Paul Auster - Travels in the Scriptorium

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A man pieces together clues to his past—and the identity of his captors—in this fantastic, labyrinthine novel An old man awakens, disoriented, in an unfamiliar chamber. With no memory of who he is or how he has arrived there, he pores over the relics on the desk, examining the circumstances of his confinement and searching his own hazy mind for clues.
Determining that he is locked in, the man—identified only as Mr. Blank—begins reading a manuscript he finds on the desk, the story of another prisoner, set in an alternate world the man doesn’t recognize. Nevertheless, the pages seem to have been left for him, along with a haunting set of photographs. As the day passes, various characters call on the man in his cell—vaguely familiar people, some who seem to resent him for crimes he can’t remember—and each brings frustrating hints of his identity and his past. All the while an overhead camera clicks and clicks, recording his movements, and a microphone records every sound in the room. Someone is watching.

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Not knowing what to think, Mr. Blank shrugs, slaps his hands on his knees, and rises from the bed. Several seconds later, he is sitting at the desk, the ballpoint pen in his right hand, the little pad in front of him, opened to the first page. He searches the list for Anna's name, discovers it on the second line directly below James P. Flood, and prints out the letters B-l-u-m-e, thus changing the entry from Anna to Anna Blume. Then, because all the lines on the first page have been filled, he turns to the second page and adds two more entries to the list:

John Trause

Sophie

As he closes the pad, Mr. Blank is dumbfounded to realize that Trause's name returned to him with no effort at all. After so many struggles, so many failures to remember names and faces and events, he considers this to be a triumph of the first magnitude. He rocks back and forth in the chair to celebrate his accomplishment, wondering if the afternoon pills aren't responsible in some way for counteracting his memory loss of the previous hours, or if it isn't just a lucky fluke, one of those unexpected things that happen to us for no apparent reason. Whatever the cause, he decides to go on thinking about the story now, in anticipation of a visit from the doctor that evening, since Farr told him he would do everything possible to allow him to go on telling the story to the end—not tomorrow, when Mr. Blank will no doubt have forgotten the bulk of what he has recounted so far, but today. As the old man goes on tipping back and forth in the chair, however, his eyes fall upon the strip of white tape affixed to the surface of the desk. He has looked at that piece of tape no less than fifty or a hundred times during the course of the day, and each time he did so the white strip was clearly marked with the word DESK. Now, to his astonishment, Mr. Blank sees that it is marked with the word LAMP. His initial response is to think that his eyes have fooled him in some way, so he stops rocking back and forth in order to take a closer look. He leans forward, lowers his head until his nose is nearly touching the tape, and carefully studies the word. To his immense chagrin, he discovers that it still reads LAMP.

With a growing sense of alarm, Mr. Blank clambers out of the chair and begins shuffling around the room, stopping at each strip of white tape attached to an object in order to find out if any other words have been altered. After a thorough investigation, he is horrified to discover that not a single label occupies its former spot. The wall now reads CHAIR. The lamp now reads bathroom. The chair now reads DESK. Several possible explanations flare up in Mr. Blank's mind at once. He has suffered a stroke or brain injury of some kind; he has lost the ability to read; someone has played a nasty trick on him. But if he is the victim of a prank, he asks himself, who can be responsible for it? Several people have visited his room in the past few hours: Anna, Flood, Fair, and Sophie. He finds it inconceivable that either one of the women would have done such a thing to him. It's true, however, that his mind was elsewhere when Flood came in, and it's also true that he was in the bathroom flushing the toilet when Fair entered, but he can't imagine how either one of those men could have pulled off such an elaborate switching operation in the short period of time they were not in his field of vision—several seconds at most, scarcely any time at all. Mr. Blank knows that he is not in top form, that his mind is not working as well as it ought to, but he also knows that he is no worse now than he was when the day began, which would dispense with the stroke theory, and if he has lost the ability to read, how could he have made the two recent additions to his list of names? He sits down on the edge of the narrow bed and wonders if he didn't doze off for a few minutes after Sophie left the room. He doesn't remember having fallen asleep, but in the end that is the only explanation that makes sense. A fifth person entered the room, a person who was not Anna or Flood or Fair or Sophie, and switched the labels during Mr. Blank's brief, now forgotten plunge into oblivion.

An enemy is stalking the premises, Mr. Blank says to himself, perhaps several or many of them working in league with one another, and their only intention is to frighten him, to disorient him, to make him think he is losing his mind, as if they were trying to persuade him that the shadow-beings lodged in his head had transformed themselves into living phantoms, bodiless souls conscripted to invade his little room and cause as much havoc as possible. But Mr. Blank is a man of order, and he is offended by the childish mischief-making of his captors. From long experience, he has come to appreciate the importance of precision and clarity in all things, and during the years when he was sending out his charges on their various missions around the world, he always took great pains to write up his reports on their activities in a language that would not betray the truth of what they saw and thought and felt at each step along the way. It will not do, then, to call a chair a desk or a desk a lamp. To indulge in such infantile whimsy is to throw the world into chaos, to make life intolerable for all but the mad. Mr. Blank has not reached the point where he cannot identify objects that do not have their names affixed to them, but there is no question that he is in decline, and he understands that a day might come, perhaps soon, perhaps even tomorrow, when his brain will erode still further and it will become necessary for him to have the name of the thing on the thing in order for him to recognize it. He therefore decides to reverse the damage created by his unseen enemy and return each one of the scrambled labels to its proper spot.

The job takes longer to complete than he thinks it will, for Mr. Blank soon learns that the strips of tape on which the words have been written are endowed with almost supernatural powers of adhesion, and to peel one of them off the surface to which it is attached requires unstinting concentration and effort. Mr. Blank begins by using his left thumbnail to pry the first strip loose (the word wall, which has landed on the oak board at the foot of the bed), but no sooner does he manage to slide his nail under the lower right-hand corner of the tape than the tip of the nail snaps. He tries again with the nail of his middle finger, which is somewhat shorter and therefore less frangible, and diligently hacks away at the stubborn right-hand corner until enough tape has detached itself from the bed for Mr. Blank to put a small section between his thumb and middle finger and, tugging gently so as not to cause a tear, pull the whole strip from the oak board. A satisfying moment, yes, but one that has required a good two minutes of laborious preparation. Considering that there are twelve strips of tape to be removed in all, and considering that Mr. Blank breaks three more fingernails in the process (thus diminishing the number of usable fingers to six), the reader will understand why it takes him more than half an hour to finish the job.

These strenuous activities have worn out Mr. Blank, and instead of pausing to look around the room and admire his work (which, however small and insignificant it might appear to be, is for him nothing short of a symbolic undertaking to restore harmony to a broken universe), he shuffles off into the bathroom to rinse the sweat from his face. The old dizziness has returned, and he clutches the sink with his left hand as he splashes water onto himself with his right. By the time he turns off the spigot and begins to reach for a towel, he is suddenly feeling worse, worse than he has felt at any moment of the day so far. The trouble seems to be located somewhere in his stomach, but before he can pronounce the word stomach to himself, it is traveling up his windpipe, accompanied by an unpleasant tingling in his jaws. He instinctively clutches the sink with both hands and lowers his head, bracing himself against the attack of nausea that has inexplicably overcome him. He fights against it for a second or two, praying that he can ward off the coming explosion, but it is a hopeless cause, and an instant later he is vomiting into the sink. They've poisoned me! Mr. Blank shouts, once the onslaught is over. The monsters have poisoned me!

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