Peter Carey - Oscar and Lucinda

"We are almost there, dearest," she said, but took the paper and string from him and began to tidy it. Wardley-Fish did not see the reproof intended.

"A little only," he said. "Here. It is written by the Odd Bod's pater and not in the least what one would expect."

She nodded, severely, she hoped.

Wardley-Fish opened the book, not at the beginning, but at random. " The body is about one and a half inches thick.' " he said (this was not quite the sort of thing he sought) " 'and the same in height, of a purplish brown hue marked with longitudinal bands of a dull lilac, each band margined with a darker colour.' "

Melody Clutterbuck looked at her fiancé, perplexed. They passed a troop of guardsmen on horseback, a sight she normally loved. She did not even notice. She opened her mouth to speak, to object to the unsavoury scent-there was no other way to think of it-of this writing. It certainly did not seem appropriate for ladies. But her fiancé was ahead of her. He was already galloping on in search of better evidence. A paragraph here. A sentence there.

"You see, you see," he exclaimed, his eyes glistening wet. She had only seen him become this excited about horses. "The old boy is a marvel. The old boy is alarming. It is the 'Yea!' Melody, isn't it? Your father's 'Yea!' Mr Carlyle's 'Eternal Yea!' The one your pater speaks of." "Ian, please!" "From this," he waved the book with great emotion, "to a room with no hre."

"Dearest, you make no sense."

" Within a day or two after this, the other two of the same species lay their spawn.' No, no dearest. It is botany, or zoology. The old fellow is a fearsome Evangelical so we need not worry ourselves about propriety."

But talk as he might, he knew he had gone too far. He surrendered 'he book when she held out her left hand for it and he watched it join its partner-she was, in spite of her firm chin, very agitated-as the Pair of them, left and right, attempted to collaborate in rewrapping tl» e parcel. I am frightened of her, he thought, and it is far too young to know

such a thing.

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Oscar and Lucinda

It was the Hon. Mary Braden-Loch's day At Home. The young clergyman performed expertly. Melody Qurterbuck was pleased to have him much admired and had soon forgiven him his outburst in the cab. She was alarmed therefore to notice, in a break in the conversation, the dead quality of his lovely eyes. She could not guess that they held the indefinite sky of a window three storeys above the streets of Netting Hill. ^?

It was Mr Paxton-the same Mr Paxton who designed the Crystal Palace-who advised Lucinda Leplastrier to return to Sydney on the Leviathan. He spoke as an engineer, he said, and there is no doubt she would see nothing like it "so long as sanity is the general condition in my profession."

Lucinda expressed doubt that she should entrust her life to a vessel so described. He made it sound as if the ship were quite unsound.

"Its ability to float at sea is inversely proportional to the likelihood of it floating on the season of commerce. Go, " he said, "it is as safe as an elephant. It will be a great experience, aye, and a rare one, too, because she will be bankrupt two years from now, and Mr Legare can go back to building bridges which is more his line of work."

She bought her ticket with her customary confusion about the price. It was fifty-five pounds for second class. It was too much money. It was seventy pounds for first class. She could afford it. She bought a first-class ticket, but in all her to-ing and fro-ing about the rights and wrongs of this, she never imagined that the largest ship ever built would be so empty. London had been lonely enough. This was worse. And it was because of this, because of the grand and supercilious spaces, that she had come down on to the wharf and she was, the minute her feet were on the ground, much happier.

166

In a Trice

It was like descending from a town hall to a market place-suddenly there was life all around hersteel rails along the wharf and cranes rolling to and fro, donkey engines thumping, white blossoms of steam, and even the rain, although it wet her boots, did not depress her. She was pleased to be down here, amongst practical people. There were practical smells-coal, coke, anthracite, mineral oil. It was the mineral oil that made her think about her glassworks with which, in her absence, she had developed a closer and more affectionate relationship. She forgot the anxieties and tensions her ownership produced and felt, '} now, on Southampton wharf, sympathetically drawn to the man who; smelt of mineral oil-an engineer, she guessed, a frecklefaced Scot i with a clenched-up face who would never be welcome in Marian Evans's drawing room. Her glassworks smelt like this. All glassworks did. At the glassworks she visited in Trent, in London itself, and even in Nottingham where they were making sheet glass for Mr Paxton, there was the same smell, the smell of her own works on Darling Harbour. The pear wood they used to turn the foot of a vase would be soaked, not just in water, but in mineral oil, and she was suddenly made impatient to return-as impatient as she had been to leave-to the aroma of burnt pear wood, mineral oil, and the acrid chemical smells of sulphates and chromâtes oxidizing to green and yellow.

She was twenty-two years old and fashionably dressed in grey moiré. Her back was curved; her backside, as was the fashion, pronounced but not to the degree suggested by George Eliot in a sharp letter written at that time. The pamphleteer's daughter, according to the famous novelist, could have sat a tea tray on the ledge of her backside, but George Eliot was fifty-eight years old and bad tempered with kidney stones and she had misunderstood the girl completely. She is such a "little" thing, it would appear that all conversation has been squeezed out of her. She sits with her hands pressed in her lap, totally silent, but with no consciousness of her social inadequacy and it is difficult, after the second hour, to maintain one's natural sympathy for her. George [Lewes] was kind and took her to the British Museum and then to tea where she seems to have attempted to seduce him into a game of chance. Apart from this outburst she seems to have said little, and it is so difficult, no matter what one's intentions, to hold a conversation with someone who will not talk.

Lucinda had expected her mother's friend to share her mother's enthusiasms. But while George Eliot had encouraged Elizabeth's essays and pamphlets, she had never shared "Elizabeth's fanatacism" for

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Oscar and Lucinda

factories. And while she was interested to learn that the orphan had actually purchased a factory, she did not wish to discuss the manufacture of glass. If Lucinda had employed female glass blowers, perhaps it would have been different, but her single attempt in that direction had been a failure. George Eliot was not interested, and she had work to do.

Lucinda thought George Eliot was a snob. She preferred Mr Paxton who laughed at her outright but who had, just the same, explained his new project, presented her with a blueprint of the broad schemata, and written her letters of introduction to the glassworks he dealt with. To be patronized by Mr Paxton was an altogether more pleasant experience than being disapproved of by her mother's famous friend.

Lucinda had come to London thinking of it as "Home." It was soon clear that this great sooty machine was not home at all. She had left Sydney with thoughts of marriage and children. She had left-^although it did not make her comfortable to remember this-in a temper with Dennis Hasset who, whilst remaining her close friend and confidante, obviously did not think her a suitable candidate for marriage. She had left him to stew in the juices of his own regret. She did not doubt she would have proposals in London, if only because of her wealth. She had steeled herself to fend off undesirables. Nothing like this had happened, although the stern Mr Paxton had behaved, twice, in an ungentlemanly way.