Daphne du Maurier - Not After Midnight & Other Stories

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Not After Midnight
"
" — this novella features John and Laura who are on holiday in Venice. But it is a dangerous place for them as they are being followed by two old sisters and there is a killer on the loose.
"
" is a tale about a lonely teacher who goes on a painting holiday in Crete and meets a strange American couple. The woman invites him to visit them in their hotel room but "not after midnight," the reason for this becoming clear as the story progresses.
In "
", a young actress pursues old family friend Nick after the death of her father. She discovers he is an IRA executive and accompanies him on a bombing raid in Ireland, but soon learns he is not all he seems to be.
In "
", a disparate group of pilgrims from the same village embark on a trip to frenetic, dusty Jerusalem. Their regular vicar is taken ill and replaced by The Reverend Babcock, a rough diamond from Leeds. On the first night, young Robin, a precocious nine-year-old, suggests a walk to the Garden of Gethsemane. In the dark, among the bushes and trees, two people overhear things about themselves that force them to re-evaluate their lives. Subsequently the whole group learn a great deal about themselves and their loved ones, and return home better people.
"
" is a science fiction-style story set in a deserted lab in the wilds of Norfolk. A man is sent to help with a new computer but soon realizes the strange purpose of the scientific team and decides to leave. However, he gets caught up in the experiment and stays. Mac, the leader of the group, is convinced that he can trap the life force, or soul, at the point of death and utilize its energy. His guinea pig Ken is the affable young assistant who happens to be dying of leukemia. Needless to say, the plan goes horribly awry.

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'Could be,' the bar-tender agreed. 'He never brings his fish to the hotel. The boatman takes them home, I dare say.'

'I feel sorry for the wife.'

The bar-tender shrugged. 'She's the one with the money,' he replied sotto voce, for a couple of guests had just entered the bar, 'and I don't think Mr Stoll has it all his own way. Being deaf may be convenient to her at times. But she never leaves his side. I'll grant her that. Goes fishing with him every day. Yes, gentlemen, what can I get for you?'

He turned to his new customers, and I made my escape. The cliché that it takes all sorts to make a world passed through my head. Thank heaven it was not my world, and Mr Stoll and his deaf wife could burn themselves black under the sun all day at sea as far as I was concerned, and break beer bottles every evening into the bargain. In any event, they were not neighbours. No. 62 may have had the unfortunate victim of a drowning accident for its last occupant, but at least this had insured privacy for its present tenant.

I walked down the garden path to my abode. It was a clear starlit night. The air was balmy, and sweet with the scent of the flowering shrubs planted thickly in the red earth. Standing on my balcony I looked out across the sea towards the distant shrouded mountains and the harbour lights from the little fishing port. To my right winked the lights of the other chalets, giving a pleasing, almost fairy impression, like a clever backcloth on a stage. Truly a wonderful spot, and I blessed the travel agent who had recommended it.

I let myself in through my shuttered doorway and turned on the bedside lamp. The room looked welcoming and snug; I could not have been better housed. I undressed, and before getting into bed remembered I had left a book I wanted to glance at on the balcony. I opened the shutters and picked it up from the deck-chair where I had thrown it, and once more, before turning in, glanced out at the open sea. Most of the fairy lights had been extinguished, but the chalet that stood on its own on the extreme point still had its light burning on the balcony. The boat, tied to the landing-stage, bore a riding-light. Seconds later I saw something moving close to my rocks. It was the snorkel of an underwater swimmer. I could see the narrow pipe, like a minute periscope, move steadily across the still, dark surface of the sea. Then it disappeared to the far left out of sight. I drew my shutters and went inside.

I don't know why it was, but the sight of that moving object was somehow disconcerting. It made me think of the unfortunate man who had been drowned during a midnight swim. My predecessor. He too, perhaps, had sallied forth one balmy evening such as this, intent on under-water exploration, and by so doing lost his life. One would imagine the unhappy accident would scare off other hotel visitors from swimming alone at night. I made a firm decision never to bathe except in broad daylight, and-chicken-hearted, maybe-well within my depth.

