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Paul Auster: Timbuktu

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Paul Auster Timbuktu

Timbuktu: краткое содержание, описание и аннотация

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Mr. Bones, the canine hero of Paul Auster’s astonishing new book, is the sidekick and confidant of Willy G. Christmas, a brilliant and troubled homeless man from Brooklyn. As Willy’s body slowly expires, he sets off with Mr. Bones for Baltimore in search of his high school English teacher and a new home for his companion. Mr. Bones is our witness during their journey, and out of his thoughts, Paul Auster has spun one of the richest, most compelling tales in American fiction.

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Thus began a pattern that continued for the next umpteen years. Willy would stay with his mother for several months, then leave for several months, then come back. The first departure was probably the most dramatic, if only because Willy still had everything to learn about the wandering life. He was gone for just a short spell, and although Mr. Bones was never quite certain what Willy meant by short, whatever happened to his master during the weeks or months he was away proved to him that he had found his true calling. “Don’t tell me that two and two is four,” Willy said to his mother when he returned to Brooklyn. “How do we know that two is two? That’s the real question.”

The next day, he sat down and started writing again. It was the first time he’d picked up a pen since before the hospital, and the words poured out of him like water gushing from a broken pipe. Willy G. Christmas proved to be a better and more inspired poet than William Gurevitch had ever been, and what his early efforts lacked in originality, they made up for in hell-bent enthusiasm. Thirty-three Rules to Live By was a good example. Its opening lines read as follows:

Throw yourself into the arms of the world
And the air will hold you. Hold back
And the world will jump you from behind.
Go for broke down the highway of bones.
Follow the music of your steps, and when the lights go out
Don’t whistle—sing.
If you keep your eyes open, you’ll always be lost.
Give away your shirt, give away your gold,
Give away your shoes to the first stranger you see.
Much will come of nothing
If you dance the jitterbug waltz…

Literary pursuits were one thing, but how you conducted yourself in the world was quite another. Willy’s poems might have changed, but that still didn’t answer the question about whether Willy himself had changed. Did he actually become a new person, or was the plunge into sainthood no more than a passing impulse? Had he boondoggled himself into an untenable position, or was there something more to be said about his rebirth than the tattoo on his right biceps and the ridiculous moniker he took such pleasure in using? An honest answer would be yes and no, perhaps, a little of both. For Willy was weak, and Willy was often belligerent, and Willy was prone to forget things. Mental mishaps dogged him, and whenever the pinball machine in his head speeded up and went tilt, all bets were off. How could a man of his ilk propose to don the mantle of purity? Not only was he an incipient lush, and not only was he a bred-in-the-bone liar with a strong paranoiac bent, he was too damn funny for his own good. Once Willy started in with the jokes, Santa Claus burst into flames, and the whole hearts-and-flowers act burned to the ground with him.

Still and all, it would be wrong to say that he didn’t try, and in that trying hung a large part of the story. Even if Willy didn’t always live up to his expectations for himself, at least he had a model for how he wanted to behave. At those rare moments when he was able to focus his thoughts and curb his excesses in the beverage department, Willy demonstrated that no act of courage or generosity was beyond him. In 1972, for example, at no small risk to himself, he rescued a four-year-old girl from drowning. In 1976, he came to the defense of an eighty-one-year-old man who was being mugged on West Forty-third Street in New York—and for his pains received a knife wound in his shoulder and a bullet in his leg. More than once he gave his last dollar to a friend down on his luck, he let the lovelorn and the heartsick cry on his shoulder, and over the years he talked one man and two women out of suicide. There were fine things in Willy’s soul, and whenever he let them come out, you forgot the other things that were in there as well. Yes, he was a bedraggled, demented pain in the ass, but when all was right in his head, Willy was one in a million, and everyone who crossed paths with him knew it.

