Guy Vanderhaeghe - Homesick

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Homesick: краткое содержание, описание и аннотация

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“One has only to read the first page of Guy Vanderhaeghe’s Homesick to see why his books have garnered him international awards…” – Regina Leader-Post
“If great art is that which holds a mirror up to nature, as was once said, then Homesick is great art.” – Daily News (Halifax)
“[Vanderhaeghe’s characters] lift themselves by pride and love from the ordinariness of their world.” – Ottawa Citizen
“Vanderhaeghe has an unerring eye for the prairie landscape and a shrewd ear for the ironies of small-town conversation… He balances his dramatization of the cycle of life with exuberant storytelling…” – London Free Press
“His stories and novels are character studies par excellence…” – Andreas Schroeder
“Guy Vanderhaeghe writes about what he knows best: people, their sense of mortality, their difficulty in being good during a difficult time… The dialogue and the characters are eclectic and real.” – Vancouver Sun
“Beautifully written… Vanderhaeghe writes in a spare, poetic prose that is deceptively simple. He uses his medium very effectively to capture both the icy harshness and the warmth of family life… Homesick is an unexpectedly powerful work… His extraordinary talents deserve wide recognition.” – Whig-Standard (Kingston)
It is the summer of 1959, and in a prairie town in Saskatchewan, Alec Monkman waits for his estranged daughter to come home, with the grandson he has never seen. But this is an uneasy reunion. Fiercely independent, Vera has been on her own since running away at nineteen – first to the army, and then to Toronto. Now, for the sake of her young son, she must swallow her pride and return home after seventeen years. As the story gradually unfolds, the past confronts the present in unexpected ways as the silence surrounding Vera's brother is finally shattered and the truth behind Vera's long absence revealed. With its tenderness, humour, and vivid evocation of character and place, Homesick confirms Guy Vanderhaeghe's reputation as one of Canada's most engaging and accomplished storytellers.

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His praise was heartily artificial. Formerly a high school principal until certain difficulties led to his resignation, Mr. Buckle knew the value of commending the deserving. “Well, well, Maurice! Now we’re certainly looking spiffy. The missus certainly got that braid back into fighting trim in short order! Good man!” And a mournful Maurice would get a cordial clap on the shoulder, the sort of warm congratulation you give a man who gets right on top of things, without a moment’s hesitation.

Vera did not get right on top of things, not even after Mr. Buckle had publicly criticized her shoes. Wearing a pair of brown shoes with a maroon uniform just wouldn’t do, would it? They sort of clashed, didn’t they? Black would go much better with maroon, don’t you think? Vera ignored Mr. Buckle and kept right on wearing her brown shoes. The next time the staff were paraded Mr. Buckle made a speech. He said that those who neglected their appearance not only let themselves down, they let down everybody else who worked at the theatre because what one employee did reflected, for good or ill, on all. There was no doubt in anyone’s mind who he was talking about. Especially since he kept his eyes fixed on Vera’s shoes as he spoke.

Go piss up a rope, Vera thought. She wasn’t leaving the one pair of comfortable shoes she owned in the closet because some horse’s patoot wanted to play Napoleon. She’d worn a real uniform in her day, one that actually stood for something, and if he thought she was going to take seriously this monkey’s tuxedo, he had another think coming.

When he raised the issue again, a week later, Vera put it to him straight. “I’m wearing brown shoes because black shoes don’t get picked off trees. Black shoes and my salary don’t see eye to eye right at the moment.”

None of the staff had ever heard anyone speak to Mr. Buckle that way. Maurice studied the toes of his shoes and nervously shunted his top plate back and forth with his tongue. Frank squeezed his lips and buttocks even more tightly together. Doris and Amelia tried to look disapproving of a woman who could be so rude.

Mr. Buckle got oilier and smoother, a sure sign in his case that he was angry. “You knew what your salary would be when you accepted your position here, Miss Monkman. You were informed.”

“Sure I was. But I wasn’t informed half of it would have to be ear-marked for dry-cleaning and new shoes. I didn’t know I was expected to dress like a Rockefeller on what you pay me.”

Mr. Buckle considered such remarks beneath reply. He simply bobbed up and down on his toes, as if he were pumping more pounds per square inch and more purple into his face. When it was sufficiently purple and swollen he turned on his heels and marched off. In retreat to his office he let fly one parting shot over his shoulder. “If shoes are beyond your budget perhaps you might manage to replace your stockings. There’s a ladder in one of yours.”

“Whyn’t you use it to climb up and kiss my ass?” invited Vera under her breath, just loud enough so that the others could catch what she said but Buckle couldn’t.

