ravages of age and numerous conquests while those of Vijayanagara are at the most only a century old: indeed, building even now continues apace in the suburbs and on the summits of the surrounding crags. Cambaluk alone has ornamentation and open spaces as fine – but forbidden, of course, to ordinary mortals.

Religions the world over have tempted us away from the proper purpose of our lives, the pursuit of happiness on earth, by promising an afterlife in a heavenly city unachievable on earth. Let their prophets and priests look on the City of Victory and admit their error.

Chapter Four

'My dear Ali, clearly you have not been advised of the new laws.' 'What new laws are those, Mah-Lo?'

'Since the most recent incursions of the Bahmani sultans there has been an interdiction on all aliens and foreigners from leaving the coastal ports. Trade with the interior can now be conducted only through approved intermediaries.'

I did not know that.What a terrible shame for you. You are not bored by an account of our capital city? Well, then, I shall proceed.'

My dear Xlah-Lo, you must have been there yourself. Why am I wasting your time with an account of what you already know well?'

The City of Victory occupies a natural basin through which the river flows and which is surrounded by wild crags in a crescent that protect it from attack from all quarters of the compass, save the east. These crags are linked with massive walls of wedge-shaped masonry and the gates are so placed in this indomitable combination of natural and man-made defences that caravans, or approaching hostile armies, have to make sharp turns beneath angled battlements from which missiles and boiling pitch can be hurled and tipped. These gateways also serve as customs posts where tribute and taxes, which are a major source of the wealth and splendour inside, arc-collected: the City of Victory is not merely a consumer, using its own vast wealth deriving from spices, diamonds and gold to buy in luxuries of all sorts, but is also an entrepot where traders from east and west can meet without having to cross the deserts, mountains and war-lords' domains north of the Himalayas. At least, such was the case when I first made the trip.

It was at the great west-facing gate that the governor of Mangalore and his entourage and guard left us. The rest of us, especially those clearly not citizens of the empire, were subjected to the usual questions, form-filling, payment of entry taxes and the like, which are everywhere the scourge of anyone whose livelihood has depended on trade. I had to state my business, how I had come to bring to Prince Harihara Raya Kurteishi a package addressed to him, that I intended to seek him out in the next day or two and give it to him.

I have to say that at Vijayanagara (for the name serves both the empire and the city) these formalities were conducted with more politeness and genuine condescension than I have experienced anywhere else, the officials courteous and punctilious and, being no less prosperous than any of their fellows in that earthly paradise, quite immune to bribery. Indeed, they showed a humanity I had never previously experienced from such functionaries, to the extent that when I had to let my cloak drop, their attitude to my scarred and mutilated face and body was not of fear or derision as is usually the case, but solicitude and polite curiosity as to how I had been so horribly disfigured. Moreover, they recommended to me a hostel attached to a temple when- I would be well received and not charged at all, apart from what I might feel able to give freely, as charity. Admitted at last through that great gate, I began my descent, following their directions, through the Sacred Zone, to the small temple they hail indicated.

The great river itself divides the city into two main sectors, which are built on the steep hills above it leaving a wide plain between. This is filled with fields, especially of cotton, orchards, plantations, parks and gardens, terraced on the higher levels and all irrigated with abundant water, channelled into canals that feed tanks ami reservoirs. The loftier of these supply large, ornate fountains, set on decorated belvederes, from which the citizens gaze across the valley to the broken mountain ranges, often clad in mist, a hundred miles away.

This Sacred Zone was filled with temples dedicated to the pantheon of what I soon learnt I should not call the Hindu religion, of which the most magnificent were dedicated to Shiva and Vishnu and the goddess Fampa, who is identified with the river. I cannot do justice to this vast complex of temples with their endless ornamentation, decoration and colour. There was also much fantastic statuary, particularly at gateways or at the bottom of the many flights of stairs. These were representations of tigers and elephants, done to the life so you almost felt nervous of walking where a massive foot might tread on you, or a large cat might sink its claws into your back.

Every wall is pierced with galleries and pillared arcades on which a thousand thousand images in carved and painted stucco present the lives, adventures and loves of their gods and goddesses, and their heroic avatars. Shiva rides his bull, or Rama, an avatar of Vishnu, searches for his wife Sita, abducted, according to legend, by Ravana; the tale continues as the monkey general Hanuman leads his hordes against Ravana. And in places where the vast walls were not divided into countless alcoves and shrines they were filled with statues in deep relief, or were richly painted with murals of dancing men and women, princes and princesses, gods and goddesses, often performing with open joy the act of procreation, which seem somehow to express the fecundity of the area and an eagerness to enjoy and share with others the earthly pleasures of this life.

These decorations are all richly coloured in every hue of the rainbow, with scarlets, crimsons and the deep rich blue of lapis-lazuli, speckled with gold, predominating. Indeed I have not mentioned the gold, beaten to airy thinness on every dome, gleaming more solidly on crowns and sword hilts, inlaid in granite, with diamonds from the diamond pipes that are not far off. Everywhere there are flowers, in beds, in hanging baskets, growing in pots, woven into garlands and hung about the images' necks, flowers white, yellow, red and purple that fill the air with a fragrance that mingles with that of the smoke that lazily wreathes the air from a thousand bronze pots that serve as thuribles.

To the south and below this upland area of temples and sacred precincts, and hardly less magnificent, is the Royal Enclave, then east of that, on the far side of the river with its parks and gardens, the township proper. Lacking the natural defences of the higher places it has its own fortifications and includes the multifarious markets, the artisans' shops and factories, the merchant houses and the barracks of the military.

The temple-hostel to which I had been directed was dedicated to Cianesha, the elephant-headed son of the god Shiva and his consort Parvati, or Pampa, who personifies the great river Tungabhadra. I have said that already? Well, I warned you, my mind wanders at times. One of my companions told me that Ganesha is the god to whom one makes supplication at the outset of any great undertaking so it seemed to me therefore an apt place to stay on the first night of my first visit to the City of Victory, a visit that would take me to the end of the world and back. Or, at any rate, as far as Macclesfield.

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