Peter Carey - Oscar and Lucinda

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Oscar and Lucinda: краткое содержание, описание и аннотация

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The Booker Prize-winning novel-now a major motion picture from Fox Searchlight Pictures.
This sweeping, irrepressibly inventive novel, is a romance, but a romance of the sort that could only take place in nineteenth-century Australia. For only on that sprawling continent-a haven for misfits of both the animal and human kingdoms-could a nervous Anglican minister who gambles on the instructions of the Divine become allied with a teenaged heiress who buys a glassworks to help liberate her sex. And only the prodigious imagination of Peter Carey could implicate Oscar and Lucinda in a narrative of love and commerce, religion and colonialism, that culminates in a half-mad expedition to transport a glass church across the Outback.

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At Maitland, Wardley-Fish had been barely a day behind the party, but then there was a game of cards with squatters in a so-called Grand Hotel. He had tried to leave, but he was too far ahead and his cornpanions would not hear of it. By the time this game was finally settled Mr Jeffris's squeaking, whip-rattling convoy was far ahead: passing along burning ridges somewhere north of Singleton. The Odd Bod's eyes streamed. His lungs rebelled. His hard-sprung wagon lurched and banged over rocky tracks or squelched into fart-sour mud. The Odd Bod sat on a wooden bench and buttoned his long-sleeved shirt against the mosquitoes and the sun. He comforted the burly Percy Smith. He assured him that he was forgiven. The air was filled with foul language, such hatred of God as Oscar would have imagined suitable for hell itself. They travelled behind the quartermaster's wagon and thus behind the smell of bad meat which made up their diet. They travelled beside ugly windrows, great forest trees pulled into piles by settlers eager to plant their first crops.

In a pretty clearing beside some white-trunked paper-barks, Oscar saw a man tied to a tree and whipped until there was a shiny red mantle on his white shoulders and brown seeping through his Anthony Hordern's twill trousers. His "mates" all watched. Oscar prayed to Jesus but no prayer could block out the smell of thé man's shit.

He forgave Mr Smith. How could he not? He who stood witness to far greater crimes than his. He accepted his laudanum. He lay down on the grass and let the funnel be inserted. He had queer laudanum dreams and other thoughts you could not label so neatly.

An Explorer

If you plucked Sydney from the earth, he thought, like an organ ripped from a man, all these roads and rivers would be pulled out like roots, canals, arteries. He saw the great hairy, fleshbacked tuft, which he saw was Sydney, saw the rivers pushing, the long slippery yellow tracks like things the butcher would use for making sausages.

While he saw all this, he also saw Percy Smith's unhappy, pale, blinking eyes as he handled his blackened short-stemmed pipe.

He saw his father killing moths by driving copper pins into their eyes. He dreamed of enormous sea-shells, soft, like ladies' quilted jackets-pale pink, lilac, lily greencast up on a Devon beach. He had ecstatic dreams involving water in one of which his body assumed the form of a river. His anus itched. His head was jolted and thrown forward. Through all the physical discomforts, the dreams came to him, like complicated melodies played by a man lying in a bed of nettles. He dreamed he was somehow inside his father's aquarium. The cool water was very soothing to his prickling skin. He could see his father's wise and smiling face peering in at him. He could see, dimly, the outside world, the chair and benches of his father's study. Sunlight streamed through a window. He thought: That window faces north. He felt very happy for he knew that the sunlight meant his father was now in the southern hemisphere.

But it was Wardley-Fish who was in the southern hemisphere. He was one day's fast trot behind the wagons. He had a tired horse, but plenty of money for a fresh one. He walked the darkflanked beast along the flat sandy path above the Macleay. The path was through tea-tree scrub. He came round a bend to find a man with a handkerchief tied across his face. As the man produced his pistol, bright loud birds flew across the path behind his shoulder. Oscar had dreams in which portions of the real world stumbled, like horses' hooves stuck in drought-cracked clay. These dreams were marked by the filigree of giant trees silhouetted against the sky, by beards, by curses, and the plant collector's German hymns. But only the longest and most beautiful dream transcended the jolting, jogging rhythms of the wagon. It involved a glass-house shaped like a seamless teardrop; the teardrop suspended in a wire net; the net held by cast-iron rods out from a cliff above the sea. On the sand below was the refuse from his other dreams, those enormous pink shells, his mother's buttons, a sherry bottle. In his dream he had one thought which turned and turned on itself like a shining steel corkscrew. The thought was this: I am not afraid.

Oscar and Lucinda

Wardley-Fish returned to Sydney in the company of a travelling draper of exotic extraction. He was indebted to the man for the trousers he wore. … ,".

*-*.

>K4f: V!' S*,

99

ArfOldm<^ltow

The sand for our glassworks did not come from Bellingen, but from Yellow Rock, which is on the coast, not far from where Mr Jeffris's party finally emerged from the bush. The sand at Yellow Rock is not as good as the Botany sand which Dennis Hasset, and others before him, tried to promote in London and Sydney, but it is good enough sand. It produces a glass with a faint yellow tinge, the effect of which, in the windows of old Bellinger Valley farmhouses, is to make the kikuyu pastures a particularly dazzling green. The sand was held in big corrugated-iron hoppers and when these ran low my father would employ a gang of men and we would take three wagons over to Yellow Rock and load them. I say "we" because I went too, even-and I cannot see how this was so, except that it waseven on a school day. We would stay overnight at the Old Blacks' Camp.

The Old Blacks' Camp consisted of seven weatherboard huts, built in a row. They were constructed after the style of the so-called "shelter sheds" which are still the feature of school playgrounds around Australia. They were bleak places, each with a single "room," a single door, three steps, one window. In these huts the surviving members of the Kumbaingiri tribe lived, and died.

The only one I remember is the one they called Kumbaingiri Billy. More commonly he was known as Come-and-get-it Billy. I do not know his real name, or even his age. My father liked Kumbaingiri Billy. He always brought him bacon. I think they were friends, proper friends. They drank tea together. My

Glass Cuts

father never made jokes about him. Once he said: "Kumbaingiri Billy has more brains in his nose than the whole shire council wrapped into one."

When I was ten, Kumbaingiri Billy told the story of "How Jesus come to Bellingen long timeago." Afterwards I made a patronizing joke about it and my father hit me around the legs with the electric flex from the kettle. I didn't make jokes about it again, although I listened to the story a number of times. Kumbaingiri Billy must have first heard it when he was very young, and now I think about it it seems probable that its source is not amongst the Kumbaingiri but the Narcoo blacks whom Mr Jeffris conscripted at Kempsey to guide the party on the last leg of its journey. But perhaps it is not one story anyway. The assertion that "our people had not seen white people before" suggests a date earlier than 1865 and a more complex parentage than! am able to trace. «

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Glass Cuts

The white men came out of the clouds of Mount Darling. Our people had not seen white men before. We thought they were spirits. They came through the tea-trees, dragging their boxes and shouting. The birds set up a chatter. What a noise they all made. Like twenty goannas had come at once to raid their nests. Anyway, it was not nesting time. We thought they were dead men. They climbed hills and chopped down trees. They did not cut down the trees for sugar bag. There was no sugar bag in the trees they chopped. They left the trees lying on the ground. They cut these trees so they could make a map. They were surveying with chains and theodolites, but we did not understand what they were doing. We saw the dead trees. Soon other white men came and ring-barked the trees. At that time we made a song:

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