Ngozi Chimamanda - Half of a Yellow Sun

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A masterly, haunting new novel from a writer heralded by the Washington Post Book World as «the 21st-century daughter of Chinua Achebe,» Half of a Yellow Sun re-creates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria in the 1960s, and the chilling violence that followed.
With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor's beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna's twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another.
Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race — and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

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"Let's give you a tour," Kainene said to Olanna, after Father Marcel left. "I always start with the bunker." Kainene showed her the bunker, a roughly dug pit covered with logs, before she began to walk toward the building at the far end of the compound. "Now to the Point of No Return."

Olanna followed. The smell hit her at the first door. It went straight from her nose to her stomach, turning it, churning the boiled yam she'd had for breakfast.

Kainene was watching her. "You don't have to go in."

"I want to," Olanna said, because she felt she should. She didn't want to. She didn't know what the smell was but it was enlarging and she could almost see it, a foul brown cloud. She felt faint. They went into the first classroom. About twelve people were lying on bamboo beds, on mats, on the floor. Not one of them reached out to slap away the fat flies. The only movement Olanna saw was that of a child sitting by the door: he unfolded and refolded his arms. His bones were clearly outlined and the wrap of his arms was flat, in a way that would be impossible if he had some flesh underneath the skin. Kainene scanned the room quickly and then turned to the door. Outside, Olanna gulped in air. In the second classroom, she felt that even the air inside her was becoming soiled and she wanted to press her nostrils shut to stop the mingling of the air outside and that inside her. A mother was sitting on the floor with two children lying next to her. Olanna could not tell how old they were. They were naked; the taut globes that were their bellies would not fit in a shirt anyway. Their buttocks and chests were collapsed into folds of rumpled skin. On their head, spurts of reddish hair. Olanna's eyes met their mother's steady stare and Olanna looked away quickly. She slapped a fly away from her face and thought how healthy all the flies looked, how alive, how vibrant.

"That woman is dead. We have to get her removed," Kainene said.

"No!" Olanna blurted, because that woman with the steady stare could not be dead. But Kainene meant another woman, who lay facedown on the floor, with a thin baby clutching her back. Kainene walked over and plucked the baby away. She went outside and called out, "Father! Father! One for burial," and then sat on the stairs outside and held the baby The baby should have cried. Kainene was trying to force a soft yeast-colored pill into its mouth.

"What is that?" Olanna asked.

"Protein tablet. I'll give you some for Chiamaka. They taste horrible. I finally got the Red Cross to give me some last week. We don't have enough, of course, so I save them for the children. If I gave it to most of the people in there it would make no difference. But maybe it will for this baby. Maybe."

"How many die a day?" Olanna asked.

Kainene looked down at the baby. "His mother came from somewhere that fell very early. They had gone through about five refugee camps before they came here."

"How many die a day?" Olanna asked again. But Kainene did not respond. The baby finally let out a thin squall and Kainene forced the powdery tablet into the small open mouth. Olanna watched Father Marcel and another man carry the dead woman, by her ankles and wrists, out of the classroom and to the back of the building.

"Sometimes I hate them," Kainene said.

"The vandals."

"No, them." Kainene pointed back at the room. "I hate them for dying."

Kainene took the baby inside and gave it to another woman, a relative of the dead woman's whose bony body was quivering; because her eyes were dry, it took Olanna a moment to realize that she was crying, the baby pressed against her flattened, dry breasts.

Later, as they walked to the car, Kainene slipped her hand into Olanna's.

29

Ugwu knew the storyfrom Pastor Ambrose was implausible, that some people from a foundation abroad had set up a table at the end of St. John's Road and were giving away boiled eggs and bottles of refrigerated water to anyone who passed by. He knew, too, that he should not leave the compound; Olanna's warnings echoed in his head. But he was bored. It was sticky hot and he hated the ashy taste of the water stored in a clay pot behind the house. He longed for water, for anything, cooled by electricity. And the story could well be true; anything was possible. Baby was playing with Adanna and he could take the shortcut and be back before she even noticed he was gone.

He had just rounded the corner past the Church of St. John when he saw, farther down the road, a group of men standing in a single line with their hands placed on their heads. The two soldiers with them were very tall and one held his gun pointed forward. Ugwu stopped. The soldier with the gun began to shout something and to run toward him. Ugwu's heart jumped in his chest; he looked at the bush by the roadside but it was too thin to hide in. He looked back and the road was clear and unending; there was nothing to shield him from the soldier's bullet. He turned and dashed into the church compound. An elderly priest wearing white was standing at the top of the stairs by the main door. Ugwu bounded up, relieved, because the soldier would not come inside the church to take him. Ugwu tugged at the door but it was locked.

"Biko, Father, let me go inside," he said.

The priest shook his head. "Those outside who are being conscripted, they are God's children too."

"Please, please." Ugwu yanked at the door.

"God's blessings will go with you," the priest said.

"Open this door!" Ugwu shouted.

The priest shook his head and backed away.

The soldier ran into the church compound. "Stop or I shoot!"

Ugwu stood staring, his mind blank.

"You know what they call me?" the soldier shouted. "Kill And Go!" He was too tall for the tattered trousers that stopped long before his black boots started. He spat on the ground and pulled Ugwu's arm. "Bloody civilian! Follow me!"

Ugwu stumbled along. Behind them, the priest said, "God bless Biafra."

Ugwu did not look at the faces of the other men as he joined the line and raised his hands to his head. He was dreaming; he had to be dreaming. A dog was barking from somewhere close by. Kill And Go shouted at one of the men, cocked his gun, and shot into the air. Some women had gathered a little way away and one of them was speaking to Kill And Go's partner. At first, she spoke in low, pleading tones, then she raised her voice and gesticulated wildly. "Can't you see he cannot talk well? He is an imbecile! How will he carry a gun?"

Kill And Go tied the men up in pairs, their hands behind their back and the rope stretched taut between them. The man Ugwu was tied to jerked at the rope as if to see how strong it was and Ugwu was almost thrown off balance.

"Ugwu!"

The voice had come from the group of women. He turned. Mrs. Muokelu was looking at him with shocked eyes. He nodded at her, in a way that he hoped was respectful, because he could not take the risk of talking. She began to half walk, half run down the road and he watched her go, disappointed and yet not sure what he had expected her to do.

"Get ready to move!" Kill And Go shouted. He looked up and saw a boy at the end of the road and ran off after him. His partner pointed a gun at the line. "Anybody run I shoot."

Kill And Go came back with the boy walking ahead of him.

"Shut up!" he said, as he tied the boy's hands behind his back. "Everybody move! Our van is on the next road!"

They had just begun to walk at an awkward pace, Kill And Go shouting, "Lep! Ail" when Ugwu saw Olanna. She was hurrying, panicky, wearing her wig, which she hardly wore these days, and she had hastily put it on because it was lopsided on her head. She smiled and motioned to Kill And Go, and he shouted, "Stop!" before he went over to her. They talked with his back to the men and, moments later, he turned around and slashed at the rope that bound Ugwu's hands.

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