Chang-rae Lee - The surrendered

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A brilliant, haunting story about beauty, loyalty, memory, and war-an unforgettable novel that returns to themes of expatriatism and Korean culture that first made Chang-rae Lee's reputation.
The bestselling and award-winning author of Native Speaker, A Gesture Life, and Aloft returns with a masterful new novel. A spellbinding story, startling in its insights and impact, The Surrendered amplifies the gifts we have seen in Lee's previous works, and, written in the third person, evokes a whole new narrative power.
In The Surrendered, the lasting memory of the Korean War changes the lives of two of its survivors-a Korean girl and an American vet-as well as the lives of those who come to know them. Hector Brennan was a handsome GI stationed in Korea during the war. June Han was a girl orphaned by the fighting. For a season of wartime existence, their lives overlapped at a missionary-run orphanage. Now, thirty years later, they are reunited in the United States in an unusual mission that will force them to come to terms with their individual experiences of that time, but also the secret they share. As Chang-rae Lee moves back and forth between 195 0s Korea and 198 0s New York, New Jersey, and Italy, he weaves a stunning, layered story-exploring issues of class, identity, cultural memory, loyalty, betrayal, and personal reinvention-in the subtly emotional way that readers have come to expect. Building to a powerful revelation of the novel's captivating mystery, this is a beautiful, mesmerizing work, elegantly suspenseful and deeply affecting.

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“It’s why I ask you, June,” Tanner went on, “that you let me know if she’s been particularly unwell. She tries to hide her distress from me and for the most part I feel I’m in the dark. I have more traveling ahead of me and I wish you could be my eyes and ears. Even after hours, if you wish.”

“At night?”

“Whenever you believe she needs you. Or seems lonely. I’m afraid she’s lonely too often.” His gaze wandered, like he’d lost himself for an instant. But then he said: “It’s for her sake, her well-being, you understand that, yes?”

“Yes.”

“Good,” he said, patting her arm. “Thank you.” He opened his fountain pen to resume his letter writing, pausing for her to leave.

“Do you still want a family of your own?” June asked. “Or will you stay here forever?”

“Forever sounds like a very long time,” he said. “But you never know.”

“What about your own family?”

“We’re still thinking about that.”

“There are many children here,” she said, desperate to sound generous. “You must meet so many children on your visits.”

“Yes, I do. So many. All worthy and good. Really every last one of you.”

When he uttered those words she took his implication whole; she went back to her chores with the conviction that Reverend Tanner had made a bargain with her, that all she need do was to remain his wife’s closest helper, her devotee, her constant friend, and then, if she must, let him know what trouble might lie ahead. She knew he meant Hector, there could be no one else, it was only he who was spending more time with her since she had grown infirm.

She kept vigilant of their movements whenever Reverend Tanner spent a night away, but it wasn’t only for him. One night she tried to watch them but they extinguished the oil lamps and the only thing she could do was listen. There was hardly any sound to start, not even any shifting or creaking from his cot, just the barest rustle of clothing, the press of lips, the scantest murmurs, and then, finally, the breathing. His breaths came first, very low, and then hers as if it were difficult, as though a patch of thick gauze were covering her mouth. Their rhythm ticked loose and various until suddenly it unjumbled, clicked in. All the while June, tightly crouched in the peerless dark between the wall and a kerosene barrel, was suppressing her own breath, her lungs aching for release, the gleaming painting of their lovemaking begun to screen in her mind. Strangely only her belly felt alive, this yawning breaking emptiness that pushed low and hot while the rest of her went heavy, dead, and it was only when they were finally done and surely fallen asleep that she dared move, her hands and feet tingling and shaking enough that she had to crawl on her elbows from the storeroom.

The following day, having returned to the orphanage, Reverend Tanner sat down next to her during the evening meal. June sat alone now, having agreed not to monopolize Sylvie’s company. She had completely forgotten about her conversation with Tanner on awaking that morning, her throat parched, her head fogged and aching, as if, like Hector, she had been drinking all night.

“How goes it, June? Is everything fine?” he asked. Sylvie was at a far table eating with the younger children. Hector was not present, being likely out in the field.

She could merely nod, not yet ready for his questioning.

“You don’t seem terribly certain,” he said, though almost jocularly, as though he didn’t in fact wish to hear anything else.