I read a few pages of my book, then, feeling ready for sleep, turned to switch out my light. In doing so I clumsily bumped the telephone, which fell to the floor. I bent over, picked it up, luckily no damage done, and saw that the small drawer that was part of the fixture had fallen open. It contained a scrap of paper, or rather card, with the names Charles Gordon upon it, and an address in Bloomsbury. Surely Gordon had been the name of my predecessor? The little maid, when she cleaned the room, had not thought to open the drawer. I turned the card over. There was something scrawled on the other side, the words 'Not after midnight'. And then, maybe as an afterthought, the figure 38. I replaced the card in the drawer and switched off the light. Perhaps I was overtired after the journey, but it was well past two before I finally got off to sleep. I lay awake for no rhyme or reason, listening to the water lapping against the rocks beneath my balcony.

I painted solidly for three days, never quitting my chalet except for the morning swim and my evening meal at the hotel. Nobody bothered me. An obliging waiter brought my breakfast, from which I saved rolls for midday lunch, the little maid made my bed and did her chores without disturbing me, and when I had finished my impressionistic scene on the afternoon of the third day I felt quite certain it was one of the best things I had ever done. It would take pride of place in the planned exhibition of my work. Well satisfied, I could now relax, and I determined to explore along the coast the following day, and discover another view to whip up inspiration. The weather was glorious. Warm as a good English June. And the best thing about the whole site was the total absence of neighbours. The other guests kept to their side of the domain, and, apart from bows and nods from adjoining tables as one entered the dining-room for dinner, no one attempted to strike up acquaintance. I took good care to drink my coffee in the bar before the obnoxious Mr Stoll had left his table.

I realised now that it was his boat which lay anchored off the point. They were away too early in the morning for me to watch their departure, but I used to spot them returning in the late afternoon; his square, hunched form was easily recognisable, and the occasional hoarse shout to the man in charge of the boat as they came to the landing-stage. Theirs, too, was the isolated chalet on the point, and I wondered if he had picked it purposely in order to soak himself into oblivion out of sight and earshot of his nearest neighbours. Well, good luck to him, as long as he did not obtrude his offensive presence upon me.

Feeling the need of gentle exercise, I decided to spend the rest of the afternoon taking a stroll to the eastern side of the hotel grounds. Once again I congratulated myself on having escaped the cluster of chalets in this populated quarter. Mini-golf and tennis were in full swing, and the little beach was crowded with sprawling bodies on every available patch of sand. But soon the murmur of the world was behind me, and screened and safe behind the flowering shrubs I found myself on the point near to the landing-stage. The boat was not yet at its mooring, nor even in sight out in the gulf.

A sudden temptation to peep at the unpleasant Mr Stoll's chalet swept upon me. I crept up the little path, feeling as furtive as a burglar on the prowl, and stared up at the shuttered windows. It was no different from its fellows, or mine for that matter, except for a tell-tale heap of bottles lying in a corner of the balcony. Brute… Then something else caught my eye. A pair of frog-feet, and a snorkel. Surely, with all that liquor inside him, he did not venture his carcass under water? Perhaps he sent the local Greek whom he employed as crew to seek for crabs. I remembered the snorkel on my first evening, close to the rocks, and the riding-light in the boat.

I moved away, for I thought I could hear someone coming down the path and did not want to be caught prying, but before doing so I glanced up at the number of the chalet. It was 38. The figure had no particular significance for me then, but later on, changing for dinner, I picked up the tie-pin I had placed on my bedside table, and on sudden impulse opened the drawer beneath the telephone to look at my predecessor's card again. Yes, I thought so. The scrawled figure was 38. Pure coincidence, of course, and yet… 'Not after midnight'. The words suddenly had meaning. Stoll had warned me about swimming late on my first evening. Had he warned Gordon too? And Gordon had jotted down the warning on his card with Stoll's chalet-number underneath? It made sense, but obviously poor Gordon had disregarded the advice. And so, apparently, did one of the occupants of Chalet 38.

I finished changing, and instead of replacing the card in the telephone drawer put it in my wallet. I had an uneasy feeling that it was my duty to hand it in to the reception desk in case it threw any light on my unfortunate predecessor's demise. I toyed with the thought through dinner, but came to no decision. The point was, I might become involved, questioned by the police. And as far as I knew the case was closed. There was little point in my suddenly coming forward with a calling-card lying forgotten in a drawer that probably had no significance at all.

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