Ngozi Chimamanda - Half of a Yellow Sun

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Half of a Yellow Sun: краткое содержание, описание и аннотация

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A masterly, haunting new novel from a writer heralded by the Washington Post Book World as «the 21st-century daughter of Chinua Achebe,» Half of a Yellow Sun re-creates a seminal moment in modern African history: Biafra's impassioned struggle to establish an independent republic in Nigeria in the 1960s, and the chilling violence that followed.
With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor's beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna's twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another.
Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race — and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

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The first songs were vigorous and then Mama Adanna's voice broke out, husky and elegiac.

Naba na ndokwa, Ugwu, naba na ndokwa. O ga-adili gi mma, Naba na ndokwa.

Odenigbo half stumbled out of the yard before they finished singing, a livid incredulity in his eyes, as if he could not believe the words of the song: Go in peace, it will be well with you. Olanna watched him go. She did not entirely understand the resentment she felt. There was nothing he could have done to prevent Ugwu's death, but his drinking, his excessive drinking, had somehow made him com-plicit. She did not want to speak to him, to sleep beside him. She slept on the mat outside, and even the routine of the mosquito bites became a comfort. She said little to him. They spoke only of necessities, what Baby would eat, what they would do if Umuahia fell.

"We will stay in Kainene's house only until we find a place," he said, as if they had many choices, as if he had forgotten that, before, he would have said that Umuahia would not fall; and she said nothing in response.

She told Baby that Ugwu had gone to heaven.

"But he's coming back soon, Mummy Ola?" Baby asked.

And Olanna said yes. It was not that she wanted to soothe Baby; it was that, day after day, she found herself rejecting the finality of Ugwu's death. She told herself that he was not dead; he might be close to dead but he was not dead. She willed a message to come to her about his whereabouts. She bathed outside now-the bathroom was slimy with mold and urine, so she woke up very early to take a bucket and go behind the building-and one morning she caught a movement at the corner and saw Pastor Ambrose watching her. "Pastor Ambrose!" she called out, and he dashed off. "You are not ashamed of yourself? If only you would spend your time praying for somebody to come and tell me what happened to Ugwu instead of spying on a married woman taking a bath."

She visited Mrs. Muokelu's home, hoping for a story of a vision that involved Ugwu's safety, but a neighbor told her that Mrs. Muokelu's whole family was gone. They had left without telling anybody. She listened to the war reports on Radio Biafra more carefully, as if there might be clues about Ugwu in the ebullient voice reporting the pushback of the vandals, the successes of gallant Biafran soldiers. A man wearing a stained white caftan walked into the yard on a Saturday afternoon, and Olanna hurried up to him, certain that he had come with news of Ugwu.

"Tell me," she said. "Tell me where Ugwu is."

The man looked confused. "Dalu. I am looking for Alice Njokamma from Asaba."

"Alice?" Olanna stared at the man, as though to give him a chance to take it back and ask for her instead. " Alice?"

"Yes, Alice from Asaba. I am her kinsman. My family's compound is next to theirs."

Olanna pointed at Alice 's door. He went over and knocked and knocked.

"She is in?" he asked.

Olanna nodded, resentful that he had not brought news of Ugwu.

The man knocked again and called out, "I am from the Isioma family in Asaba."

Alice opened the door and he went in. Moments later, Alice rushed out and threw herself on the ground, rolling this way and that; in the evening sunlight, her sand-patched skin was tinted with gold.

"O gini mere? What happened?" the neighbors asked, gathering around Alice.

"I am from Asaba and I got word about our hometown this morning," the man said. His accent was thicker than Alice's, and Olanna understood his Igbo a moment after he had spoken. "The vandals took our town many weeks ago and they announced that all the indigenes should come out and say 'One Nigeria' and they would give them rice. So people came out of hiding and said " One Nigeria" and the vandals shot them, men, women, and children. Everyone." The man paused. "There is nobody left in the Njokamma family. Nobody left."

Alice was lying on her back, rubbing her head frantically against the ground, moaning. Clumps of sand were in her hair. She jumped up and ran toward the road but Pastor Ambrose ran after her and dragged her back. She jerked away and threw herself down again, her lips pulled back, her teeth bared. "What am I doing still alive? They should come and kill me now! I said they should come and kill me!"

She was strengthened, emboldened, by the madness of grief and she fought off everyone who tried to hold her. She rolled on the ground with such force that the stones cut her skin in tiny red gashes. The neighbors said oh and shook their heads. Odenigbo came out of the room then and went over and picked Alice up and held her, and she stayed still and began to weep, her head resting on his shoulder. Olanna watched them. There was a familiar melding to the curve of Odenigbo's arms around Alice. He held her with the ease of someone who had held her before.

Finally Alice sat down on a bench, blank and stricken. From time to time, she would scream "Hei!" and stand up and place her hands on her head. Odenigbo sat by her and urged her to drink some water. He and the man from Asaba talked in low voices as if they alone were responsible for her, and afterward he came up to where Olanna was sitting on the veranda.

"Will you pack some of her things, nkem?" he asked. "The man says he has some Asaba people in his compound and he will take her to stay with them for a while."

Olanna looked up at him, her face blank. "No," she said.

"No?"

"No," she said again, loudly now. "No." And she got up and went into the room. She would not pack anybody's clothes. She did not know who did pack Alice 's things, perhaps Odenigbo did, but she heard the "Ije oma, go well," from many neighbors as Alice and the man left late in the evening. Olanna slept outside and dreamed of Alice and Odenigbo on the bed in Nsukka, their sweat on her newly washed sheet; she woke up with a raging suspicion in her heart and the boom of shelling in her ears.

"The vandals are close!" Pastor Ambrose cried, and he was first to run out of the compound, a stuffed duffel bag in his hand.

The yard erupted in activity, shouting, packing, leaving. The shelling, like burst after burst of horribly loud, vile coughing, did not stop. And the car did not start. Odenigbo tried and tried and the road was already crowded with refugees and the crashing explosions of mortars sounded as close as St. John's Road. Mama Oji was screaming at her husband. Mama Adanna was begging Olanna to let her get into the car with some of her children and Olanna said, "No, take your children and go."

Odenigbo started the engine and it whined and died. The compound was almost empty A woman on the road was dragging a stubborn goat and finally left it behind and hurried ahead. Odenigbo turned the key and again the car stalled. Olanna could feel the ground underneath vibrating with each boom.

Odenigbo turned the key again and again. The car would not start.

"Start walking with Baby," he said. Sweat clung to his brow.

"What?"

"I'll pick you both up when the car starts."

"If we are walking, we will walk together."

Odenigbo tried to start the car again. Olanna turned, surprised at how quiet Baby was, sitting in the back beside their rolled-up mattresses. Baby was watching Odenigbo carefully, as though urging both him and the car on with her eyes.

Odenigbo came out and opened the bonnet and Olanna climbed out, too, and let Baby out and then wondered what she would take from the boot and what she would leave behind. The compound was empty and only one or two people walked past the road now. There was the rattle of gunfire nearby. She was frightened. Her hands were shaking.

"Let's start walking," Olanna said. "Nobody is left in Umuahia!"

Odenigbo got in and took a deep breath and turned the key. The car started. He drove fast and, on the outskirts of Umuahia, Olanna asked, "Did you do anything with Alice?"

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