Nelson Algren - The Man with the Golden Arm

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National Book Award for Fiction
Seven Stories Press is proud to release the first critical edition of Nelson Algren's masterpiece on the 50th anniversary of its publication in November 1949. Considered Algren's finest work, The Man with the Golden Arm recounts one man's self-destruction in Chicago's Polish ghetto. The novel's protagonist, Frankie Machine, remains a tragic American hero half a century after Algren created this gritty and relentlessly dark tale of modern urban society.
***
‘Powerful, grisly, antic, horrifying, poetic, compassionate… [there is] virtually nothing more that one could ask.’ – New York Times Book Review
‘A thriller that packs more of a punch than Pulp Fiction and more grittiness than either Raymond Chandler or Dashiell Hammett, The Man with the Golden Arm is incredibly lyrical, as poetic as it is dramatic, combining the brutal dialogue of guys and broads with dreamlike images, and puncturing the harrowing narrative with revelations that flesh out every tragic figure into a fully-realised, complex character.’ – The Scotsman
‘Algren is an artist whose sympathy is as large as Victor Hugo’s, an artist who ranks, with this novel, among our best American authors.’ – Chicago Sun Times
‘A stirring hard-boiled read.’ – Maxim
‘An extraordinary piece of fiction… If the Bridget Jones brigade somehow drifted Nelson Algren’s way the world would undoubtedly be a better place and Rebel Inc’s bottom line invisible without a telescope. Keep my dream alive and buy this book.’ – The Crack
‘A true novelists triumph.’ – Time
‘This is a man writing and you should not read it if you cannot take a punch… Mr Algren can hit with both hands and move around and he will kill you if you are not awfully careful… Mr Algren, boy, you are good.’ – Ernest Hemingway
‘The finest American novel published since the war.’ – Washington Post Book World
‘I was going to write a war novel. But it turned out to be this Golden Arm thing. I mean, the war kind of slipped away, and those people with the hypos came crawling along and that was it.’ – Nelson Algren
‘Profound and richly atmospheric.’- The Guardian

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‘What makes him so brave?’ Frankie asked Vi with heavy irony. ‘He ain’t got a bad conscience about anythin’, has he?’

But Violet was gone, to console or upbraid her Sparrow, and Zosh was waiting for him to turn toward her so that everything could begin again, just like it used to be.

‘Your bonus dough is gone, Frankie,’ was her opening shot. ‘I tried to make it last. The last two mont’s I been livin’ off yer disability dough -’ n even then I had to borrow a double sawbuck off Vi I ain’t been able to pay back.’

‘You don’t have to pay it back,’ Frankie assured her, ‘if it come from where I think it come from.’

‘She said it was Old Man’s insurance dough,’ Zosh told him, ‘but the way she’s actin’ I don’t care if I pay her back either. You really goin’ back to work so soon, Frankie?’

‘Just till I get back on my feet,’ he assured her. ‘I’m out for a real job, Zosh. Beatin’ them tubs. I’m gonna be a drummer just like I always said.’ Then he noticed that no Rumdum crouched beneath the dresser. ‘Where’s the hound?’ he wanted to know.

‘Vi took him, she got more room. How could I take care of him all day here by myself? He didn’t like me anyhow. Why don’t you get me a nice little puppy-pup, Frankie? You said you would. You promised .’

So nothing had really changed after all. She would own a dog and he would be a big-name drummer. He would practice every night.

But she’d seen spurts of golden hope in him before. It would wear off now as it always had. He’d be back dealing where he ought to be and she’d be sitting where she ought to be and everything would be just the way it had been, just as it ought always to be.

He was pulling the practice board out from under the sink and brushing the months of dust off its scars and dents and picking up the sticks to get the feel of them again. Then put them down gently, for he saw she was nodding where she sat, the brief half sleep of invalidism.

‘Let’s do like regular people now,’ she murmured, as though in sleep. ‘Like regular people ’n go by the Aragon.’

He stood behind her chair with his hands on the wood, ready to wheel her if she wakened. Then, as her head nodded, told her softly: ‘Have a good dream, Zoschka. Have a good dream you’re dancin’ again.’

He could not see the trace of a smile that strayed so knowingly across her lips.

Neither the Tug & Maul nor the Safari saw Molly Novotny any more. She had drifted into the vast web of backstreet and alleyway, crosslight and traffic warning, of the overnight hotels and those little nameless restaurants that burn all night under the single sign: DOOD EATS.

‘She’s workin’ in some boog honky-tonk,’ Antek told Frankie. ‘Ask Meter Reader, he’s the guy who goes out scoutin’.’

