John Banville - Ancient Light
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- Название:Ancient Light
- Автор:
- Издательство:Viking Penguin
- Жанр:
- Год:2012
- Город:New York
- ISBN:978-0-670-92061-7
- Рейтинг книги:4 / 5. Голосов: 1
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Ancient Light: краткое содержание, описание и аннотация
Предлагаем к чтению аннотацию, описание, краткое содержание или предисловие (зависит от того, что написал сам автор книги «Ancient Light»). Если вы не нашли необходимую информацию о книге — напишите в комментариях, мы постараемся отыскать её.
gives us a brilliant, profoundly moving new novel about an actor in the twilight of his life and his career: a meditation on love and loss, and on the inscrutable immediacy of the past in our present lives. http://www.youtube.com/watch?v=Tq-oMYIS44o
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What happened after that happened with bewildering swiftness and dispatch. By evening Mrs Gray had fled. I heard—from whom?—that she had gone back to the town where she and Mr Gray had come from, to the grand boulevards and the worldly sophisticates about which and whom she had so liked to tease me. It must have been where she was born, for she was staying there in the care of her mother, it was said. The news that Mrs Gray had a mother was so amazing as to divert me for a moment from my anguish. She had never mentioned a mother to me, unless she did and I was not listening; it is possible, but I do not think even I would have been that inattentive. I tried to picture this fabulous personage and saw an immensely aged version of Mrs Gray herself, wrinkled, stooped and for some reason blind, leaning at a wicket fence in a sunlit cottage garden profuse with summer flora, smiling in sad forgiveness and holding out her hands in that vaguely beseeching way that blind people do, welcoming home her disgraced and penitent daughter. So strange, so strange even now to think of a previous Mrs Gray—no, she would have been a Mrs someone else. That is another thing I never knew, my maiden’s maiden name.
The next day, auctioneer’s signs sprouted on the front of the house in the square, and in the window of the shop in the Haymarket, too, and Miss Flushing’s nostrils and the rims of her eyes were redder than ever. Do I recall the station wagon pulling out of the square packed with household things, and Mr Gray and Billy and Billy’s sister crowded together in the front seat, that seat on which Mrs Gray and I had so often bounced together as on an enchanted trampoline, Mr Gray looking pained but with his jaw juttingly set, like Gary Fonda in The Grapes of Noon ? Surely I am inventing again, as so often.
Yet come to think of it their going cannot have been that precipitate, for days were to pass, a week, even, or more than a week, before I had my final encounter with Billy Gray. In my memory the seasons have shifted yet again, for although it was still September I see our confrontation acted out in raw winter weather. The place was called the Forge, near the square where the Grays lived; a blacksmith must have worked there, long ago. The surroundings were appropriate, for the Forge was always associated for me, and still is, with a nameless disquiet. Yet it was an unremarkable enough place, where a hill road leading up to the square broadened and turned in an odd, lopsided way, and another, narrower road, little used, led off at a sharp angle into the countryside. Where this road started there was an overhang of heavy dark trees, underneath which was a well, or not a well, but a broad-mouthed metal pipe protruding from the wall, through which poured a constant flow of water, smooth and shiny as moulded zinc and thick as a man’s upper arm, that plunged into a mossed-over concrete trough that was always full yet never overflowed. I used to wonder where so much water could be coming from, for it did not slacken off even in the driest months of summer, and was, I thought, uncanny in its unrelenting dedication to its one, monotonous task. And where did it go to, the water? Must have run off underground into the Sow River—can that really have been its name?—a meagre dirty stream that ran along a culvert at the foot of the hill. What do they matter, these details? Who cares where the water came from or went to, or what the season was or how the sky looked or whether the wind was blowing—who cares? Yet someone must—someone has to. Me, I suppose.
Billy was walking up the hill and I was walking down. I cannot say why I was there or where I was coming from. I must have been in the square, even though I distinctly recall making every effort to avoid the sight of that cardboard For Sale sign displayed outside Mrs Gray’s bedroom window like a flag on a plague ship. I might have crossed to the other side of the road, or Billy might have, but neither of us did. My memory, with its lamentable fondness for the pathetic fallacy, sets a raw wind skirmishing about us, and there are dead leaves, of course, scraping along the pavements, and those dark trees shake and sway. Details again, you see, always details, exact and impossible. Yet I have not remembered what Billy said to me, except that he called me a dirty fucking bastard and suchlike, but I do see his tears, and hear his sobs of rage and shame and bitter sorrow. He tried to hit me, too, wildly swinging those sheaf-gatherer’s arms of his, while I retreated in little skips and hops, bent halfway over backwards like a contortionist. And I, what did I say? Did I attempt to apologise, did I try to explain myself and my base betrayal of our friendship? What explanation could I have offered? I felt peculiarly detached from the moment. It was as if what was happening were something that was being shown to me, a particularly violent sequence from a morality play, illustrating the inevitable consequence of Unchastity, Lust and Lewdness. Yet at the same time, and I know it will provoke jeers of contempt and disbelief when I say it, at the same time I had never felt such care, such compassion, such tenderness—such, yes, such love for Billy as I felt there on that hill road, with him flailing and sobbing and me bobbing backwards, ducking and weaving, and the cold wind blowing and the dead leaves scrabbling and that thick skein of water crashing and crashing into its depthless trough. If I had thought he would allow it, I believe I would have embraced him. What was enacted there, in cries of pain and wildly aimed blows, was, I suppose, some version, for me, of the parting scene that had not played itself out between me and Mrs Gray, so that I welcomed even this poor simulacrum of what had been withheld and what I so piercingly missed.
In the days immediately following Mrs Gray’s flight I think what I felt most strongly was fear. I found myself abandoned and astray in a place that was alien to me, a place I had not known existed, and in which I suspected I had not the experience or the fortitude necessary to survive without suffering grave damage. This was grown-up territory, where I should not have to be. Who would rescue me, who would follow and find me and lead me back to be again among the scenes and the safety I had known before that bewitched summer? I clung to my mother as I had not done since I was an infant. I should say that although I thought it impossible for her not to have heard the scandalous news of Mrs Gray and me—it might have been put about by a town crier, such was the instantaneity and volume of the gossip as it flew from street corner to church gate to kitchen nook and back again—she uttered not a single word about it, to me, and surely not to anyone else. Perhaps she also was afraid, perhaps for her also it was a strange and terrifying territory my salacious doings had landed her in.
Oh, but what a good son I was now, attentive, grave, studious, dutiful far beyond the call of duty. How prompt I was to run a household errand for my mother, with what patience and sympathy did I listen to her complaints, her grievances, her denunciations of our lodgers’ laziness, venality and neglect of personal hygiene. It was all a sham, of course. If Mrs Gray had bethought herself and come back as suddenly as she had gone, a thing that seemed to me not at all impossible, I would have flung myself upon her with all the old ardour, the old recklessness. For it was not discovery and disgrace, not the town’s gossips or my mother’s unspoken accusations, that made me tremble with fear. What I was afraid of was my own grief, the weight of it, the ineluctable corrosive force of it; that, and the stark awareness I had of being, for the first time in my life, entirely alone, a Crusoe shipwrecked and stranded in the limitless wastes of a boundless and indifferent ocean. Or rather say a Theseus, abandoned on Naxos while Ariadne hastened off about her uncaring business.
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