Kate Morton - The House at Riverton aka The Shifting Fog

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Sainsbury's Popular Fiction Award (nominee)
Summer 1924: On the eve of a glittering Society party, by the lake of a grand English country house, a young poet takes his life. The only witnesses, sisters Hannah and Emmeline Hartford, will never speak to each other again. Winter 1999: Grace Bradley, 98, one-time housemaid of Riverton Manor, is visited by a young director making a film about the poet's suicide. Ghosts awaken and memories, long-consigned to the dark reaches of Grace's mind, begin to sneak back through the cracks. A shocking secret threatens to emerge; something history has forgotten but Grace never could.
A thrilling mystery and a compelling love story, "The House at Riverton" will appeal to readers of Ian McEwan's "Atonement", L P Hartley's "The Go-Between", and lovers of the film "Gosford Park".

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I carried the tray up the darkened servants’ hall stairs and into the main hall. Was enveloped immediately by light and heat. While every curtain in the house had been drawn in accordance with Lady Ashbury’s insistence on strict Victorian mourning, there were none to cover the elliptical glass panel above the front door, and sunlight was left to penetrate without restraint. It made me think of the camera. The room was a flash of light and life in the centre of a shrouded black box.

I crossed to the drawing room and pushed open the door. The room was heavy with warm stale air that had drifted in with summer’s start and become trapped by the house’s grief. The huge French doors remained closed and both the heavy brocade curtains and the silk under-curtains had been drawn, hanging in an attitude of lethargy. I hesitated by the door. There was something about the room that made me loath to proceed, some difference that had nothing to do with the dark or the heat.

As my eyes readjusted, the room’s sombre tableau began to materialise. Lord Gifford, a man of later years and florid complexion, sat in the late Lord Ashbury’s armchair, a black leather folder open across his generous lap. He was reading aloud, enjoying his voice’s resonance in the dim room. On the table next to him, an elegant brass lamp with a floral shade cast a neat ring of soft light.

On the leather lounge opposite, Jemima sat beside Lady Violet. Widows both. The latter seemed to have diminished in size and stature even since the morning: a tiny figure in a black crepe dress, face obscured by a veil of dark lace. Jemima was also in black, her face an ashen contrast. Her hands, usually fleshy, now seemed small and frail as they caressed absently her swollen belly. Lady Clementine had retired to her bedroom but Fanny, still in ardent pursuit of Mr Frederick’s hand in marriage, had been permitted attendance and sat self-importantly on Lady Violet’s other side, an expression of practised sorrow on her face.

Atop the nearby table, flowers I had picked from the estate meadow only that morning, blooms of pink rhododendrons, creamy clematis and sprigs of jasmine, now wept from their vase in sad despondence. The fragrance of jasmine filled the closed room with a pungency that threatened suffocation.

On the other side of the table, Mr Frederick stood with his hand resting on the mantlepiece, his coat stiff on his tall frame. In the half-light his face was as still as a wax mannequin’s, his eyes unblinking, his expression stony. The lamp’s feeble glow threw a shadow across one eye. The other was dark, fixed, intent on its prey. As I watched him, I realised he was watching me.

He beckoned with the fingertips of the hand that braced the mantlepiece: a subtle gesture that I would have missed had not the rest of his body been so still. He wished me to bring the tray to him. I glanced toward Lady Violet, unsettled as much by this change in convention as I was by Mr Frederick’s unnerving attention. She did not look my way so I did as he proposed, careful to avoid his gaze. When I slid the tray onto the table he nodded again at the teapot, commanding me to pour, then returned his attention to Lord Gifford.

I had never poured tea before, not in the drawing room, not for the Mistress. I hesitated, unsure how to proceed, then picked up the milk jug, glad of the dark, as Lord Gifford continued to speak.

‘… in effect, aside from the exceptions already specified, Lord Ashbury’s entire estate, along with his title, was to pass to his eldest son and heir, Major James Hartford…’

Here he paused. Jemima stifled a sob, all the more wretched for its suffocation.