Frankie waited half a day for Meter Reader to show up, and got only the vaguest sort of information for his patience. ‘All I remember is a cat settin’ on a piano. I was so boiled I don’t know where I was. But I remember talkin’ to Drunk John’s girl. She was a little boiled herself.’

So all nights ended for Frankie now with a firm resolution, renewed each morning, to scout around Lake and Paulina before the day was over. But 10 P.M. found him in the dealer’s slot and he couldn’t afford to miss a single night: he had to get a small stake together. He couldn’t come to Molly broke and begging.

Yet the week ran out on Saturday night and he was no richer than he’d been on Monday morning. The old merry-go-round was rolling again and he had to ride as hard as any.

Once more the yellow arc lamps bloomed in the shadow of the El. Pumpkin-colored posters appeared in the bakers’ windows among the round brown loaves of morning, announcing that Mickey Michaels’ Melody Masters would play at St Wenceslaus Kostka Saturday evening for the Endless Belt Invincibles S.A.C.

In front of Piechota’s Poultry & Fresh Eggs Market a single gander stood gawking between its legs at a cord that forever held it fast.

Umbrella Man came in to Schwiefka’s every noon with the Times morning line crumpled in his pocket, the daily double checked off and fifty cents in his hand. He never won and never complained. He came in with a bottle on his hip, made his bets like a man paying a bill, and left with the relieved air of one who has settled a long-overdue debt. The only return he seemed to expect was the privilege of climbing the same stairs and trying again another day.

He wasn’t permitted to climb those stairs after the last race had been run. Since Frankie had been gone Cousin Kvorka had forbade him to sit in any poker game. So that, after his fifty-cent bet was made, Umbrella Man spent the evening drinking instead of playing poker. By the next noon, as often as not, he would still be weaving a bit.

It was said that he had taken to begging secretly for drinks at Widow Wieczorek’s. That though he never begged anywhere with his lips, for fear of Cousin Kvorka, he managed to pick up a beer or two at the Widow’s simply by using his eyes to express his need.

‘The gray cat’s purred for Umbrellas,’ Frankie heard Antek say.

All things remained the same; yet all things had changed. No one sat under the short-card sign waiting to bring up coffee and cigarettes for the players. Blind Pig spent his nights in the Safari now and lived in the room where Louie had lived, among Louie’s abandoned possessions. ‘I’m takin’ all I can get,’ Pig reassured the troubled ghost of Louie Fomorowski.

For Louie’s old customers still found their way: they came now with cold, hard silver. Pig wouldn’t touch folding money. ‘I can’t get nobody to give me a square count,’ he complained of everybody.

The Prager legend above the Tug & Maul still came on at the same moment every night. Above the bar mirror, and all down Owner’s wall, hung fresh ads for Budweiser, Chevalier, Nectar and Schlitz. As if in honor of Frankie’s return.

And why was it, Frankie wondered, getting his own little beer paunch back, that the faces in Owner’s ads were always so clean and healthy and wholesome and glad? There was the freshly scrubbed young housewife winking broadly at her own cleverness in having kept two bottles of some green offgrade brew in the icebox in event of company: evidently she was one of the few women in Cook County who had heard of beer. For her husband’s enthusiasm over such foresight scarcely knew bounds.

Beside her was some usurer togged out in woodsman’s gear, preparing an enormous t-bone – where had that come from? – over a smokeless fire in a clean green land of night-blue lakes and birch trees so straight and tall they looked like ivory-tipped cues. ‘He must of gone up there ’n shot it hisself,’ Frankie decided, missing the entire point of the ad, which was simply to take note of the cold beer mug waiting in the blanket-roll by that smokeless fire.

Down the line a pink-cheeked, overstuffed illiterate with a shot glass at his side looked benignly down, over volumes heaped by a cynical photographer, upon the barflies of the Tug & Maul who actually drank the stuff.

The barflies returned his gaze, from time to time. But a slight glaze so commonly clouded their sight that they thought, as often as not, that the man in the private library was Errol Flynn.

This freshly blooded race bred by the better advertising agencies looked down upon the barflies of the Tug & Maul, trying to understand how it was that these battered wrecks could look as though not one of them had ever seen a land of night-blue lakes with poolroom cues for trees. Nor any man’s private library at all. They appeared not even to have discovered the public ones.

There were only boys with bad teeth, wives with faces still dented from last night’s blows and girls whose hair was set so stiffly it looked metallic. There were only old drooling lushbums with faces like emptied goboons. There was only a long line of faces that had passed straight from the noseless embryo into the running nose of senility. And had seen no birch tree at all.

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