Javier Marías - Your Face Tomorrow 1 - Fever and Spear

The three people I had expected to leave together also left, indeed, they were the first to go. Fortunately for Sir Peter Wheeler, the only guest who lingered until gone midnight was Lord Rymer, The Flask, not because he was very animated or not as yet sleepy, but due to his complete inability to put one foot in front of the other. Since The Receptacle lived in Oxford, this did not pose such a problem. Mrs Berry called a taxi, and between the two of us we managed to detach the heavy, alcoholic Flask from the armchair in which he had installed himself half-way through the evening, and with a few discreet heaves (it was impossible to perform this task quickly) we got him as far as the front door under the supervision and guidance of Peter's walking-stick; we gladly accepted the help of the driver in squeezing him into the taxi, although the poor man would have a tough time prising him out of there on his own when they reached their destination. The hired waiters could not leave without first collecting up the more substantial leftovers from plates and serving dishes, and then I helped Mrs Berry with the cups and glasses and the remaining ashtrays, so that everything was pretty much cleared away, Wheeler hated coming down the following morning to the debris of the previous night, well, almost everyone does, including me. When Peter's housekeeper had gone up to bed, Peter took a seat slowly and carefully at the foot of the stairs, holding on to the banister rail until he had touched down (I did not dare offer him a hand), and took another cigar out of his cigar case.

'Are you going to smoke another cigar now?' I asked, surprised, knowing that this would take him a while.

I had assumed that his sudden decision to take up such an inappropriate seat for a man well into his eighties had been due to a momentary weariness or that it was his usual way of pausing and gathering a little strength before going on up to the first floor where he had his bedroom, perhaps he always stopped there before the ascent. He was still very mobile, but that daily, continual tussle with those shallow, rather steep, wooden steps – thirteen to the first floor, twenty-five to the second – seemed ill-advised at his age. He had laid his walking-stick across his knees, like the carbine or spear of a soldier at rest, I watched him preparing his Havana cigar, sitting on the third stair, his gleaming shoes poised on the first, the central part of the stairs was covered by a carpet or perhaps it was a runner carefully fitted and fixed or invisibly stapled in place. His posture was that of a young man, as was his still thick hair, although this was now completely white and slightly wavy as if it were made of pastry, neatly combed with the parting on the left, which gave one a sense of the far-off little boy, for the parting must have been there, unchanged, ever since early childhood, doubtless predating the surname Wheeler. He had got dressed up for his buffet supper and was not the sort to reach the end of a party in a state of semi-disarray, like Lord Rymer or the widow Wadman or, to some extent too, De la Garza (his tie loose and somewhat askew, his shirt growing unruly at the waist): everything remained intact and in its place, even the water with which he had combed his hair seemed not entirely to have dried (I ruled out the use of brilliantine). And as he sat there apparently untroubled it was still easy to see him, to imagine him as a young heart-throb of the '30s or perhaps '40s – years that were inevitably more austere in Europe – not perhaps in a film, but in real life, or perhaps in an advertisement or poster of the period, there was nothing of the unreal about him. He was obviously pleased with the way his banquet had gone and, even though we had the following morning to talk, he perhaps wanted to discuss it a little now, not to declare the evening quite over yet, he probably felt livelier – or perhaps simply less alone – than he did on other nights, which usually ended early for him. Even though I was the one who was supposed to be all alone in London, not him here in Oxford.

'Oh, only half of it or less. I'm not really that tired. And it's not such an extravagance,' he said. 'Anyway, did you have a good time?'

He asked this with just a hint of condescension and pride, he clearly considered that he had done me a great favour with his idea and his invitation, allowing me to leave my supposed isolation, to see and to meet other people. So I took advantage of this slight display of arrogance to lodge my only justifiable complaint:

'Yes, an excellent time, Peter, thank you. I would have had a much better time, though, if you hadn't invited that idiot from the embassy, what on earth made you do it? Who the hell is he? Wherever did you dig the numskull up? Oh, he's got a future in politics, that's for sure, even in the diplomatic service. And if that's the idea and you're hoping to squeeze some funding out of him for symposia or publications or something, then I won't say a word, although it still seems a little unfair that I should end up acting as his interpreter, and very nearly procurer and nursemaid as well. He'll be a minister in Spain some day, or, at the very least, ambassador to Washington, he's exactly the kind of pretentious fool with just a thin veneer of cordiality that the Right in my country produces by the dozen and which the Left reproduces and imitates whenever they're in power, as if they were the victims of some form of contagion. When I say "the Left", of course, that's just a manner of speaking, as it is everywhere nowadays. De la Garza is a safe investment, I agree, and, in the short term, he'll get on well in any political party. The only problem is that he did not leave here a happy man. Still, that's some consolation, at least, since he ruined most of my evening.' I had said my piece.

Wheeler lit his cigar with another of his long matches, although he did so less singlemindedly this time. He looked up then and fixed his eyes on me in fond commiseration, I was standing at the bottom of the stairs, a short distance from him, leaning on the frame of the sliding door that led from the main living-room to his office and which he usually kept open (there were always two lecterns on view in the study, on one a dictionary of his own language lay open, along with a magnifying glass, on the other an atlas, sometimes the Blaeu, sometimes the magnificent Stieler, also open, with another magnifying glass), I had my arms crossed and my right foot crossed, too, over my left, with only the toes of the former resting on the ground. Whereas the eyes of his colleague, friend and fellow scholar, Rylands, had had a more liquid quality and, most strikingly, had each been of a different colour – one eye was the colour of olive oil, the other pale ashes, one was cruel like the eye of an eagle or a cat, the other bespoke rectitude, the eye of a dog or a horse – Wheeler's eyes had a mineral appearance and were rather too identical in design and shape, like two marbles almost violet in colour, but flecked and very translucent, or even mauve, but veined and not at all opaque or even, almost, the colour of garnets, or possibly amethysts or morganites or the bluer varieties of chalcedony, they varied according to the light, according to whether it was day or night, according to the season and the clouds and whether it was morning or evening and according to the mood of the person doing the looking, and, when narrowed, resembled the seeds of pomegranates, the early autumn fruit of my childhood. They would once have been very bright, and frightening when in angry or punitive mood, now they preserved only the embers and a touch of fleeting irritation in their otherwise mild appearance, they usually looked with a calm and a patience that were not innate, but learned, honed by the will over time; but there had been no attenuation of their mischievousness or their irony or their all-embracing, earthy sarcasm, of which they were clearly capable at any moment, given the chance; nor of the assured penetration of one who has spent his entire life observing and comparing, and seeing in the new what he has seen before, and making links and associations, and tracking things down in his visual memory and thus foreseeing what is yet to be seen or what has not yet happened, and venturing judgements. And when they appeared to take pity – which was not infrequent – that spontaneous expression of pity was immediately tempered by a sort of jaded recognition or weary acceptance, as if in the depths of his pupils lay the conviction that in the end and in some measure, however infinitesimal, we all brought our own misfortunes upon ourselves, or created them or allowed ourselves to suffer them, or perhaps acquiesced to them. 'Unhappiness is an invention,' I sometimes quote to myself.