Kathryn Stockett - The Help

I’m watching the long, fuzzy peel fold down into Miss Celia’s basin, paying no mind at all to the driveway. Usually when I’m standing at her kitchen sink, I map out my getaway from Mister Johnny. The kitchen’s the best room for it because the front window looks out to the street. Tall azalea bushes hide my face, but I can see through enough to spot an approacher. If he came in the front door, the back door would escape me into the garage. If he came in the back, I could slip out the front. Another door in the kitchen leads out to the backyard, just in case. But what with the juice running down my hand and me nearabout drunk on the butter smell, I am lost in a peach-peeling reverie. I don’t even notice the blue truck pull in.

The man’s made it halfway up the walk by the time I look up. I catch a sliver of a white shirt, the variety of which I’m used to ironing every day, and the leg of a pair of khaki pants like I hang up in Mister Johnny’s closet. I choke on a yelp. My knife clatters in the sink.

“Miss Celia!” I dash into her bedroom. “Mister Johnny home !”

Miss Celia jumps out of bed faster than I’ve seen her move before. I turn around in an idiot circle. Where am I going? Which way do I go? What happened to my getaway plan? And then I snap into decision—the guest bathroom!

I slip in and keep the door cracked. I crouch up on the toilet seat so he can’t see my feet under the door. It’s dark in here and hot. I feel like my head’s on fire. Sweat drips off my chin and splats on the floor. I feel sick by the thick smell of gardenia soaps by the sink.

I hear footsteps. I hold my breath.

The footsteps stop. My heart is thumping like a cat in a clothes dryer. What if Miss Celia pretends she doesn’t know me so she won’t get in trouble? Acts like I’m a burglar? Oh, I hate her! I hate that stupid woman!

I listen, but all I can hear is my own panting. The thud-thud in my chest. My ankles hurt and creak, holding up my body like this.

My eyes grow sharper in the dark. After a minute, I see myself in the mirror over the sink. Crouched like a fool on top of a white lady’s toilet.

Look at me. Look what it’s come to for Minny Jackson to make a damn living.

I DRIVE MY mama’s Cadillac fast on the gravel road, headed home. Patsy Cline can’t even be heard on the radio anymore, for all the rocks banging the side of the car. Mother would be furious, but I just drive faster. I can’t stop thinking about what Hilly said to me today at bridge club.

Hilly and Elizabeth and I have been best friends since Power Elementary. My favorite photograph is of the three of us sitting in the football stands in junior high, all jammed together, shoulder to shoulder. What makes the picture, though, is that the stands are completely empty around us. We sat close because we were close.

At Ole Miss, Hilly and I roomed together for two years before she left to get married and I stayed on to graduate. I rolled thirteen curlers in her hair every night at the Chi Omega house. But today, she threatened to throw me out of the League. Not that I care so much about the League, but I was hurt by how easily my friend would be willing to cast me aside.

I turn up the lane that leads to Longleaf, my family’s cotton plantation. The gravel quiets to smooth, yellow dust and I slow down before Mother sees how fast I’m driving. I pull up to the house and get out. Mother is rocking on the front porch.

“Come sit, darling,” she says, waving me toward a rocking chair beside her. “Pascagoula’s just waxed the floors. Let them dry awhile.”

“Alright, Mama.” I kiss her powdery cheek. But I don’t sit. I lean on the porch railing, look out on the three mossy oak trees in the front yard. Even though it’s only five minutes outside of town, most people consider this the country out here. Surrounding our yard lie ten thousand acres of Daddy’s cotton fields, the plants green and strong, tall as my waist. A few colored men sit under a distant shed, staring into the heat. Everyone is waiting for the same thing, for the cotton bolls to open.

I think about how things are different between Hilly and me, since I came home from school. But who is the different person, her or me?

“Did I tell you?” Mother says. “Fanny Peatrow got engaged.”

“Good for Fanny.”

“Not even a month after she got that teller job at the Farmer’s Bank.”

“That’s great, Mother.”

“ I know,” she says, and I turn to see one of those lightbulb-popping looks of hers. “Why don’t you go down to the bank and apply for a teller job?”

“I don’t want to be a bank teller, Mama.”

Mother sighs, narrows her eyes at the spaniel, Shelby, licking his nether parts. I eye the front door, tempted to ruin the clean floors anyway. We’ve had this conversation so many times.

“Four years my daughter goes off to college and what does she come home with?” she asks.

“A diploma?”

“A pretty piece of paper,” Mother says.

“I told you. I didn’t meet anybody I wanted to marry,” I say.

Mother rises from her chair, comes close so I’ll look her in her smooth, pretty face. She’s wearing a navy blue dress, narrow along her slim bones. As usual her lipstick is just so, but when she steps into the bright afternoon sun, I see dark stains, deep and dried, on the front of her clothes. I squint my eyes, trying to see if the stains are really there. “Mama? Are you feeling bad?”

“If you’d just show a little gumption, Eugenia—”

“Your dress is all dirty on the front.”

Mother crosses her arms. “Now, I talked to Fanny’s mother and she said Fanny was practically swimming in opportunities once she got that job.”

I drop the dress issue. I’ll never be able to tell Mother I want to be a writer. She’ll only turn it into yet another thing that separates me from the married girls. Nor can I tell her about Charles Gray, my math study partner last spring, at Ole Miss. How he’d gotten drunk senior year and kissed me and then squeezed my hand so hard it should’ve hurt but it didn’t, it felt wonderful the way he was holding me and looking into my eyes. And then he married five-foot Jenny Sprig.

What I needed to do was find an apartment in town, the kind of building where single, plain girls lived, spinsters, secretaries, teachers. But the one time I had mentioned using money from my trust fund, Mother had cried—real tears. “That is not what that money’s for, Eugenia. To live in some rooming house with strange cooking smells and stockings hanging out the window. And when the money runs out, what then? What will you live on?” Then she’d draped a cold cloth on her head and gone to bed for the day.

And now she’s gripping the rail, waiting to see if I’ll do what fat Fanny Peatrow did to save herself. My own mother is looking at me as if I completely baffle her mind with my looks, my height, my hair. To say I have frizzy hair is an understatement. It is kinky, more pubic than cranial, and whitish blond, breaking off easily, like hay. My skin is fair and while some call this creamy, it can look downright deathly when I’m serious, which is all the time. Also, there’s a slight bump of cartilage along the top of my nose. But my eyes are cornflower blue, like Mother’s. I’m told that’s my best feature.

“It’s all about putting yourself in a man-meeting situation where you can—”

“Mama,” I say, just wanting to end this conversation, “would it really be so terrible if I never met a husband?”

Mother clutches her bare arms as if made cold by the thought. “Don’t. Don’t say that, Eugenia. Why, every week I see another man in town over six feet and I think, If Eugenia would just try . . .” She presses her hand to her stomach, the very thought advancing her ulcers.