Whenever he talked to Mr. Bones about those early years, Willy tended to dwell on the good memories and ignore the bad. But who could blame him for sentimentalizing the past? We all do it, dogs and people alike, and in 1970 Willy had been nowhere if not in the pink of youth. His health was as robust as it would ever be, his teeth were intact, and to top it off he had money in the bank. A small sum had been set aside for him from his father’s life insurance policy, and when he came into this money on his twenty-first birthday, he was kept in pocket change for close to a decade. But above and beyond the boon of money and youth, there was the historical moment, the times themselves, the spirit abroad in the land when Willy set forth on his career of vagabondage. The country was crawling with dropouts and runaway children, with long-haired neo-visionaries, dysfunctional anarchists, and doped-up misfits. For all the oddness he demonstrated in his own right, Willy hardly stood out among them. He was just one more weirdo on the Amerikan scene, and wherever his travels happened to take him—be it Pittsburgh or Pittsburgh, Pocatello or Boca Raton—he managed to latch on to like-minded souls for company. Or so he said, and in the long run Mr. Bones saw no reason to doubt him.

Not that it would have made any difference if he had. The dog had lived long enough to know that good stories were not necessarily true stories, and whether he chose to believe the stories Willy told about himself or not was less important than the fact that Willy had done what he had done, and the years had passed. That was the essential thing, wasn’t it? The years, the number of years it took to go from being young to not-so-young, and all the while to watch the world change around you. By the time Mr. Bones crept forth from his mother’s womb, Willy’s salad days were but a dim memory, a pile of compost moldering in a vacant lot. The runaways had crawled back home to mom and dad; the potheads had traded in their love beads for paisley ties; the war was over. But Willy was still Willy, the boffo rhymester and self-appointed bearer of Santa’s message, your basic sorry excuse rigged out in the filthy duds of tramphood. The passage of time had not treated the poet kindly, and he didn’t blend in so well anymore. He stank and drooled, he rubbed people the wrong way, and what with the bullet wounds and the knife wounds and the general deterioration of his physical self, he’d lost his quickness, his heretofore astonishing knack for slithering out of trouble. Strangers robbed him and beat him up. They kicked him while he slept, they set his books on fire, they took advantage of his aches and pains. After one such encounter landed him in the hospital with blurred vision and a fractured arm, he realized that he couldn’t go on without some kind of protection. He thought of a gun, but weapons were abhorrent to him, and so he settled on the next best thing known to man: a bodyguard with four legs.

Mrs. Gurevitch was less than thrilled, but Willy put his foot down and got his way. So the young Mr. Bones was torn from his mother and five siblings at the North Shore Animal Shelter and moved to Glenwood Avenue in Brooklyn. To be perfectly honest, he didn’t remember much about those early days. Ingloosh was still virgin territory to him back then, and what with Mrs. Gurevitch’s bizarrely mangled locutions and Willy’s penchant for talking in different voices (Gabby Hayes one minute, Louis Armstrong the next; Groucho Marx in the morning, Maurice Chevalier at night), it took several months to get the hang of it. In the meantime, there were the agonies of puppyhood: the struggles with bladder and bowel control, the newspapers on the kitchen floor, the snout-whacks from Mrs. Gurevitch every time the pee dribbled out of him. She was a crotchety old complainer, that one, and if not for Willy’s gentle hands and soothing endearments, life in that apartment would have been no picnic. Winter was upon them, and with everything ice and stinging salt pellets on the streets below, he spent ninety-eight percent of his time indoors, either sitting at Willy’s feet as the poet cranked out his latest masterpiece or exploring the nooks and crevices of his new home. The apartment consisted of four and a half rooms, and by the time spring came Mr. Bones was familiar with every stick of furniture, every blot on the rugs, every gash in the linoleum. He knew the smell of Mrs. Gurevitch’s slippers and the smell of Willy’s underpants. He knew the difference between the doorbell and the telephone, could distinguish between the sound of jangling keys and the clatter of pills in a plastic vial, and before long he was on a first-name basis with every cockroach who lived in the cupboard under the kitchen sink. It was a dull, circumscribed routine, but how was Mr. Bones to know that? He was no more than a lame-brained pup, a nincompoop with floppy paws who ran after his own tail and chomped on his own shit, and if this was the only life he’d ever tasted, who was he to judge whether it was rich or poor in the stuff that makes life worth living?

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