Peter Carey - Oscar and Lucinda

The stewards thought of themselves as the "crème de la crème." They were proud of their work. They were not the simple snobs that Melody Clutterbuck imagined. It was she who was the snob. These men were perfectionists. They were as proud as glass blowers. They had been tricked. They expected to serve people who would respect, or at least recognize, their finesse; but instead they found a preponderance of colonial bullies who wished to lord it. Down in second class there was a Mr Borrodaile, a rich and argumentative man who got drunk and threw biscuits down the ventilator.

Lucinda liked them all without seeing them. She would like to sit around a table with them. They could smoke and have a drop too much. She would not mind.

She did not belong in this stateroom with its vast curved empty space, its maroon carpets, its shiny icing of luxury. She did not even belong in the clothes, smart clothes from Marian Evans's dressmaker in the Burlington Arcade, and she recognized, the first night in her stateroom, with Barchester Toivers resting in her lap, that it was only at Mr d'Abbs's house that she could be relaxed amongst ordinary people.

If these stewards had met her in the company of Mr d'Abbs, Mr Fig and Miss Malcolm (and it was by no means possible) they would play cards with her and not think about it. They would see that she could laugh, even drink and, if they were not careful, fleece them of their shore pay at three in the morning. It was a vulgar house, it was true, and in many ways, quite morally doubtful. It was a shock to realize that one "belonged" there-it was so second rate, colonial, even ignorant, but she could sit at the table there and not feel herself constrained by the corsets of convention. She did not have this dreadful tightness, in the throat, the arms, the chest. In the dining room these stewards were actors in a play-they used

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different voices. She could not match the voice she heard at night with the voice that served her in the morning. When she sat at table she felt complicitous with them. She imagined that they, like her, felt restricted by their parts.

Meals, in any case, were an embarrassment. The dining room was all Grecian, with fluted columns, empty tables. There were four reluctant officers appointed to dine with her. She entered, blushing red. She ate as quickly as politeness would allow. She knew (or imagined) that her character, her passions, her occupation would all be unacceptable, even shocking, at this table. Her companions thought her a mouse. So she was. They made her one. She would rather have been playing Blind Jack or poker. There was, she thought, as she sliced her grey roast beef, so much to be said in favour of a game of cards. One was not compelled to pretend, could be silent without being thought dull, could frown without people being overly solicitous about one's happiness, could triumph over a man and not have to giggle and simper when one did it. One could kill time, obliterate loneliness, have a friendship with strangers one would never see again, and live on that sweet, oiled cycle of anticipation, the expectation that something delicious was about to happen. Which is not to say that the pleasures were all related to gain or greed. One could experience that lovely lightheaded feeling of loss, the knowledge that one had abandoned one more brick from the foundation of one's fortune, that one's purse was quite, quite empty, had nothing in it but a safety pin, some dust, its own water silk lining, and no matter what panic and remorse all this would produce on the morrow, one had in those moments of loss such an immense feeling of relief-there was no responsibility, no choice. One could imagine oneself to be nothing but a cork drifting down a river in a romantic tale by Mr Kingsley. In her first months as proprietor of the Prince Rupert's Glassworks she had played a hand of cribbage with the men during their breaks. She had seen this as a way whereby she could get to know them. But within a month they sent a message to her (back through Mr d'Abbs of all people) that they did not think it "proper" that this practice continue. She would never be able to think of this message-delivered by an embarrassed Mr d'Abbs in the foyer of Petty's Hotel-without feeling the sting of their rejection. It hurt out of all proportion. It would not go away. She thought: All the time I have enjoyed the games, they have thought me a tart or something worse. She wished to weep for her stupidity, or slap them for theirs. She had been proud of what the works produced. She was moved

Oscar and Luanda

by the process as she always would be by the collaborative nature of human endeavour. She saw she had purchased a hell-hole that must always be a hell-hole and yet she was much affected by the way the men made themselves into a chain with chaos at one end and civilization at the other-the cockeyed little first gatherer, the sturdy, barrelchested second gatherer, the handsome old third gatherer who would never be a master, the blower himself with his great grey beard and his arms as big as a boy's legs, the finicky stopper-offer who ran about, fast, bent over, like a mynah bird on a branch. She had felt it wrong to be the proprietor of such a hell-hole where the men must work in water-doused chaff bags, be awake at three a.m. (or ten p.m. or dawn) to meet the demands of the furnaces. But even though she could never become romantic about the hardness of their lives she also came to envy them their useful comradeship and it was through the doorway of a game of cards she hoped to enter it. She aspired only to play a useful part in manufacture, even though she was their "master."

Their rejection of her produced the most unchristian passions in her breast. "No gentleman," they told her, "would gamble with a lady." Her feelings were of the same order as those of a parent who wants to dash a howling baby to the floor.

She listened to the Leviathan's stewards and imagined being admitted to their game. She would knock on their door. She would introduce herself.

But she knew, of course, that they would immediately revert to their "steward" character. It would be an intrusion on their privacy too gross to contemplate. But surely, somewhere, there was a game got up. She imagined carpenters and engineers 'tween decks. She took her own deck of cards, the new ones purchased in Old Bond Street. They were Wetherby Suprêmes with the handsome black and gold filigree on their calendered backs which she always believed to be especially lucky. She snapped open the griffin seal which kept them in their place and shuffled them in her practical little hands, lengthening her top lip as she always did when excited-not a useful tic for a poker player to have-and cut them, splayed them, made a bridge and closed it. She had an ache. She felt it in the back of her knees, in her knuckles, a tension both pleasant and unbearable.

If she just walked, for instance, down to the regions known as 'tween decks, there would be an open door. There would be a game. She would stand and watch. They would not mind. She imagined it exactly. Four working men at a table. She would show them her own cards. 190

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Silly. Too stupid for words.

She put her Wetherby Suprêmes in her velvet purse and walked out of her stateroom. She was going for a walk, that was all.

She was going-of course she was-to inspect her cargo in the hold. This was her right. She was a manufacturer. She might not look like one to you, sir, but that only demonstrates your colonial nature. Not all manufacturers have side-whiskers and smoke cigars.