Kate Morton - The House at Riverton aka The Shifting Fog

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Sainsbury's Popular Fiction Award (nominee)
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long-consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.
A thrilling mystery and a compelling love story, "The House at Riverton" will appeal to readers of Ian McEwan's "Atonement", L P Hartley's "The Go-Between", and lovers of the film "Gosford Park".

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‘I don’t know, miss,’ I said, faltering. ‘I… I’m seeing her this afternoon. I could ask if you like?’

Her eyes had a cloudy look about them, as if her thoughts were far away. She glanced at me and the shadows fled. ‘No. It’s not important.’ She fingered the edge of David’s letter, still tucked into her petticoat. ‘Have you had news of Alfred?’

‘Yes, miss,’ I said, glad of the change of subject. Alfred was safer territory. He was a part of this world. ‘I had a letter this week past. He’ll be home on leave in September. That is, we hope he will.’

‘September,’ she said. ‘That’s not so long. You’ll be glad to see him.’

‘Oh yes, miss, I certainly will.’

Hannah smiled knowingly and I blushed. ‘What I mean, miss, is we’ll all be glad to see him downstairs.’

‘Of course you will, Grace. Alfred is a lovely fellow.’

My cheeks were tingling red. For Hannah had guessed correctly. While letters from Alfred still arrived for the collective staff, increasingly they were addressed solely to me. Their content was changing too. Talk of battle was being replaced with talk of home and other secret things. How much he missed me, cared for me. The future… I blinked. ‘And Master David, miss?’ I said. ‘Will he be home soon?’

‘He didn’t say.’ She ran her fingers over the etched surface of her locket, glanced at Emmeline and lowered her voice. ‘Sometimes I think he’ll never come back.’

‘Oh no, miss,’ I said quickly. ‘You mustn’t think like that. I’m sure nothing dreadful will-’

She confounded me by laughing. ‘I didn’t mean that, Grace. What I mean is, now that he’s escaped I don’t think he’ll ever come back here to live. With us. He’ll remain in London and he’ll study piano and become a grand musician. Lead a life rich with excitement and adventure, just like in the games we used to play…’ She looked beyond me in the direction of the house and her smile faded. She sighed then. A long, steady exhalation that made her shoulders deflate. ‘Sometimes…’

The word hung between us: languorous, heavy, full, and I waited for a conclusion that did not come. I could think of nothing to say, so I did what I did best. Remained silent and poured the last of the lemonade into her glass.

She looked up at me then. Held out her glass. ‘Here, Grace. You have this one.’

‘Oh no, miss. Thank you, miss. I’m all right.’

‘Nonsense,’ Hannah said. ‘Your cheeks are almost as red as Emmeline’s. Here.’ She thrust the glass toward me.

I glanced at Emmeline, setting pink and yellow honeysuckle flowers to float on the other side of the pool. ‘Really, miss, I-’

‘Grace,’ she said, mock sternly. ‘It’s hot and I insist.’

I sighed, took the glass. It was cool in my hand, tantalisingly cool. I lifted it to my lips, perhaps just a tiny sip…

An excited whoop from behind made Hannah swing around. I lifted my gaze, squinted into the light. The sun had begun its slide to the west and the air was hazy.

Emmeline was crouched midway up the statue on the ledge near Icarus. Her pale hair was loose and wavy, and she had threaded a cluster of white clematis behind one ear. The wet hem of her petticoat clung to her legs.

In the warm, white light she looked to be part of the statue. A fourth water nymph, come to life. She waved at us. At Hannah. ‘Come up here. You can see all the way to the lake.’

‘I’ve seen it,’ Hannah called back. ‘I showed you, remember?’

There was a drone, high in the sky, as a plane flew overhead. I wasn’t sure what kind it was. Alfred would have known.

Hannah watched it go, not looking away until it disappeared, a tiny speck, into the sun’s glare. She remained for a moment, gazing at the empty sky, the sun that continued blindly to shine no matter that war raged on the continents below. Then suddenly she stood, resolutely, and hurried to the garden seat that held their clothing. As she pulled on her black dress, I set down the lemonade and made to help her.

‘What are you doing?’ Emmeline asked her.

‘I’m getting dressed.’

‘Why?’

‘I have something to do at the house.’ Hannah paused as I straightened her bodice. ‘Some French verbs for Miss Prince.’

‘Since when?’ Emmeline wrinkled her nose suspiciously. ‘It’s the holidays.’

‘I asked for extra.’

‘You did not.’

‘I did.’

‘Well I’m coming too,’ Emmeline said, without moving.

‘Fine,’ Hannah said coolly. ‘And if you get bored, perhaps Lord Gifford will still be at the house to keep you company.’ She sat on the garden seat and started lacing up her boots.

‘Come on,’ Emmeline said, pouting. ‘Tell me what you’re doing. You know I can keep secrets.’

‘Thank goodness,’ Hannah said, looking at her with wide eyes. ‘I wouldn’t want anyone to find out I was doing extra French verbs.’

Emmeline sat for a moment, watching Hannah and drumming her legs against a marble wing. She inclined her head. ‘Do you promise that’s all you’re doing?’

‘I promise ,’ Hannah said. ‘I’m going to the house to do some translations.’ She sneaked a glance at me then, and I realised the precise nature of her half-truth. She was going to work on translations, but they were in shorthand and not French. I lowered my eyes, disproportionately pleased at my casting as conspirator.

Emmeline shook her head slowly, narrowed her eyes. ‘It’s a mortal sin to lie, you know.’ She was clutching at straws.

‘Yes, oh pious one,’ Hannah said, laughing.

Emmeline crossed her arms. ‘Fine. Keep your silly secrets. I’m sure I don’t mind.’

‘Good,’ Hannah said. ‘Everybody’s happy.’ She smiled at me and I smiled back. ‘Thank you for the lemonade, Grace.’ And then she disappeared, through the kissing gate and into the Long Walk.

‘I’ll find out, you know,’ Emmeline called after her. ‘I always do.’

There came no response and I heard Emmeline huff. As I turned to face her, I saw the white clematis that had decorated her hair, spinning onto the stone below. She looked at me crossly. ‘Is that glass of lemonade for me? I’m parched.’

My visit to Mother that afternoon was brief and would not have been notable, had it not been for one thing.

Usually when I visited, Mother and I sat in the kitchen where the light was best for stitching and where we had spent most of our time together before I started at Riverton. That day, however, when she met me at the door, she led me to the tiny sitting room that opened off the kitchen. I was surprised, and wondered who else Mother was expecting, for the room was rarely used, had always been reserved for the visits of important folk like Doctor Arthur, or the church minister. I sat on a chair by the window and waited while she fetched tea.

Mother had made an effort to present the room at its best. I recognised the signs. A favoured vase that had once belonged to her own mother, white porcelain with tulips painted on the front, stood on the side table, clutching proudly a handful of tired daisies. And the cushion she usually rolled up and propped against her back when she worked had been beaten smooth and arranged in the middle of the sofa. It was a sly impostor, sitting there squarely, looking for all the world as if it served no other function than decoration.

The room was especially clean-years in service had given Mother exacting standards-yet it was smaller and plainer than I remembered. The yellow walls that had once seemed cheery were faded, seeming to sag inwards so that only the bare old sofa and chairs saved them from collapse. The pictures on the wall, scenes from the sea that had inspired many of my childhood fancies, had lost their magic and now looked only tired and poorly framed.

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