Peter Carey - The Tax Inspector

‘I think this is going to be very therapeutic,’ Gia said. ‘I only wish Alistair could see you do it.’

‘This is nothing to do with Alistair …’

Gia thought: Sure! It was the first real sign she’d seen that Maria would let herself be angry with him.

The door opened on to the rat-maze partitioned world of the eighteenth floor which now housed the file clerks and section heads and auditors who concerned themselves with returns from small businesses like Catchprice Motors.

When Alistair’s star had been in the ascendant they had all worked here – although not on small businesses. During those years, no one on the eighteenth floor would have wasted their genius on Catchprice Motors.

They went to big-game fishing conventions in Port Stephens and photographed the people with the big boats and then investigated them to see if their income correlated with their assets. They spotted Rolls-Royces on the way to work and, on that chance encounter, began investigations that brought millions into the public purse. It is true that they were occasionally obsessive (Sally Ho started fifteen investigations on people with stone lion statues in their gardens) but mostly they were not vindictive. They investigated major corporations, multi-nationals with transfer pricing arrangements and off-shore tax havens. They went hunting for Slutzkin schemes, Currans, and sham charities. This is the work for which Alistair recruited Maria Takis and her best friend Gia Katalanis.

It had not been a rat-maze then. Alistair had had all the partitioning ripped out. There had been no careful grading of offices and desks but a clamorous paddock of excitable men and women who lived and breathed taxation. They worked long hours and drank too much red wine and smoked too many cigarettes and had affairs or ruined their marriages or did both at the same time. More than half of them came from within the Taxation Office but many – those with new degrees like Gia and Maria – came from outside it, and thereby leap-frogged several positions on the promotion ladder without sensing that the old Taxation Office was a resilient and unforgiving organism. Had they realized what enemies they were making it is unlikely they would have acted any differently – they were not cautious people. They were sometimes intolerant, always impatient, but they were also idealists and all of them were proud of their work and they were not reluctant to identify themselves at dinner parties as Tax Officers.

It was Alistair who created this climate, and for a long time everyone in the Taxation Office – even those who later revealed themselves to be his enemies – must have been grateful to him. It was something to be able to reveal your profession carelessly.

It was Alistair who said, on national television, that being a Tax Officer was the most pleasant work imaginable, like turning a tap to bring water to parched country. It felt wonderful to bring money flowing out of multi-national reservoirs into child-care centres and hospitals and social services. He grinned when he said it and his creased-up handsome face creased up some more and he cupped his hands as if cool river water were flowing over his big, farmer’s fingers and it was hard to watch him and not smile yourself. This was one half of Alistair’s great genius – that he was good on television. He sold taxation as a public good.

The Taxation Office had never had a television star before, so it was not surprising that Alistair would be envied and resented because of it nor – when the political forces against him succeeded – that he would be treated spitefully in defeat. What was less expected was that the bureaucracy would punish his lover almost as severely, more severely in one way, for Alistair’s office, although much smaller and no longer in the power corner, was at least properly carpeted and had all of its shelving and wiring correctly installed.

‘Oh, the bastards,’ said Gia when she stood at the doorway of Maria’s office. ‘The unmitigated petty little bastards.’

There was still wiring running across the floor from the computer to the black skirting board which was meant to hide it. There were no shelves. There were books and papers stacked on the floor. The only filing cabinet was grey and it was littered with sawdust, aluminium off-cuts, a hammer and a chisel.

‘They fixed the modem,’ Maria said. ‘Gia, I don’t care. I’m never here.’

Gia picked up a tradesman’s dustpan and began to sweep the floor.

‘It’s not the point,’ she said. She picked up metal shavings and a little block of hardwood and dropped them in the pan. ‘What I can’t believe is that anyone would hate you. It’s not as if you were arrogant. It’s not as if you were ever anything but lovely to everyone. Whatever fix Alistair is in, it’s nothing to do with you.’

‘It’s to do with all of us,’ Maria said. ‘We should all be ashamed that he should be treated the way he is.’

Gia did not comment. She thought the great man of principle was a coward and a creep. He spent his days behind his ASO 9 desk in a poky little office across the hall. He now had nothing to do, except administer a division which no longer existed. All he was doing was reading nineteenth-century novels and waiting for his $500,000 superannuation while Maria and her child faced a hostile future you could optimistically call uncertain.

‘Does he talk to you now?’ Gia began to sweep the little coloured pieces of electrician’s cable into the dustpan.

‘He never didn’t talk to me,’ Maria said, ‘and don’t start that.’ She wanted to leave the office and get on with it.

‘Is he nice to you?’ Gia asked, sweeping stubbornly.

‘Gia, I don’t just want to stand here. Let’s just do it, quickly. Please.’

‘You think I want to hang around here?’ Gia emptied the dustpan into the wastebin and started going round the piled-up books wiping the dust off the covers with a Kleenex tissue. ‘Is he paying for anything?’

‘This baby is my mistake, not his. If you want to be mad at someone, be mad at me. Now I need to get into Max Hoskins’s office.’

‘Sure.’

‘You said you could unlock the doors.’

‘Only the front door, only the lift to the floor.’

‘O.K.’

Maria picked up the hammer from the top of the filing cabinet and walked off down the hall. By the time Gia found her she had fitted the claw beneath Max Hoskins’s door and was levering upwards. ‘Kick it,’ she said.

‘No,’ said Gia, out of breath. ‘We can’t do this.’

‘You hold the hammer. Push it down.’

Gia sighed and held the hammer and Maria slammed her shoulder hard against the door.

‘Careful. I don’t want you to go into labour.’

‘Again.’

This time the door ripped open.

‘This is break and entry,’ Gia said, rubbing at the splintered wood at the base of the door. ‘This is not some prank. This is like a violation … If you want to punish Alistair, you should do something to hurt him, not you. You need this job.’

‘This is nothing to do with Alistair . I’m just damned if I’m going to let the department make me into someone I’m not. Gia … please … I need to get at Max’s terminal and then we’ll go back to the Brasserie and I’ll buy you a glass of champagne. If you want to wait for me there, that’s fine, really.’

‘Just hurry, O.K.’

Gia watched from the doorway as Maria took out Max Hoskins’s day book and flipped it open. He had a standard ASO 7 office with a green-topped desk, a leather-bound desk diary, a view to the north, two visitor’s chairs. Only a tortoiseshell comb left on top of the computer terminal was non-standard and it had an unpleasant personal appearance like something found on the bedside table of someone who had died.