Guy Vanderhaeghe - Homesick

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Homesick: краткое содержание, описание и аннотация

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“One has only to read the first page of Guy Vanderhaeghe’s Homesick to see why his books have garnered him international awards…” – Regina Leader-Post
“If great art is that which holds a mirror up to nature, as was once said, then Homesick is great art.” – Daily News (Halifax)
“[Vanderhaeghe’s characters] lift themselves by pride and love from the ordinariness of their world.” – Ottawa Citizen
“Vanderhaeghe has an unerring eye for the prairie landscape and a shrewd ear for the ironies of small-town conversation… He balances his dramatization of the cycle of life with exuberant storytelling…” – London Free Press
“His stories and novels are character studies par excellence…” – Andreas Schroeder
“Guy Vanderhaeghe writes about what he knows best: people, their sense of mortality, their difficulty in being good during a difficult time… The dialogue and the characters are eclectic and real.” – Vancouver Sun
“Beautifully written… Vanderhaeghe writes in a spare, poetic prose that is deceptively simple. He uses his medium very effectively to capture both the icy harshness and the warmth of family life… Homesick is an unexpectedly powerful work… His extraordinary talents deserve wide recognition.” – Whig-Standard (Kingston)
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera's brother is finally shattered and the truth behind Vera's long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe's reputation as one of Canada's most engaging and accomplished storytellers.

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One shiksa, however, hadn’t been prepared to throw in the towel on the fight just yet. If Montaigne wasn’t the way to a man’s heart perhaps music was. Vera hadn’t forgotten the classical records that had provided background music to their conversation the night they had passed talking in his apartment. It was only natural then that a poster on a notice board outside an Anglican church she passed one day should stop her dead in her tracks with its announcement of a recital of organ music. Before either pride or circumspection could make themselves felt, Vera had purchased two tickets in the church office. Offering one of these to Stanley she told a lie which involved a girlfriend unexpectedly called away by an illness in the family. Immediately Vera had thought of Stanley. Would he like her friend’s ticket?

It seemed he would. Better still, he also wanted Vera’s address so that he could come by and collect her for the concert in a taxi. It was beginning to feel like a proper, an official date.

In the few remaining days before the concert, she succeeded in working herself into a regular frenzy worrying about all the ways she might make a fool out of herself on this most special of occasions. What if Stanley wanted to discuss the pieces played? What in the world did she know about classical music? To be absolutely honest, nothing. Furthermore, she had to admit that the prospect of an hour and a half of continuous organ music left her feeling downright dismal. For Vera, organ music was Patricia Mackinnon, the organist at St. Andrew’s United Church in Connaught, weaving back and forth on her bench and pumping pedals so desperately she left the impression that she was engaged in some hell-bent-for-leather bicycle race rather than aiming to drive a few mournful notes out of the pipes. Cripes, organ music. What she wouldn’t do to please a man.

There was also the question of a hat to fret over. Vera knew that in Roman Catholic churches women were expected to cover their heads. But what about an Anglican church like the one she was going to? Where did they stand on such an issue? Vera had never set foot in an Anglican church and had no idea whether or not hat-wearing was a requirement or not. And if it was, did the rule apply just to religious services or everything else that took place under its roof, recitals included? God, the humiliation if she got turned away from the door because she didn’t have a hat. Which she didn’t, had never owned such an article, making it necessary to borrow a hat from Amelia, one of the weird Wilkinson sisters.

Add to all of this, she was, as usual, broke. No money for a new dress and barely enough to provide refreshments to properly entertain a guest. She blew all her ready cash on a bottle of gin, a bottle of rye, a couple of cans of smoked oysters, a jar of cocktail onions, some stuffed olives, and fancy crackers. All this on the off-chance that Stanley could be prevailed upon to drop by after the recital for a drink and a snack.

The big night, a Friday, Vera played sick, phoning in the excuse that she was laid low by the flu. Mr. Buckle was beside himself when he received the sad news. Friday was one of the busiest evenings of the week and one of the rowdiest. How was he going to cope without her? Couldn’t she manage to come in, surely she wasn’t as ill as all that, was she? Vera asked him how he would like it if she brought up all over a customer? That pulled the wheels off his little red wagon.

