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Marie Vieux-Chauvet: Love, Anger, Madness

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Marie Vieux-Chauvet Love, Anger, Madness

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A Haitian Triptych An omnibus of novels Available in English for the first time, Marie Vieux-Chauvet's stunning trilogy of novellas is a remarkable literary event. In a brilliant translation by Rose-Myriam Réjouis and Val Vinokur, Love, Anger, Madness is a scathing response to the struggles of race, class, and sex that have ruled Haiti. Suppressed upon its initial publication in 1968, this major work became an underground classic and was finally released in an authorized edition in France in 2005. In Love, Anger, Madness, Marie Vieux-Chauvet offers three slices of life under an oppressive regime. Gradually building in emotional intensity, the novellas paint a shocking portrait of families and artists struggling to survive under Haiti's terrifying government restrictions that have turned its society upside down, transforming neighbors into victims, spies, and enemies. In 'Love,' Claire is the eldest of three sisters who occupy a single house. Her dark skin and unmarried status make her a virtual servant to the rest of the family. Consumed by an intense passion for her brother-in-law, she finds redemption in a criminal act of rebellion. In 'Anger,' a middle-class family is ripped apart when twenty-year-old Rose is forced to sleep with a repulsive soldier in order to prevent a government takeover of her father's land. And in 'Madness,' René, a young poet, finds himself trapped in a house for days without food, obsessed with the souls of the dead, dreading the invasion of local military thugs, and steeling himself for one final stand against authority. Sympathetic, savage and truly compelling with an insightful introduction by Edwidge Danticat, Love, Anger, Madness is an extraordinary, brave and graphic evocation of a country in turmoil.

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I am the oldest of the three Clamont sisters. There are about eight years in age between each of us. We live together in this house, an undivided inheritance from our late parents. As usual, I have been entrusted with the more vexing tasks. You have nothing to do, so keep busy , they seem to say. And they have handed the keys to both house and strongbox over to me. I am at once servant and mistress of the house, a kind of housekeeper on whose shoulders rests the daily round of their lives. As recompense, each gives me something to live on. Annette works. A nice bourgeois girl ruined, cornered by circumstances, floundering shamelessly in compromise and promiscuity, and where else but as a salesgirl with Bob Charivi, a Syrian of the worst sort with a store on Grand-rue. Jean Luze, Félicia’s husband, a handsome Frenchman, beached on our welcoming shores by who knows what miracle, is in the employ of Mr. Long, an American executive who has been here for ten years. I need very little, and thanks to them I am gathering a fortune. I have developed a sordid miserliness in my old age. You should see me patiently counting my nest egg each month. “It’s dreadful,” Annette likes to say, “how Claire neglects herself!”

Félicia shrugs.

Since she got married, only Jean Luze exists. Gorgeous Jean Luze! Brilliant Jean Luze! The exotic and mysterious foreigner, who has set up his library and record collection in our house, and makes fun of our backward way of living and thinking. A flawless man, an ideal husband. Félicia’s cup overfloweth with love and admiration. I won’t be the one to open her eyes. From my window, I spy on their every move. This is how I came to find Annette in the arms of her Syrian boss one night. She was in the back of the car they had parked halfway in the garage. I saw everything, heard everything, despite all the precautions they were taking in order not to wake Félicia. They hadn’t thought of me. How could the old maid, uninterested in anything having to do with love, suspect them for one moment? That affair lasted until Félicia’s engagement. After that, everything fell apart for Annette again…

Félicia is of average height and on the voluptuous side, light-skinned with bland blond hair and the delicate features of a white woman. Although Annette is white too, there is gold under her skin. And her hair is black, blue-black like her eyes. Except for the skin color, she is a touched-up copy of me sixteen years ago. These two white-mulatto girls are my sisters. I am the surprise that mixed blood had in store for my parents, no doubt an unpleasant surprise in their day, given how they made me suffer… Times have changed, and I have learned with age to appreciate what has been given me. History is on the move and so is fashion, fortunately…

Jean Luze stares at Annette. He is struggling. And yet he knows very well that he will give in. When she has a man on the brain-and I have paid dearly for this bit of knowledge-she doesn’t give him up easily. And this one is among the most glamorous I have ever seen. The broad strides he takes in the yard! The way he climbs the stairs! His voice so young, so cheerful, and yet somewhat subdued and unaware of the cheer it spreads. His perfect speech! The way his gaze caresses everything so casually. Even me.