Her memory of the previous night was a stilled curtain but its music now rose up in her chest and brought the skin of her neck to life, her cheeks feeling as though they were suddenly flushed. She thought Tanner would take her aside for an interrogation but all he did was brood a moment with a half-expectant, half-wary gaze and say brightly, “Well, I must be going. Good day, June.”

For days afterward she tried to determine what to do. All her considerations foretold only trouble if they should continue, and yet she found herself hoping for Reverend Tanner to spend an evening away again. It was like the hunger she didn’t suffer anymore, this grave sensation so resident that it took on its own life, its own existence, was the body within her body that now drew all her energies. At fourteen her figure was at last changing, after being stunted during the war; since living at the orphanage she’d put on more than eight kilos, mostly on her thighs and hips and on her chest, which the older boys glanced at, but warily, fearing she might catch them and take it as a provocation to fight. She noticed this and sometimes she’d sit back wherever she was and make a show of closing her eyes, let them look at her for as long as they wanted. She might even press her shoulders back, to accentuate the new fullness. Her doing so wasn’t in vanity or pride, or from the slightest interest in any of them; it was pure experimentation, a trial to determine how it felt to be an object of desire, and she found that the more she felt their stares the more her own desire fired, trebled, eventually took on its own reason.

So she stayed silent when in the ensuing weeks Tanner departed on his various trips, and waited for Sylvie to emerge from her cottage in the middle of the night. Whenever she and Hector let the oil lamp burn, June could see them glide over each other with a patience and tenderness that was the opposite of the jerky, horrid couplings she’d had to witness during the war. And though she was startled by the broad, taut ropes of his body, her eye kept resting upon Sylvie’s calf, her knee, the way her belly would grow shallow under his kisses and dip far enough below the spur of her hip that she appeared starved herself. She had the loveliest glow, the light seemed to stream from her eyes, from her half-opened mouth; nor did the illumination dissipate until well after they were done, when June saw her open a small black kit and remove a needle from its velvet-lined well. Hector did not take it himself but he helped her, binding her calf with the rubber cord and tapping her heel and then shooting her with the medicine that made her shiver and then go slack, turn a ghostly bone-blue.

When Reverend Tanner was present June would sometimes stay late with Sylvie in the back room. He allowed it enough times that after a while her presence after the generator went out became almost customary. They would all be reading, Sylvie and June in the narrow bed, Tanner in his own out in the front sitting room. He always retired earlier than they, and they took turns whisper-reading aloud by the oil lamp books from the army base library, children’s books but also others that Sylvie had chosen for her, Little Women and Great Expectations and The Good Earth . Sometimes June would ask Sylvie to read A Memory of Solferino to her and she’d refuse at first but always eventually yield, the passages entering them, June thought, with both pain and bliss like the medicine in the kit, and making them cling more tightly to each other.

One night June fell asleep there, and when morning came she awoke to find herself wearing one of Sylvie’s nightgowns and tucked in the spoon of her slumbering body. She carefully turned into her and took in the warm, round scent of her hair, the sour-sweeter one of her neck, and masked her eyes in the scant damp of her nightgown; then on succeeding nights she would pretend to fall asleep and then watch Sylvie slip outside to the chair in back with her kit, feel her when she returned, her weight seeming to have doubled as she fell against June’s chest. It was then that June waited, sometimes hours, for the measure between Sylvie’s breaths to lengthen, for her to descend further into deepest sleep. This happened almost nightly: she would turn, lie on her back. Her lips would soften and ease. If there was starlight or moonlight her face and long throat gleamed with its luminance, this woman an ashen statue, only half alive. Here was the only beauty in the world. And then one night June could not help herself; she pulled back the blanket as if it were the frail leaf of an antique book. Her hands crept to Sylvie’s throat, where her nightgown opened, and undid the mother-of-pearl buttons that ran down to the hem; she took them one by one, the near half of the nightgown falling away, exposing the whole length of Sylvie now to the cold night air. June touched the belly, grazed the lowest rib, the small, flattish breast no fuller than one of her own. The nipple pushed up between her fingers, as dense as clay, and without knowing what she was doing she put her mouth over it, closing her eyes. She couldn’t breathe again, her heart as if collapsed in her chest, this tiny leaden node, poised for Sylvie to protest, to stir. But she did not. Nor did she when June’s hand slid down and nestled in the burning cup of her long legs, not moving, nor stirring, neither wanting the other to wake.

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