Javier Marias - Your Face Tomorrow 3 - Poison, Shadow and Farewell

'I don't know, about twenty minutes I should think, I'll take a cab.'

'Then would you mind not leaving for another fifteen or twenty minutes, that will give her time to settle in and sort the kids out. And please try not to keep them up too long past their bedtime, otherwise they'll be worn out tomorrow and they've got school in the morning. If possible, make sure they're in bed by eleven at the latest, which is already much later than usual. You'll have other opportunities to see them. How long are you staying?'

'Two weeks,' I said, and again it seemed to me that this created another unforeseen problem for her, that it was even an annoyance, a bother, something she would have to wrestle with.

'That long?' She couldn't suppress her feelings, she sounded more alarmed than glad. 'How come?'

'As I think I told you, I had to accompany my boss on a trip. In the end, it turned out to be four trips, one after the other. Anyway, he's rewarded me, I suppose, with a longer trip just for me.' And I added: 'So I won't see you tonight, then?'

'No, I don't think so, by the time I get back the children will be in bed. The babysitter will stay as long as she needs to, so don't worry about that; as soon as they're in bed, you can leave, don't wait up for me. If you'd warned me you were coming, I'd have arranged things differently. We'll talk later, when we've got more time.'

The same city, which, just the day before, was faded and dim, becomes suddenly crystal-clear as soon as you set foot in it again; time condenses, yesterday disappears-or becomes just an interval-and it's as if you had never left. You suddenly know once more which streets to take, and in which order, to get from one place to another, wherever they may be, and how much time to allow. I had reckoned on twenty minutes by taxi to my apartment through the abominable traffic, and I was almost exactly right. And instead of thinking excitedly about my children, whom I would be seeing at last after a long absence, I couldn't help worrying about Luisa instead during the whole disenchanted journey. It wasn't that I had expected her to give me a wonderful reception, but I'd thought at least she'd show a little curiosity and sympathy, as she had on the phone whenever I'd spoken to her from London, what had changed, why had she turned against me, was it because I was now breathing the same air as her? Perhaps she had only felt that sympathy and that vague curiosity about me from a distance, as long as I was far away, as long as I was just a voice in her ear, a voice with no face, no body, no eyes, no arms; then she could allow herself those feelings, but not here, not where we had lived happily together and where, later on, we had wounded each other. This was where she had survived without me, become unaccustomed to me, and so she didn't quite know what to do with me any more: I hadn't been around for quite some time. She said not a word about her date, which had arisen, or so it seemed to me, as soon as she learned that I was there in the flesh. She was under no obligation to tell me, of course, and I hadn't asked, nor had I suggested that she cancel, which is easy enough and perfectly free and something that people do on the slightest pretext, simply because they feel like it ('Oh, please, please, today's a really special day, I would so love to see all of you together, surely you can change it, go on, why don't you try?'); and people usually do give explanations even if they're not asked, and provide needless excuses, and tell you about their inane life and speak at length and babble on, out of the sheer pleasure of using language, or so as to provide superfluous information or to avoid silences, or to provoke jealousy or envy or so as not to arouse suspicions by being enigmatic. 'The fatal word,' Wheeler had called it. 'The curse of the word. Talking and talking, without stopping, that is the one thing for which no one ever lacks ammunition. That is the wheel that moves the world, Jacobo, more than anything else; that is the engine of life, the one that never becomes exhausted and never stops, that is its life's breath.' Luisa had held in that breath and said only: 'They're not going out, but I am,' without even adding the minimal excuses usual in such cases, 'It's an appointment I can't break, I made it weeks ago,' or 'It's too late to cancel,' or 'I can't postpone it because the people I'm meeting are visiting Madrid and they're leaving tomorrow' Nor had she expressed polite regret at the clash, even if that regret was false (it still gives some small consolation to the jilted person and makes him feel better): 'Oh, how annoying, what bad luck, what a shame, I would love to have seen the children's reaction when they saw it was you. If only I'd known about it beforehand. Are you sure you can't wait until tomorrow? It's been such a long time.' She had kept her mouth shut, just as if she didn't know who her date was or where she was going, more as if she had just made it up than as if she wanted to keep it secret. That was my suspicion, an occupational hazard perhaps, acquired in England. She must have somewhere to go, somewhere to spend a few hours, the hours I would spend in her apartment. She was sure by now to have a boyfriend, a lover, however transient. It would just be a matter of finding him, or probably not even that if he'd already given her the keys to his place. 'It's as if she doesn't want to see me,' I thought in the taxi. 'But she's going to, that's for sure. I didn't come here to spend yet another day without seeing her, without once more seeing her face.'

