Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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May call you coquette …’

‘Quit yawpin’ ’n scoff,’ he told her, ‘you sound like a lost orphan in a rain barrel.’

For now she fancied herself a vocalist with an all-girl band. Over the sausage she smiled faintly at the unseen players, encouraging one with a nod here and another with a nod there. There was something really distracted about her smile.

‘What the hell are you – a bird?’ But his eyes were clouded with concern for her.

‘Evelyn ’n her magic violin,’ Sophie explained easily. ‘I can do magic too.’

‘Well,’ he sighed, realizing he was in for a long, long night, ‘here we go again.’

‘… mean to me’

she sang,

‘Why must you be mean to me?’

and broke off abruptly to ask directly, ‘What do you think of the A. F. of L.?’

Frankie looked up, genuinely startled. ‘What the hell – you don’t even know what the A. F. of L. is. I think you’re tryin’ to act crazier just ’cause I’m back. If nobody was here you’d have more sense. Quit disguisin’ your eyes. Quit showin’ off.’

But whether she was just showing off or not he couldn’t be certain. Half an hour later she overdid herself. He was dozing and wakened to see her tracing, with one forefinger upon the dust of the unwashed pane, the single word: Perdition . Just as she finished tracing it the sirens sounded, the hook-and-ladder pulled past and patrol cars, insurance cars and all the frantic traffic of a 4-11 alarm came crashing by with a sense of imminent doom. She wheeled to the door and shrieked up the stairwell to Violet, ‘It’s goin’ up! Loop ’n all! It’s all goin’ up!’

Violet came down the stairs at a gallop; she had to phone the papers to learn what was burning, how far it was spreading, and a kind of elation seized Sophie while Vi was at the phone behind Jailer’s desk.

‘It’s just a short circuit by Fish Furniture’s basement,’ Vi reported dryly from the doorway. ‘All under control.’

But Sophie herself stayed out of control the rest of the evening. Neither magazines nor scrapbook nor the promise of beer could give her consolation. Just to realize that that was all it had come to, that that was all anything could ever come to. Just the way Vi had said that – it made a person want to cry, that was all.

‘The whole fire was in my head,’ she mourned.

He left for Schwiefka’s toward eleven o’clock. There was no other way to make the long night pass.

And wondering, the minute he sat down in the slot, how in the name of sweet Jesus Christ he was going to make it without a charge till morning.

Solly Saltskin wasn’t as happy, sleeping in the late Stash Koskozka’s bed, as he’d once thought he’d be. If he could, occasionally, have slept there alone it might have been endurable. Sneaking in for an hour of fast woo a couple times a week when Old Husband had still been padding about had been one thing: being tied down to these same four bedposts all night long, night after night, was strictly something else. Of late the bedposts had taken to leaning together with a faintly disapproving air. They’d seen them come and they’d seen them go: this one wouldn’t last as long as some of the others, they calculated, the reckless way he was going about things. A cooler head was what was needed; a cooler head, an older hand, a bit more restraint and snatches of sleep between rounds.

But Vi was so hothanded he didn’t get a chance either to sleep or even to cool off between rounds. Once he evaded her senseless stroking with some such thin excuse as, ‘I’m just gonna have a fast cup of coffee in the kitchen – you go to sleep, you need your rest, you’re gettin’ to look like a wornout movie actor.’

But just as he was putting the cup to his lips her fingers encompassed his throat from behind and he squawked like a strangling duck.

‘Don’t do that when you see I’m swallerin’,’ he protested.

‘That’s when it’s most fun, when you’re not expectin’ – you didn’t even hear me creepin’ up, did you, Goosey? Still love me, Goosey-Goo?’

And crushed down upon his lap to feed him coffee from a Pixley & Ehlers spoon, howling with joy at his every wretched gulp.

‘You look so unhappy, Goosey.’ She never ran out of new nicknames for him, each more revolting than the last. ‘Ain’t there enough sugar in it? Now tell me I’m sweet enough for you, you don’t need sugar with me settin’ here.’

All Sparrow had heart enough left to say was, ‘Let me up, Vi. I don’t know what’s gettin’ into you lately, you didn’t use to be like this all the time.’

She didn’t give him time to figure out a thing. She chirped kisses upon him instead. In time to the coffee’s steady perking.

‘The coffee’s perkin’ over , Vi.’

He never remembered for a moment that the Jailer had never once scolded Widow Koskozka for leaving her door a bit ajar.

She let him up at last and, as he turned, shaken, to the percolator, goosed him with a single loonlike warning – whoop! He went clean off the floor on the point of her thumb, half a foot into the air, staggered hysterically into the wall and wheeled like a wounded rabbit to get his back up against something solid and looked at her in a panting despair, awaiting some final blow.

Never do that,’ he warned her weakly, hysteria darkening his eyes. ‘ Never do that ’n never call me that.’

‘Wait’ll I get you in bed,’ she consoled him. ‘I’ll make it all up to you, Goosey-joosey.’ And followed him mercilessly all the way back to the bedroom, breathing on his neck and tossing her flaming henna helmet about like a conquering lion’s mane. He had been an entertaining toy in his time – but how could a girl afford a toy that never brought in a dime and drank up every stray nickel left lying loosely about? He wasn’t weakening nearly as fast as had Old Husband, who’d given out entirely at the end of the first week. Sparrow only seemed to be a bit frayed around the edges. And the rent three weeks overdue.

Somebody had to go.

And she didn’t mean Rumdum.

‘You don’t know how I miss Old Man, now he’s gone,’ she tried for some reason to convince the punk, ‘you don’t have no idea how sweet that old man could be when he wanted.’

‘Don’t come on with the cheap romance,’ the punk scolded her. ‘You married him for his fifty a week ’n all you miss is that fifty.’

‘Well,’ she admitted,’ he wasn’t as much fun as you. You’re the most fun I ever had with pants on,’ she flattered him with a knowing nudge. ‘You ’n your bedroom eyes.’

‘I think I’m the most fun you ever had with ’em off,’ he agreed dismally.

‘’N just to think,’ she went on breathlessly, ‘I’m all yours, Goosey Lover.’

‘Don’t call me that, it sounds like goosey liver.’ But what he really felt was that she wasn’t all his so much as he was all hers and that there was no rest for the weary. It wasn’t just coincidence that her favorite tune about the house, day after day, began to be:

‘All of me,

Why not take all of me?’

He devised a more subtle means of evading her than that of the midnight snack. It was too easy for her to seduce him

right there on the kitchen floor to the tune of the percolator’s perking. He took to heading for the bathroom.

‘Don’t, Vi,’ he’d plead, as she’d drag him off the bed’s edge down into the sweaty sheets. ‘Don’t – I got to go by the bat’room.’ From beneath the bed Rumdum listened with sympathy; and a dull foreboding.

She’d relent then. For five minutes. Then he’d hear her making for the bathroom door; he’d grasp the knob firmly – there was no lock – and haul back like a crazed paralytic while she’d pull, shrieking at her discovery of this new game, on the other side of the knob.

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