Iris Murdoch - Bruno’s Dream
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- Название:Bruno’s Dream
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Bruno’s Dream: краткое содержание, описание и аннотация
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The nightmarish aspect of the whole situation had then begun to be a little more obvious. He had, he realized, thought about the problem so far simply in relation to himself, as if it were all somehow neatly enclosed within him. He had to decide how to deal with the two women and manage them both somehow: this part remained vague, but as there was evidently no alternative some arrangement would doubtless prove to be possible. He would hold the situation: this form of words which he had used to Lisa recurred to him together with an atmosphere of comfort; he would hold the situation together and not let it fall to pieces, and this holding would be an embrace which strongly enfolded both Lisa and Diana. Love would triumph.
But now he had just begun to see, and the glimpse of it made him grit his teeth together with pain and terror, the absolute awfulness of the situation for the other two. Diana loved him, deeply, completely, she was his wife, she had shared his bed for years. He had had so many conversations with her about Lisa, as if they had been Lisa’s parents. They had talked with benevolent superior connivance about the failed nun, the broken-winged bird. They had worried about her together and speculated about her sex life and wondered if she were a Lesbian and made all sorts of plans to protect and cherish her. How could Diana tolerate this sudden monstrous change in her sister’s status? The sisters loved each other. What would happen now? And how could Lisa, with her rigid views of duty and her uncompromising life, bear to become the in strument which should destroy her sister’s marriage? Miles’s vague vision of holding the situation had simply ignored both Diana’s claims and Lisa’s conscience. Oh how happy he had been before, he suddenly thought, living simply in the house with the two of them in a state of unconsciousness. Yet all that time Lisa must have been suffering.
There were certain impossibilities. He could not abandon Diana. Nor had he the faintest grain of inclination to abandon Diana. He loved and needed Diana, she had rescued him from desolation, she had been faithful to him and served him, he was bound to her by every tie of duty and indeed of deep marital love. The women were so different. He loved them both, but in different ways. Why was there not some dispensation for a situation which must be as common as this? However he had meant, and he still meant, what he had expressed to Lisa by saying, “You are the one.” This was no blasphemy against Parvati. Parvati was twenty-three years old. Miles was fifty-five. Parvati would understand. It was simply true that Lisa fitted him, fitted into his soul, in a way that Diana did not. It was true, he realized with a terrible new pain, that if he had met Lisa first he would have married her.
Suppose he were to take lodgings for Lisa in another part of London? He could divide his week between them. It would seem odd at first, but they would all soon settle down to it and it would begin to seem natural. But as Miles started to imagine the details he saw that it was a perfectly abominable idea. He could not ask Diana, whose entire life consisted of caring for him, of waiting for him, to endure days of absence about which she would want to know nothing. And, even more strongly, he felt that it would be monstrous, if he were going to offer Lisa anything, to offer her less than everything. But this was exactly what he’ had decided at the start that he could not do. Terrible and unendurable possibilities began to structure themselves in the background of his mind. Unable to envisage them, Miles said frantically to himself, suppose I just run off with Lisa after all?
Kyrie eleison, Kyrie eleison, Kyrie eleison . The choir were singing again. It was like a bird’s cry, piercing, repetitive, insistent, wearying God with petition. Or perhaps more like a kind of work, a close attentive intricate laborious toiling. How happy are those who believe that they can pray and be helped, or even, without being helped, be listened to. If there really existed an all-wise intelligence before which he could lay the present tangle, even if that intelligence held its peace, the knowledge that the right solution somewhere existed would soothe the nerves. As it was, it was indeed the opposite conjecture, that in fact there was no solution, that it did not matter very much what one did, which produced the impulse to struggle and plunge about like a terrified horse whose cart has been overturned. A vision of chaos came suddenly to Miles: the blotting out of the ordinary world of ordinary obligations. Perhaps all ordinary obligations were fakes, and all meticulous lives based upon illusion?
Miles leaned forward, crossing his hands across his eyes. There came back to him, not exactly as a memory but as a hallucination, the moment when he had received the news of Parvati’s death. An acquaintance who had seen the newspaper account, with the names of the dead, had come round to his house. Miles had made the man go away at once. He had stood there alone in the hall holding the newspaper. He had believed it instantly. Hope would have been too great an agony. And as it seemed to Miles now he had begun, even in those first seconds, to plot how to cheat himself of any full recognition of what had occurred. His excuse was indeed a convincing one: a full recognition might have destroyed his reason. He acted as other human beings act, only with a different and in some ways more refined apparatus. He began to write the poem within three days. He continued it for over a year. His pain went into it almost raw.
It certainly seemed strange, when Miles reflected about it, that throughout his life, so much of which now seemed to have slipped dully away, he had retained his deep conviction that he was a poet. He had published a volume of young man’s poems just before Parvati died. He had continued to publish occasional poems in periodicals. There had been another small collected volume. His work was to be found in one or two anthologies. But he had always felt these to be weak preliminaries. His Duino visitation, his great angels were still to come. He had never lost this faith. Yet on the evidence it seemed so unlikely. He had become duller with the years, more pleasure-loving, less conscious. All those years with Diana, coming home on the tube to sherry and dinner and Diana’s latest flower arrangements. Even Lisa’s coming had left him still blind. It was only lately, when he had started the Note book of Particulars, that his vague faith had turned into a sharper hope, and had he perhaps even here misinterpreted what had happened? Was that sharper sense of life, that thrilled apprehension of being, not perhaps due rather to Lisa’s pres ence in the house and his still-sleeping awareness of being in love with her? Perhaps it was Lisa, not poetry, which would complete his destiny.
Kyrie eleison, Kyrie eleison, Kyrie eleison. Christe eleison, Christe eleison, Christe eleison . Can I not unriddle myself, thought Miles. Being in love, I’amour fou , is very like a spiritual condition. Plato thought any love was capable of leading us into the life of the spirit: perhaps because falling in love convinces so intensely of the reality and power of love itself, which dulled life knows nothing of. But falling in love involves also an enlivening and magnifying of the greedy passionate self. Such love will envisage suffering, absence, separation, pain, it will even exult in these: but what it cannot en visage is death, utter loss. This is the vision which it will on no account tolerate, which at all costs it will thrust away, transform, and veil. Miles struggled in thought: he said to himself, the key is somewhere here, but where? Do these fragments really fit together? I scarcely make sense to myself at all, I babble, I rave.
As if yielding to a pressure upon his shoulders he slid for ward onto his knees. He had knelt down occasionally in churches in recent years, always a little self-consciously, well aware of satisfying an emotional need which had more to do with sex than with virtue. But now he scarcely noticed what he had done. Eros and Thanatos: a false pair and a true pair. In transforming Parvati’s death into something which he could bear to contemplate, and in using for this purpose the one talent which he held as sacred, he had acted humanly, forgivably; yet it somehow seemed to him now that this almost inevitable crime had set his whole life moving in the wrong direction. Of course he had really loved Parvati, he had loved her with the total and as yet unspecialized passion of a young man. But such a love could not be expected to fight it out with death, and the defeat had mattered. Why did it all suddenly seem so alive and so close and so important now? Was he being given a second chance? I am raving, thought Miles, I am raving.
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