The children were hugely surprised. At first, Marina gave me a hard, distrustful stare, then she got used to me, but more in the way that small children get used to strangers-it takes only a matter of minutes if the adult in question has a way with kids- than as if she really remembered me clearly and in detail. It also helped that her brother filled her in right from the start ('It's Papa, silly, don't you see?'). The presents helped to ease matters too, and the babysitter's approving, almost beatific smile, she was a very able young woman who came to open the door to me: I didn't dare try my key in the lock, in case it had been changed, I rang the bell like any other visitor. Marina asked me absurd questions ('Where do you live?' 'Have you got a dog?' 'Does it always rain there?' 'Are there any bears?'), while Guillermo was in charge of asking questions of a more reproachful kind ('Why don't we ever see you?' 'Do you like it better there than here?' 'Have you met any English children?') as well as of the bookish-adventure film variety, he read quite a lot and watched films all the time ('Have you visited Harry Potter's school?' 'And what about Sherlock Holmes' house?' 'Aren't you afraid to go out at night with all that fog and with Jack the Rippers about, or aren't there any Jack the Rippers in London now?' 'Is it true that if the real person stands next to his wax figure at Madame Tussaud's, you can't tell which is which?') I hadn't visited Harry Potter's school, but I had been to 221B Baker Street, because I lived nearby and often popped in; and in York, I had discovered the dark, neglected grave of Dick Turpin, the highwayman in the red jacket, mask, three-cornered hat and thigh-high boots, and next to him was buried his faithful horse, or rather mare, Black Bess, and I had seen the place where, still elegantly dressed, he had been hanged at the Tyburn, just outside York. One night, a white dog had followed me, tis tis tis, through the streets and squares and parks to my house, he was all alone in the heavy rain, for children it would be much more mysterious if I didn't mention his mistress; I let him dry himself and sleep in my apartment, and yes, I would have kept him, but he left the following morning when I took him out for a walk, and I've never seen him since, perhaps he didn't like my human food, well, I didn't have any dog food. On another night, I saw a man take out a sword in a disco, a two-edged sword, he produced it from inside his coat and threatened people, who drew back in terror; he sliced through several things with great skill and mastery, a table, a couple of chairs, some curtains, he shattered a few bottles and ripped the skirts of two women without causing them the slightest harm, he judged things perfectly, he was a real artist; then he put the sword back in the sheath inside his long coat, put the coat on-this made him walk very stiffly, like a ghost-and he left just like that, and no one dared to stop him; I didn't either, what do you mean, are you mad, he would have made mincemeat of me in seconds, he was so fast with that sword (like thunderless lightning that kills silently). I was about to tell them that I had spent a third night at the house of Wendy, Peter Pan's girlfriend, but I held back: Marina was young enough to believe it, but not Guillermo, and I didn't want to recall the videos I had been shown there, in fact, I didn't want ever to remember them and yet I thought of them constantly ('The wind moves the sea and the boats withdraw, with hurrying oars and full sails. Amongst the sound of the waves the rifle shots rang out… Cursed be the noble heart that puts its trust in evil men!… Aboard the boats, all the sailors were crying, and the most beautiful women, all in black and distraught, walk, crying, through the lemon groves.' That poem about Torrijos would always be associated in my mind with that string of evil scenes). And I realized-I had forgotten, it was such a long time since I'd spoken to Guillermo and Marina-that almost everything that happens to one, can, with very few changes, easily be converted into a story for children. Intriguing or sinister tales, the kind that protect and prepare them and make them resourceful.