However, none of her planning and careful preparations had anticipated what she opened her door to that night. That was Stanley, looking nothing like his normal self. It was the way he was dressed, or costumed, or whatever might be the proper word for it. Stanley resembled a Rumanian aristocrat or something along that line – Ronald Coleman stepped out of the movie The Prisoner of Zenda . His hat alone would have been enough to suggest that – a Homburg, Vera thought was the name for it – a smoke-grey Homburg. And more. A topcoat with a velvet collar, a tightly fitted wasp waist and flaring skirts which fell to his ankles, the sort of skirts Russian cavalry officers in historical movies spread over the rumps of their horses when they were mounted. Standing erect and tall in her doorway he looked every inch a foreign visitor holding his face clenched and composed against the strangeness of the world he was on the brink of entering. While his odd appearance surprised and dismayed her just a little, she was careful to cloak her feelings in bustle and talk as she gathered up her purse and coat, straightened Amelia’s hat.

During the cab ride to the church, Stanley, for the most part, sat silent and still in his corner of the back seat, his face turned slightly to the streetlamps which intermittently lit his face in three-quarter profile. Vera didn’t interpret his silence as rudeness because she sensed it was not directed towards her but turned inward on himself. He scarcely spoke at all during the short trip except to reply politely and distractedly to Vera’s comments about the weather. Late that afternoon temperatures had suddenly begun to plummet and they both agreed that snow could be smelled in the air.

As she waited on the steps of the church while Stanley paid the driver, Vera was praying he wouldn’t lead her to a pew in the front. Of course, this was exactly what he did. All along Vera had been concerned over the sort of figure she was going to cut in her shabby coat and out-of-fashion dress and she didn’t relish the prospect of being scrutinized sashaying down the entire length of the church. Now it was even worse because she feared shaming Stanley. Some time during the cab ride it had struck Vera that she was likely mistaken about Stanley’s clothes. They weren’t odd at all. In fact, they were probably exactly the sort of clothes to wear to an organ recital. At the moment, she was looking at him in an entirely different light. He reminded her of a diplomat – polished, elegant, European to his very fingertips, just the man she had imagined herself walking with on the deck of an ocean liner and conversing to in French when she was a girl of thirteen in Connaught. Surely, she was too plainly ordinary a girl to be seen with such a man. Surely people would snicker when they saw him escorting her to her seat.

Once inside the church her doubts diminished. It came as something of a relief to discover that there were some women seated in the audience as shabby as she, maybe even shabbier. There were a lot of very young, very wan, very pinch-faced girls whose hair was cut like Joan of Arc’s that she guessed were likely music students. Then there were the sleek, well-groomed dames huddled in their fur coats besides their bored-looking husbands. Why was it that all these women had the pointy chins and sharp, bright eyes of the small creatures trapped to furnish pelts for their coats? Vera was determined not to be their victim, not to cringe in a trap. She drew herself up to her full five feet eleven inches and sailed down the aisle.

The seats Stanley chose were in the third row, very near the front. Once they had settled themselves he lost himself in studying the program. This was fine with Vera. Having survived one ordeal she was content to recover in peace, to drink in her surroundings without the strain of making intelligent conversation. As she ran her eyes over the scenes from the Bible depicted on the stained glass windows she could sense the church filling behind her and the atmosphere thickening and tensing with anticipation. It must be almost time. She checked her watch. A few minutes before the hour.

Vera directed her gaze to the choir screen. There stood the four apostles carved in stone, granite eyes staring blankly out at the restless flock. Vera recalled a childish blasphemy. Matthew, Mark, Luke, and John, hold the horse while I get on. As she smiled to herself, a paunchy little man (nothing like the sinewy stone apostles) mounted the steps leading upwards to the altar, turned, and launched into a description of the evening’s program. Vera, her mind wandering, soon lost interest in what he was saying. The unfamiliar words, toccata and fugue, were often repeated and she was dimly aware of his fat white hands flogging the air as he talked.

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