When Mr. Buckle’s office door closed on that first act of defiance, Frank and Maurice, Doris and Amelia all clustered around Vera, whispering excitedly.

“Atta girl, Vera. Doesn’t he know he got told!”

“What a nerve! The nerve of that man, Vera! Shoes. As if we could afford shoes! Just as easy as glass slippers!”

“The Rockefeller! Did you see his face? The Rockefeller really got to him. Boy oh boy! The Rockefeller !”

“Remember your heart, Maurice,” cautioned Frank.

“Boy oh boy! Rockefeller right up his ass!”

“Let’s not be crude, Maurice,” admonished Frank. “Fair sex present.”

“Well, Vera said it, didn’t she? And so do I. Rockefeller right up his ass !”

Mr. Buckle would have fired Vera right then and there if it hadn’t been for her one invaluable talent. Nobody could deal with a troublemaker the way Vera did and the theatre was situated in an area where troublemakers were not uncommon. If it wasn’t for her, the kids at Saturday matinees might have pulled the building down around their ears the way Samson had the Philistines’ temple. And when it came to the other insalubrious types you met running a theatre in this district – the drunks who argued with Cary Grant, the perverts who pestered unaccompanied ladies, the indecent couples who groped and writhed their way through an entire feature presentation – Mr. Buckle didn’t know how these would have been dealt with if it hadn’t been for that brash young woman.

Maurice certainly was of no use. The mere idea of confronting someone and ordering him to remove himself from the premises was enough to provoke chest pains so bad that the ticket-seller had to be sat down and given an Orange Crush. Frank tried but almost always made matters worse. Six trips to request some noisy chap to quieten down and the fellow grew louder with every visit. There was something about the way Frank walked and talked and breathed peppermint all over the rowdies which only whipped them up into further frenzies of misbehaviour. As for Mr. Buckle – quite early in his career he had got his nose broken when he tried out his high school principal’s voice on a young soldier. He avoided running any risk of a repeat performance.

No, when it came to giving somebody the bum’s rush, nobody held a candle to Vera Monkman. Mr. Buckle attributed her success to the same disagreeable qualities which disrupted his inspections and often caused him to regret the day he ever set eyes on the woman. These were cheekiness, coarseness, natural belligerence, and an outrageously inflated opinion of herself. In many respects, Mr. Buckle thought, Vera Monkman was a thoroughly hateful young woman.

At the first whiff of a disturbance Vera would swing into action, shoulders squared, mouth set, flashlight poised at the ready like a cocked pistol. Vera did not hesitate. She’d give them the high beam full in the face. As they sat blinded, shrinking behind an uplifted hand, she’d say, “Listen, pal, nobody paid good money to listen to you. They came for Clark Gable. They’re having trouble hearing Clark on account of you. So button it and give us all a break. Thank you or else.”

Then, snapping off her flashlight, she would wheel abruptly around and stride vigorously back up the aisle before they got a chance to answer. It was part of her tactics. Don’t let them get a word back at you. Above all, never plead and never argue. Show them who’s boss. If the disturbance resumed, back she went, this time to remove them. There were no second chances. She’d just reach down, grab them, and boost them out of their seats. Most rose without a whimper of protest, it was the element of surprise that did it. If they resisted, Vera quickly sketched what they could expect.

“Look, mister, you don’t want to get in a scuffle with me. I don’t embarrass. I’ve got lungs like a banshee and I hang in screaming bloody blue murder until the cops arrive. So it’s that or get up quietly and leave. You’ve got exactly five seconds to make up your mind which it is before I start in. One, two…” They usually hustled out of their seats by four.

Vera explained her method to Frank. “The most important thing is never to doubt they’ll come. If you do, you’re finished. They’re like dogs, they can smell fear.” But Frank couldn’t seem to get the hang of it.

Although everyone admired Vera, no one admired her quite the way Thomas the projectionist did. Thomas was an unusual young man. Not only did he project film, he also projected wishes. He had a genius for inventing stories and telling them to people who had reason to wish they were true. For instance, he informed Maurice that Mr. Buckle suffered from a secret heart condition much more serious than Maurice’s own angina pectoris. “You think you’ve got it bad? You’ll live to be a hundred because you take care of yourself. Have you taken a good look at Buckle lately? The man looks like he’s got one foot in the grave. Honest to God, he does. They don’t give him much longer, Maurice. Compared to him, you’re the picture of health.” To Mr. Buckle he confided that both Doris and Amelia adored the manager, found him kind and sympathetic and handsome in a mature, distinguished way. “If I were you, I’d be sure not to show one favour at the expense of the other,” counselled Thomas. “It doesn’t do to stir up jealousy at work.”

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