“Claire, how are you doing?”

He passes me by and goes up to his room, their room. But he doesn’t desire Félicia anymore, that much I know. Annette is the one on his mind. Besides, Félicia is ill served by her pregnancy. She is in no shape to defend herself. Her smile is more and more trusting, more and more mawkish, as Annette’s glances become more aggressive, more tormenting. How will this end? I keep vigil. I stand in the wings, I don’t exist for them. I push them onstage skillfully, without ever seeming to intervene, and yet I am directing. If only by the way I encourage Félicia to rest on the chaise longue on the balcony, all the while knowing that Annette and Jean Luze will be alone together downstairs in the dining room…

I close the doors, seemingly indifferent, and I wait. They stand there silent, devouring each other with their eyes, senses melting as they move in for the kill. This is not the right time yet. Annette cannot forget that Jean Luze is her brother-in-law, nor he that she is his wife’s sister.

For a while now we’ve been hanging our heads like snarling dogs, harassed as we are by fear, by the summer, the sun, by hunger and all that comes of it. The hurricanes are responsible, unleashed by God to punish us for what Father Paul calls our lack of faith and our weaknesses.

We stick out our tongues in this terrible sun in the throes of a Haitian summer. A thick, enormous, slavering tongue, licking at our skin, cutting off our breath. We are being cooked alive. Our sweat flows without pause. There is no moisture in the air, and the coffee, the only source of wealth around here, is drying up. Any day now, Eugénie Duclan, a friend of Father Paul the parish priest, will organize processions to persuade the clouds.

“Rain is a blessing from heaven,” Father Paul asserts in a very Haitian way during the course of his sermons.

So then we are cursed! Hurricanes, earthquakes and drought, nothing spares us. The beggars outnumber us. The survivors of the last hurricane, crippled and half-naked, haunt our gates. Everyone pretends not to see them. Hasn’t the poverty of others always been with us? After growing for the last ten years, it has the frozen face of habit. There have always been those who eat and those who fall asleep with an empty stomach. My father, a planter as well as a speculator, with over six hundred acres of land planted with coffee, accused the hungry of laziness.

“What is it that you do for a living?” he would say to those imploring him for a handout. And then he would answer his own question: “You beg.”

“Heartless!” Tonton Mathurin [1]would cry out, “heartless!” Ah, the brave Tonton Mathurin we had learned to fear as if he were the very devil! He’s been dead twenty years now, and all these twenty years I always think I see him standing there when I pass his front door, draped in his old houpland [2] and spitting at my father…

Misery, social injustice, all the injustices in the world, and they are countless, will disappear only with the human species. One remedies hundreds of miseries only to discover millions of others… It’s a lost cause. And of course there is the hunger of the body and that of the soul. And the hunger of the mind and the hunger of the senses. All sufferings are equal. To defend himself, man refines the meanness of his heart. By what miracle has this poor nation managed to stay so good, so welcoming, so joyful for so long, despite its poverty, despite injustice, prejudice, and our many civil wars? We have been practicing at cutting each other’s throats since Independence. The claws of our people have been growing and getting sharper. Hatred has hatched among us, and torturers have crawled out of the nest. They torture you before cutting your throat. It’s a colonial legacy to which we cling, just as we cling to French. We excel at the former but struggle with the latter. I often hear the prisoners’ screams. The prison is not far from my house. I see it from my window. The gray of its walls saddens the landscape. The police force has become vigilant. It monitors our every move. Its representative is Commandant Calédu, a ferocious black man who has been terrorizing us for about eight years now. He wields the right of life and death over us, and he abuses it.

Two days after his arrival, he searched almost every house in town. Anything that could pass for a weapon was confiscated, including Dr. Audier’s hunting rifle. Accompanied by policemen to secure the premises, he rifled through our closets and drawers, lips stiff with hatred. How many people has he murdered? How many have disappeared without a trace? How many have died under unspeakable conditions? And cruelty is contagious: kneeling on coarse salt, forcing a victim to count the blows tearing at his skin, his mouth stuffed with hot potatoes, these are a few of the minor punishments some of us inflict upon our child-servants. Upon those turned slaves by hunger, who must suffer our spite and rage in all its voluptuousness. My blood boils at the sound of their cries and those of the prisoners-rebellion grumbles in me. This goes back to the days when I hated my father for whipping the sons of our farmers for next to nothing.

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