Peter Carey - Bliss

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"Bliss" was Peter Carey's astonishing first novel, originally published in 1981 - a fast-moving extravaganza, both funny and gripping, about a man who, recovering from death, is convinced that he is in Hell. For the first time in his life, Harry Joy sees the world as it really is and takes up a notebook to explore and notate the true nature of the Underworld. As in his stories and some of his later novels, it is Peter Carey's achievement in "Bliss" to create a brilliant but totally believable fusion of ordinary experience with the crazier fantasies of the mind. This powerful and original novel is a love story about a man who misunderstands the world so totally that he almost gets it right.

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'Do you find that shocking?' She asked the Sea Scouts who seemed unsure.

'It's not shocking to me. It's life.'

The small Sea Scout put up his hand.

'Yes?'

'When do we get our ginger coffee?'

'I beg your pardon.'

'He means ginger toffee ,' the bigger boy said, looking up from his notes. 'He wants to know if we get our ginger toffee before the tour or afterwards.'

'There is no ginger toffee here,' said Mrs Dalton firmly, in the manner of an aunt impolitely asked for biscuits.

'Oh yes there is,' the small boy said, 'that's what we chose this project for. This is the one with the ginger toffee.'

There was something in Mrs Dalton's expression that frightened the smaller Sea Scout terribly. He had been frightened since they came into this room with its vases and flowers and funny smell. He looked at Mrs Dalton and began to cry.

The buzzer sounded and a big man in a white coat came into the room.

'Take them across to the Ginger Factory,' the woman said.

The small Sea Scout began to shriek hysterically and even his bigger friend let a tear roll down his ruddy cheeks.

'It's only the Ginger Factory,' Mrs Dalton tried to smile. 'He's taking you where you are meant to be.'

She was not believed and finally it took both Jim and Jimmy to pick up the two screaming Sea Scouts and deliver them bodily to the Ginger Factory across the road.

In Hell his sense of smell was the first to be truly awakened.

He was too giddy to stand up, but he could smell, and even though he had never been in a mental hospital in his life he knew without having to be told that this was the distinctive odour of a mental hospital. Floor polish, methylated spirits and chlorine seemed to dominate, but were given character and colour by the smallest concentration of stale orange peel, urine, and something very closely related to dead roses. There was no sympathy in the smell and every one of its components recalled, in different ways, in different degrees, fear (even if the fear was as petty as that summoned up by the methylated spirits with its associations of cotton swabs, cold skin, doctors' surgeries, steel needles, and chrome surfaces).

Without him knowing it, Honey Barbara had taught him to smell, and when he thought of her now it would not be in terms of how she looked but rather in relationship to the whole wonderful array of smells he associated with her: strong and salty as goats' cheese, rich and flowery as leatherwood honey.

He fought against the Pentothal but could not better it. For perhaps an hour he lay on his back, during which time, in giddy reconnaissances, he managed to gather that the room contained four beds, one of which was much larger than the others, that the walls were a yellow perhaps intended to be 'sunny,' that the fly-wire screens over the two small windows were torn, that the vinyl-tiled floor had a long black rubber skid-mark which ran from beneath the windows to the door on the opposite wall, and also: that he was wearing pyjamas which were not his.

He was not so much frightened as impatient to know what would happen next, and it was irritation with his drug-induced weakness which finally drove him, wobbly-legged, across the room to the window.

He had expected walls.

What he saw reminded him of a number of country railway stations all moored in a park of dwarf trees, covered walk-ways leading from one to the other. The red-brick buildings were long and thin and seemed to be only one room wide, with fading green doors opening out on to verandahs. Sometimes, he saw, the doors had signs such as 'Social Workers' instead of 'Station Master' or 'Waiting Room' but there was, amongst the people he saw, the same melancholy one finds amongst passengers who have just missed the train to the city and know they will he marooned here for the next four hours. They paced up and down, sat still on benches, talked to each other, or more commonly established a hostile isolation amongst the dwarf trees. The sun sank below the roof of the Ginger Factory (although Harry took this ugly rusting corrugated-iron building to be part of the hospital) and the very green, perfectly mown grass assumed a darker, blacker coloration.

It was then that he heard the Sea Scouts screaming. Abso-lute bowel-loosening terror cut through the air and hung there, vibrating. The patients, like grazing animals, suddenly froze. Harry crossed the room in two strides and opened his door. There was no grass here, only bitumen, across which black expanse two large men hurried, carrying the struggling bodies of two small male children. A notebook was dropped. A pen-cil, somehow pitiful, fell and rolled across the bitumen. A woman descended the steps of a box-like aluminium building and, with a slight hop, like a magpie scavenging beside a busy road, picked up the pencil. As she rose she caught sight of Harry Joy, who, instinctively, shut the door.

The screams now came through the open window as Jim and Jimmy carried the kicking Sea Scouts across the grass towards the Ginger Factory. Harry saw the patients move out of the way and then close behind in curiosity. The Sea Scouts screamed as if they knew the secrets of those smoking chimneys.

Honey Barbara had rules for survival in this particular quarter of Hell. They were as follows: Do not aggravate them, be quiet, smile nicely, don't let them know how smart you are. Eat all your food and don't steal jam. Fuck whoever wants to be fucked and then forget about it. Never tell a doctor the truth but make everything you tell them interesting. Never say you're not sick. Keep your nose clean and do not write complaining letters.

Harry was determined to follow the rules exactly and it was his desire, made more intense by the frightful screaming, that led him, so early, to his first mistake. His heart was racing. He was panicked and still dizzy from Pentothal. Yet he saw it clearly, there plain as day, on the end of the big bed. It was not the bed he had been sleeping in, but there it was: his name: Mr HARRY JOY, in metallic tape.

Already he was courting disaster. He was in the wrong bed. ('Never tell them,' Honey Barbara said, 'that a thing is their fault, even if it is.') A mistake had been made, or a trick. Perhaps he had been delivered to the wrong bed or a prankster had shifted him while he slept.

Quickly, dizzily, he made the bed he had been asleep in and shifted himself into the correct bed.

And there he was: keeping his nose clean, obeying the rules, not complaining either verbally or in writing. He was in the right bed, only worried now that he might have been given the wrong pyjamas and, in fact, he was sitting up in bed, peering over his shoulder and trying to read the label on his pyjama coat when Alice Dalton entered the room, already a little on edge.

She had a pencil in her hand. It was the Sea Scouts' pencil. She held it without feeling and he watched her narrowly as she approached the bed, thus ignoring one of Honey Barbara's many rules: 'Always give out a good vibe, never let them think you hate them.'

She stood at the foot of his bed for some seconds, her head bowed, her temples held delicately between thumb and middle finger. When she looked up at last, her mouth was drawn very tight.

'Mr Joy, I am Mrs Dalton. This is my hospital and you are here because you are sick.'

Harry waited. He had remembered Honey Barbara's rule about vibes but all he could think was that he didn't like this pencil woman. He disliked her self-importance, her mottled red face, her pink glasses, her tightly permed indifferent-coloured hair, her sparrow legs, her fussy voice, her black shoes, and he would have gone on, finding more things to dislike, except that she started to talk and he had to concentrate on her ridiculous words.

'Unpleasant fact number two,' said Mrs Dalton, 'is you are in the wrong bed. Please don't interrupt. Now when we assign you a bed we do it for a good reason, probably a whole number of reasons. We know things, Mr Joy, that you could never possibly know so if you start changing your bed... well, it's impossible.'

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