Above me, Frederick made a clicking sound in his throat. Impatience, I decided, sneaking a glance as I poured milk into the final cup. His chin was stiffly set, jutting out from his neck in an attitude of stern authority. He exhaled: a long and measured breath. His fingers drummed a quick tattoo on the mantlepiece and he said, ‘Go on, Lord Gifford.’

Lord Gifford shifted in Lord Ashbury’s seat, and the leather sighed, grieving for its departed master. He cleared his throat, raised his voice.

‘… given that no new arrangements were made after news of Major Hartford’s death, the estate will pass, in line with the ancient laws of primogeniture, to Major Hartford’s eldest male child.’ He looked over the rim of his glasses at Jemima’s belly and continued. ‘Should Major Hartford have no surviving male children, the estate and title pass instead to Lord Ashbury’s second son, Mr Frederick Hartford.’

Lord Gifford looked up and the lamplight reflected in the glass of his spectacles. ‘It would appear we have a waiting game ahead.’

He paused and I took the opportunity to hand tea to the ladies. Jemima took hers automatically, without looking at me, and lowered it to her lap. Lady Violet waved me away. Only Fanny took the proffered cup and saucer with any appetite.

‘Lord Gifford,’ Mr Frederick said in a calm voice, ‘how do you take your tea?’

‘Milk but no sugar,’ Lord Gifford said, running his fingers along his collar, separating the cotton from his sticky neck.

I lifted the teapot carefully and began to pour, mindful of the steaming spout. I handed him the cup and saucer, which he took without seeing me. ‘Business is well, Frederick?’ he said, rubbing his pillowy lips together before sipping his tea.

From the corner of my eye I saw Mr Frederick nod. ‘Well enough, Lord Gifford,’ he said. ‘My men have made the transition from motor car to aeroplane production and there’s another contract with the war ministry up for tender.’

Lord Gifford raised a brow. ‘Better hope that chap Luxton doesn’t apply. One hears he’s made enough planes for every man, woman and child in Britain!’

‘I won’t argue he’s produced a lot of planes, Lord Gifford, but you wouldn’t catch me flying in one.’

‘No?’

‘Mass production,’ said Mr Frederick, by way of explanation. ‘People working too quickly, trying to keep up with conveyor belts, no time to make sure things are done properly.’

‘The ministry doesn’t seem to mind.’

‘The ministry can’t see past the bottom line,’ said Mr Frederick. ‘But they will. Once they see the quality we’re producing they won’t sign up for any more of Luxton’s tin cans.’ And then he laughed rather too loudly.

I glanced up, despite myself. It seemed to me that for a man who had lost his father and only brother within a matter of days, he was coping remarkably well. Too well, I thought, and I began to doubt Myra’s fond description of him, Hannah’s devotion, tallying him more with David’s characterisation of a petty and embittered man.

‘Any word from young David?’ Lord Gifford said.

As I handed Mr Frederick his tea, he shifted his arm abruptly, knocking the cup and its steaming contents onto the Bessarabian carpet.

‘Oh!’ I said, all feeling draining from my cheeks. ‘I’m sorry, sir.’

He stared at me, read something in my face. He parted his lips to speak then changed his mind.

A sharp intake of breath from Jemima drew all eyes in synchronicity. She straightened, clutched at her side, walked flat hands across her tight belly.

‘What is it?’ Lady Violet said from beneath her lace veil.

Jemima did not respond, engaged, or so it seemed, in silent communication with her babe. She stared, unseeing, directly ahead, still prodding her belly.

‘Jemima?’ This was Lady Violet again, concern icing a voice already chilled by loss.

Jemima inclined her head as if to listen. She said, barely a whisper, ‘He stopped moving.’ Her breaths had become rapid. ‘He’s been active all the way through, but he’s stopped.’

‘You must go and rest,’ Lady Violet said. ‘It’s this blessed heat.’ She swallowed. ‘This blessed heat.’ She looked about, seeking corroboration. ‘That, and…’ She shook her head, tightened her lips, unwilling, unable perhaps, to speak the final clause. ‘That’s all it is.’ She drew up all her courage, straightened, and said firmly, ‘You must rest.’

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