Peter Carey - Oscar and Lucinda

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Oscar and Lucinda: краткое содержание, описание и аннотация

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The Booker Prize-winning novel-now a major motion picture from Fox Searchlight Pictures.
This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent-a haven for misfits of both the animal and human kingdoms-could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.

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Miss Leplastrier took the cards from Fig and shuffled them. Two weeks earlier she would have spilled them everywhere, but she had taken to the game like a duck to water. He found it both comic and endearing to see a pretty woman shuffle with the finesse of a croupier in a club. It was ten minutes past two o'clock. Lucinda was not in the tiniest bit sleepy. She took a sip of lukewarm cinnamon punch and began to deal another hand.

Miss Malcolm yawned.

"Have you had enough of cards?" asked Mr Fig, but would not address the question directly to Mr d'Abbs.

"Oh, please," said Lucinda, "let us play one more hand."

"You have already lost three guineas," said Miss Malcolm. Her tone was not friendly. She looked at Lucinda with the same heavy-eyed contemptuous expression she had bestowed on Miss Shaddock.

"One more," declared Mr d'Abbs, looking at Miss Malcolm through visibly narrowed eyes. "A chance for Miss Leplastrier to win her money back."

Lucinda dealt a card to Miss Shaddock. It slid across its fellows, and sailed through the air. Miss Shaddock snatched at it but sent it flying towards Lucinda. It bounced off Luanda's shoulder and fell at her feet. Lucinda leaned to pick it up.

A Duck to Water

She did not allow herself to see the suit of the card, but she did see that Mr Fig had taken off his boot. He had his leg stretched beneath the table. His stockinged foot was somewhere in amongst Miss Malcolm's skirts. Lucinda noted it with far less degree of shock than might be thought likely. She thought only: My mama would think this household horrid. She answered the question about her losses.

"One more game," she begged.

"Like a duck to water," said Mr d'Abbs.

Lucinda knew she would win this hand because she had dealt it. She knew she could control the cards with the strength of her will and there, now, here, the proof: four red threes and a two of spades. She could discard the spades and have a king. She would do this now. It was not a king. It did not matter. She would win

anyway.

I am rich, she thought. I can do what I like. It is only pennies. It is only a little fun. My mama would not condemn me to loneliness

forever.

Tomorrow she would have won or lost, but whatever happened, hap piness would be denied her. She could be happy now, not then. For if she won, she would know herself a robber. She was already rich. She had wealth she had not earned. To wish for more was sinful, greedy. But if she lost, it would be worse. Then she would feel not remorse, but terror. Her money was her cloak, her armour. She was a miser, counting it, feeling panic to be parted from it. She knew this already. She would go running to the Woollahra vicarage with her tail between her legs. She would read her Bible and attend Evensong. But now she was drunk on the game and only wanted more of it. The cards were sharp and clear, their blues pure ultramarine, their reds a brilliant carmine like the hearts of popish effigies. She saw the expression in Miss Malcolm's eyes. She heard the beast bellow from the mud flats. She patted her neck and felt her palm licked by loose, untidy flames of hair. The sight of her! It would drive her mama to a brushing frenzy, but Lucinda did not care about anything except cards and how to get the next hand moving.

"Come," she said, "look how attractive I can make the stakes." And she emptied the contents of her purse-the equivalent of sixteen jam jars-on to the blanket.

Mr d'Abbs was amused and pleased. He was about to pigeon-hole her childlike and then she looked up and he caught the clear green challenge in her eyes and then he did not know what it was he felt.

Personal Effects

Mrs Burrows did not like to be needed too much. It put her off. It was this which was the impediment in her relationship with Mr Jeffris, not the fact that he was a clerk employed by Mr d'Abbs. Where Mr Calvitto had cold eyes and would allow himself to show no passion, Mr Jeffris had an incendiary nature which one felt to be only just held in control. Tears sprang easily to his tortoiseshell brown eyes. His hands were often clenched or thrust hard in his pockets. He was a stranger to irony and sarcasm. He was as direct as a knife. And apart from his great passion for the widow of Captain Burrows, his great obsession in life was that he should be an explorer of unmapped territories. He was not tall like Burke, or well educated like Mitchell. But you could not hear him talk and doubt that he would finally triumph. Mr Jeffris was really very handsome. He had a great mane of coalblack hair, a high forehead, finely shaped full lips and fierce, animated dark eyes. He was neat, precise, self-critical. He was the youngest son of Covent Garden costers and dedicated to his own improvement. He was, in almost every respect, a perfect match for Mrs Burrows, except that he needed her. Mr Calvitto had passion, but it was of a different type. It was as cold as a windowpane in a warm room. It was this she trusted. She liked a little distance, the emotional equivalent of what Captain Burrows, always billeted up-country, had provided her with in miles. The difference between Mr Calvitto and Mr Jeffris is best illustrated by their reaction to that small tin trunk which Captain Burrows's commanding officer had labelled "Cpt. BurrowsPersonal Effects." The trunk contained a pair of gloves, some letters from Mrs Burrows, an envelope containing certain cards depicting Cossacks, and sixteen

140

Personal Effects

leatherbound diaries containing maps, descriptions of journeys, raids against the blacks, and small pen sketches of various bivouacs, river crossings, etc.

Mr Calvitto, on being invited to inspect the diaries, told her plainly that her husband had no talent with the pen. He made disparaging remarks about his English composition and drew her attention to the dashes which Captain Burrows used instead of commas and full stops. He did not end there. He read a sentence out loud and made it sound ridiculous. He showed her how the

"settler's hut attacked by blacks" could not help but fall flat on the ground the minute the sketch was complete.

Mrs Burrows, like Mr Jeffris, believed in "improvement." Mr Calvitto offered "improvement" in large dollops, or at least that chastisement which Mrs Burrows had learned to be the precursor of improvement. And although she twice slapped his face in response to things he said, she could not help but be spoiled for Mr Jeffris's enthusiastic response.

Mr Jeffris arrived on Tuesdays and Thursdays with his own writing paper and pen. He wore an old-fashioned box-pleated jacket in the style of his hero, Major Mitchell. He sat down at the gate-legged table in the parlour and transcribed from Captain Burrows's diaries. He had a neat, graceful hand with certain flourishes of his own invention. He did not make rude faces about the little brass gewgaws and porcelain knick-knacks with which Mrs Burrows had decorated the room. Mr Calvitto, on the other hand had, on first being alone with her in her house, told her bluntly that she had no taste. He had picked things up and put them down. She had been standing in the parlour. She had a small porcelain elephant in her hand. He had been opposite her, with his back to the window. He had his top hat in his hand.

She had the elephant in her hand when they kissed. Later she found it on a dressing table. When Mr Jeffris admired this elephant, he put himself on her level, and this level was not high enough. Paradoxically, his natural affection for the elephant made her as fond of him as of a friend survived from early childhood.

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