'What the fuck do you want,' he said, 'to cripple me?'
And then I told him what it was I wanted:
'I haven't touched your right hand, but I could give it the same treatment as your left hand or worse. And I can come looking for you whenever I want. I could hurt your right hand so badly that you'd never pick up a paintbrush again in your life.' And once more I couldn't help remembering Reresby again, when he gave me his instructions for De la Garza and I translated them to my compatriot where he lay on the floor. Tupra had issued a fluent list of orders as if he had thought it all out before, I must give the same impression of determination and wisdom and prescience, telling him what my pre-prepared plans for him were, telling him exactly what was going to happen and what he was going to do.
Custardoy had half-opened his eyes to gauge the damage done and I had not placed the barrel of the gun against his head again since dealing the second and third blow to his hand. His gaze was dull, stunned, almost oblique, but there was also a hint of vengefulness. Nevertheless, it seemed to me that any desire for revenge was muted and purely hypothetical, as if he understood that he would have to give it up however much he wanted it, or could see it only as a distant hope or postponed reward or deferred justice, rather as, during many centuries, people of steadfast faith would imagine and nurture the idea of the Final Judgment as something that would be given to them during their long death and which they could never have in life. I had removed the gun from his head when I struck him with the poker, and now it occurred to me that I didn't even need it, the threat of destroying his right hand had cowed him completely, overwhelmed him, especially as he didn't know if that was going to happen right there and then, and because he already had before him the vision of his left hand, and could feel it-the pain must have been terrible. In the state he was in, his ponytail looked even more ridiculous, as did his tie, his sparse mustache, his aspiration to elegance; at that moment he was an angry man, but fearful, too, almost imploring, his rage curbed indefinitely. However, I still didn't put the pistol away. And he did plead with me, although his tone of voice masked the fact. His words sounded more like a reproach than a plea, but they said what they said:
'For Christ's sake, don't do that. I earn my living with my right hand. Stop playing fucking games with me. What the fuck do you want?' Swearwords are good at masking feelings, of course, which is why almost everyone uses them in Spain-the most puerile, blustering country I know-in order to appear big and brave. But Custardoy had asked a favor of me ('Don't do that') and I did not, on that occasion, feel involved or enmeshed or entangled; on the contrary, I would happily have used a razor or a knife to cut the disagreeable bond joining us, him, Luisa and me, although she had created that bond of her own accord. All I had to say to the guy was: 'I want this in exchange.'
'I'm going to leave now and you're going to stay here quite still for thirty minutes from the time I leave, without moving and without phoning anyone, however much your hand hurts; you'll have to put up with it. Then call a doctor, go to a hospital, do what you like. It will take time for that hand to heal, if it ever does completely heal. Always remember that it could have been worse, and that we can always do the same to the other hand, or cut it off with a sword, I have a very clever friend in London who loves swords. While it's healing, leave Madrid, I know you've got enough money to be able to spend some time at a hotel, in a place that you like, somewhere with museums, and have a real rest. And if none of these ideas appeal, then do something else. I don't want Luisa to see you in this state; she must never ever associate what has happened to you with my stay in Madrid. You phone her and tell her that you've had to go away unexpectedly. Some important, urgent commission, copying or restoring some painting, or several, in Berlin, Bordeaux, Vienna or St. Petersburg, I don't care. Or better still, Boston, Baltimore, or Malibu, with an ocean between you, after all, there are famous museums aplenty over there with no shortage of cash to pay you for your work; anyway, I'll leave you to invent something. Call her from a cell phone or some number that can't be traced, just so that she can't find out where you really are. You can go and convalesce in Pamplona for all I care, but you must tell her that you're far away and very busy and that you'll phone her when you can, just in case, because if she thinks you're somewhere near, she might try and leave the kids with someone for a few days and come and join you.'
'She won't just let me go off like that without saying goodbye, especially if I'm going to be away for a while,' said Custardoy, interrupting me. I didn't mind because this meant he was accepting my plan and was prepared to obey it, and that I wouldn't have to damage his other hand or even consider doing so, because I would then have no other hold over him and would have to shoot him and that now seemed to me impossible. I had lost all my heat, what little I'd had. I had taken on Tupra's coldness only momentarily and half-heartedly. Perhaps not even Tupra was so very cold: after all, he hadn't, in the end, cut off De la Garza's head.
'Don't you understand? She won't be able to say goodbye to you, however much she wants to, because when you phone her, you'll already have left, you'll call her from somewhere else, do you see?'
'She'll think that very odd.'
'Try to make it seem perfectly normal. Emergencies do happen, as do unforeseen events. Besides, you don't see each other every day, do you? Or phone each other on a daily basis?' I wasn't expecting an answer, and I preferred him not to give one. 'While you're away, only call her now and then, and make those calls less and less frequent, until, in two weeks or so, you'll have stopped phoning altogether. After two weeks, you give no sign of life at all, none, and if she does manage to locate you, be evasive with her, impatient. And when your hand has healed and you come back (if that wretched hand of yours ever does heal after what I've done to it), you won't call her then either. Sooner or later, she'll hear from someone that you're back, and if she's still interested, she'll be the one to seek you out or phone you or demand an explanation. And you can tell her then, bluntly and arrogantly, it should come easily enough to you, you've probably done it hundreds of time. As far as you're concerned, you'll say, she's history, you never even give her a thought. Tell her that on the beaches of Malibu you've met the new Bo Derek or a lady security guard or Getty's daughter or whoever. Or an heiress from Boston whom you're about to marry. You make it clear to her that it's all over, that she should leave you alone, that you don't want to see her. And you won't see her. As of today, you've said your farewells, do you understand? And if you utter one word to her about what has happened here, about this visit, if you lead her to suspect or, however remotely, imagine what went on, now or later, even if it's in ten years' time, you can say farewell to your right hand as well.' The words of the 'Streets of Laredo' came into my mind: 'But please not one word of all this shall you mention, when others should ask for my story to hear.'
Custardoy opened his coarse eyes a little wider, he looked suddenly older, as if the weariness that follows immediately on relief had put ten years on him. He was cautiously stroking his crippled hand, he must have been impatient for this to be over, to be rid of me once and for all, so that he could go to a doctor or a hospital, where they could do something to take away the pain.
'I'm not the marrying kind, I'm not like you,' he said with a tiny, barely perceptible remnant of scorn, which I nonetheless noticed. It didn't matter, it afforded him some small compensation. He didn't know that I was like him, even though I had gotten married, contrary to my father's expectations. 'Anything else?'
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