Daphne du Maurier - Not After Midnight & Other Stories

'Then there is no problem,' I said grandly. 'I will willingly pay more for privacy. And, if you have no objection, I should like to choose the chalet which would suit me best. I'll walk down to the sea now and then come back for the key, and your porter can bring my things.'

I gave him no time to reply, but turned on my heel and went out on to the terrace. It paid to be firm. One moment's hesitation, and he would have fobbed me off with the stuffy chalet overlooking the mini-golf. I could imagine the consequences. The chattering children on the balcony next door, the possibly effusive mother, and the middle-aged golfers urging me to have a game. I could not have borne it.

I walked down through the garden to the sea, and as I did so my spirits rose. For this, of course, was what had been so highly coloured on the agent's brochure, and why I had flown so many miles. No exaggeration, either. Little whitewashed dwellings, discreetly set apart from one another, the sea washing the rocks below. There was a beach, from which doubtless people swam in high season, but no one was on it now, and, even if they should intrude, the chalets themselves were well to the left, inviolate, private. I peered at each in turn, mounting the steps, standing on the balconies. The clerk must have been telling the truth about none of them being let before full season, for all had their windows shuttered. All except one. And directly I mounted the steps and stood on the balcony I knew that it must be mine. This was the view I had imagined. The sea beneath me, lapping the rocks, the bay widening into the gulf itself, and beyond the mountains. It was perfect. The chalets to the east of the hotel, which was out of sight anyway, could be ignored. One, close to a neck of land, stood on its own like a solitary outpost with a landing-stage below, but this would only enhance my picture when I came to paint it. The rest were mercifully hidden by rising ground. I turned, and looked through the open windows to the bedroom within. Plain whitewashed walls, a stone floor, a comfortable divan bed with rugs upon it. A bedside table with a lamp and telephone. But for these last it had all the simplicity of a monk's cell, and I wished for nothing more.

I wondered why this chalet, and none of its neighbours, was unshuttered, and stepping inside I heard from the bathroom beyond the sound of running water. Not further disappointment, and the place booked after all? I put my head round the open door, and saw that it was a little Greek maid swabbing the bathroom floor. She seemed startled at the sight of me. I gestured, pointed, said, 'Is this taken?' She did not understand, but answered me in Greek. Then she seized her cloth and pail and, plainly terrified, brushed past me to the entrance, leaving her work unfinished.

I went back into the bedroom and picked up the telephone, and in a moment the smooth voice of the reception clerk answered.

'This is Mr Grey,' I told him, 'Mr Timothy Grey. I was speaking to you just now about changing my chalet.'

'Yes, Mr Grey,' he replied. He sounded puzzled. 'Where are you speaking from?'

'Hold on a minute,' I said. I put down the receiver and crossed the room to the balcony. The number was above the open door. It was 62. I went back to the telephone. 'I'm speaking from the chalet I have chosen,' I said. 'It happened to be open-one of the maids was cleaning the bathroom, and I'm afraid I scared her away. This chalet is ideal for my purpose. It is No. 62.'

He did not answer immediately, and when he did he sounded doubtful. 'No. 62?' he repeated. And then, after a moment's hesitation, 'I am not sure if it is available.'

'Oh, for heaven's sake…' I began, exasperated, and I heard him talking in Greek to someone beside him at the desk. The conversation went back and forth between them; there was obviously some difficulty, which made me all the more determined.

'Are you there?' I said. 'What's the trouble?'

More hurried whispers, and then he spoke to me again. 'No trouble, Mr Grey. It is just that we feel you might be more comfortable in No. 57, which is a little nearer to the hotel.'

'Nonsense,' I said, 'I prefer the view from here. What's wrong with No. 62? Doesn't the plumbing work?'

'Certainly the plumbing works,' he assured me, while the whispering started again. 'There is nothing wrong with the chalet. If you have made up your mind I will send down the porter with your luggage and the key.'

He rang off, possibly to finish his discussion with the whisperer at his side. Perhaps they were going to step up the price. If they did, I would have further argument. The chalet was no different from its empty neighbours, but the position, dead centre to sea and mountains, was all I had dreamed and more. I stood on the balcony, looking out across the sea and smiling. What a prospect, what a place! I would unpack and have a swim, then put up my easel and do a preliminary sketch before starting serious work in the morning.

I heard voices, and saw the little maid staring at me from halfway up the garden path, cloth and pail still in hand. Then, as the young porter advanced downhill bearing my suitcase and painting gear, she must have realised that I was to be the occupant of No. 62, for she stopped him midway, and another whispered conversation began. I had evidently caused a break in the smooth routine of the hotel. A few moments later they climbed the steps to the chalet together, the porter to set down my luggage, the maid doubtless to finish her swabbing of the bathroom floor. I had no desire to be on awkward terms with either of them, and, smiling cheerfully, placed coins in both their hands.

'Lovely view,' I said loudly, pointing to the sea. 'Must go for a swim,' and made breast-stroke gestures to show my intent, hoping for the ready smile of the native Greek, usually so responsive to goodwill.

The porter evaded my eyes and bowed gravely, accepting my tip nevertheless. As for the little maid, distress was evident in her face, and forgetting about the bathroom floor she hurried after him I could hear them talking as they walked up the garden path together to the hotel.

Well, it was not my problem. Staff and management must sort out their troubles between them. I had got what I wanted, and that was all that concerned me. I unpacked and made myself at home. Then, slipping on bathing trunks, I stepped down to the ledge of rock beneath the balcony, and ventured a toe into the water. It was surprisingly chill, despite the hot sun that had been upon it all day. Never mind. I must prove my mettle, if only to myself. I took the plunge and gasped, and being a cautious swimmer at the best of times, especially in strange waters, swam round and round in circles rather like a sea-lion pup in a zoological pool.

Refreshing, undoubtedly, but a few minutes were enough, and as I climbed out again on to the rocks I saw that the porter and the little maid had been watching me all the time from behind a flowering bush up the garden path. I hoped I had not lost face. And anyway, why the interest? People must be swimming every day from the other chalets. The bathing-suits on the various balconies proved it. I dried myself on the balcony, observing how the sun, now in the western sky behind my chalet, made dappled patterns on the water. Fishing-boats were returning to the little harbour port a few miles distant, the chug-chug engines making a pleasing sound.

I dressed, taking the precaution of having a hot bath, for the first swim of the year is always numbing, and then set up my easel and instantly became absorbed. This was why I was here, and nothing else mattered. I worked for a couple of hours, and as the light failed, and the colour of the sea deepened and the mountains turned a softer purple blue, I rejoiced to think that tomorrow I should be able to seize this after-glow in paint instead of charcoal, and the picture would begin to come alive.