Caroline Kennedy Schlossberg was caught in profile. She was still elegant and dignified, but either sleeplessness or the tragedy had made her face more gaunt. Her appearance refuted the comforting notion that one grew accustomed to grief.
“Why are we using this?” Patrick asked. “Aren’t we ashamed, or at least a little embarrassed?”
“It just needs some voice-over, Pat,” Mary Shanahan said.
“How about this, Mary? How about I say, ‘We’re New Yorkers. We have the good reputation of offering anonymity to the famous. Lately, however, that reputation is undeserved.’ How about that ?” Wallingford asked.
No one answered him. Mary’s ice-blue eyes were as sparkling as her smile. The newsroom women were twitching with excitement; if they had all started biting one another, Patrick wouldn’t have been surprised.
“Or this,” Wallingford went on. “How about I say this ? ‘By all accounts, from those who knew him, John F. Kennedy, Jr., was a modest young man, a decent guy. Some comparable modesty and decency from us would be refreshing.’ ”
There was a pause that would have been polite, were it not for the newsroom women’s exaggerated sighs.
“I’ve written a little something,” Mary said almost shyly. The script was already there, on the TelePrompTer; she must have written it the previous day, or the day before that.
“There seem to be certain days, even weeks,” the script read, “when we are cast in the unwelcome role of the terrible messenger.”
“Bullshit!” Patrick said. “The role isn’t ‘unwelcome’—we relish it!”
Mary sat smiling demurely while the TelePrompTer kept rolling: “We would rather be comforting friends than terrible messengers, but this has been one of those weeks.” A scripted pause followed.
“I like it,” one of the newsroom women said. They’d had a meeting before this meeting, Wallingford knew. (There was always a meeting before the meeting.) They had no doubt agreed which of them would say, “I like it.”
Then another of the newsroom women touched Patrick’s left forearm, in the usual place. “I like it because it doesn’t make you sound as if you’re apologizing, not exactly, for what you said last night,” she told him. Her hand rested on his forearm a little longer than was natural or necessary.
“By the way, the ratings for last night were terrific,” Wharton said. Patrick knew that he’d better not look at Wharton, whose round face was a bland dot across the table.
“You were great last night, Pat,” Mary added.
Her remark was so well timed that this had to have been rehearsed at the meeting before the meeting, too, because there was not one titter among the newsroom women; they were as straight-faced as a jury that’s made its decision. Wharton, of course, was the only one at the script meeting who didn’t know that Patrick Wallingford had gone home with Mary Shanahan the previous night, nor would Wharton have cared.
Mary gave Patrick an appropriate amount of time to respond—they all did. Everyone was quiet and respectful. Then, when Mary saw that no response would be forthcoming, she said, “Well, if everything’s perfectly clear…”
Wallingford was already on his way to makeup. Thinking back, there was now only one conversation he didn’t regret having with Mary. The second time they’d had sex, with the dawn breaking, he’d told her about his sudden and unaccountable lust for the makeup girl. Mary had been full of condemnation.
“You don’t mean Angie, do you, Pat?”
He’d not known the makeup girl’s name. “The one who chews gum—”
“That’s Angie !” Mary had cried. “That girl is a mess !”
“Well, she turns me on. I can’t tell you why. Maybe it’s the gum.”
“Maybe you’re just horny, Pat.”
“Maybe.”
That hadn’t been the end of it. They’d been walking crosstown, to the coffee shop on Madison, when Mary had blurted out, apropos of nothing, “ Angie! Jesus, Pat—the girl’s a joke ! She still lives with her parents. Her father’s a transit cop or something. In Queens. She’s from Queens !”
“Who cares where she’s from?” Patrick had asked.
In retrospect, he found it curious that Mary wanted his baby, wanted his apartment, wanted to advise him on the most advantageous way to get fired; all things considered, she truly seemed (to a carefully calculated degree) to want to be his friend. She even wanted things to work out for him in Wisconsin—meaning that she’d manifested no jealousy of Mrs. Clausen that Wallingford could detect. Yet Mary was borderline apoplectic that a makeup girl had given him a hard-on. Why?
He sat in the makeup chair, contemplating the arousal factor, as Angie went to work on his crow’s-feet and (today, especially) the dark circles under his eyes.
“Ya didn’t get much sleep last night, huh?” the girl asked him between snaps. She’d changed her gum; last night she’d given off a minty smell—tonight she was chewing something fruity.
“Sadly, no. Another sleepless night,” Patrick replied.
“Why can’cha sleep?” Angie asked.
Wallingford frowned; he was thinking. How far should he go?
“Unscrunch your forehead. Relax, relax!” Angie told him. She was patting the flesh-colored powder on his forehead with her soft little brush. “That’s betta,” she said. “So why can’cha sleep? Aren’t ya gonna tell me?”
Oh, what the hell! Patrick thought. If Mrs. Clausen turned him down, all this would be only the rest of his life. So what if he’d just got his new boss pregnant? He’d already decided, sometime during the script meeting, not to trade apartments with her. And if Doris said yes, this would be his last night as a free man. Surely some of us are familiar with the fact that sexual anarchy can precede a commitment to the monogamous life. This was the old Patrick Wallingford—his licentiousness reasserting itself.
“I can’t sleep because I can’t stop thinking about you,” Wallingford confessed. The makeup girl had just spread her hand, her thumb and index finger smoothing what she called the “smile lines” at the corners of his mouth. He could feel her fingers stop on his skin as if her hand had died there. Her jaw dropped; her mouth hung open, midsnap.
Angie wore a snug, short-sleeved sweater the color of orange sherbet. On a chain around her neck was a thick signet ring, obviously a man’s, which was heavy enough to separate her breasts. Even her breasts stopped moving while she held her breath; everything had stopped.
Finally she breathed again—one long exhalation, redolent of the chewing gum. Patrick could see his face in the mirror, but not hers. He looked at the tensed muscles in her neck; a strand or two of her jet-black hair hung down. The shoulder straps of her bra showed through her orange sweater, which had ridden up above the waistband of her tight black skirt. She had olive-colored skin, and dark, downylooking hair on her arms. Angie was only twenty-something. Wallingford had hardly been shocked to hear that she still lived with her parents. Lots of New York working girls did. To have your own apartment was too expensive, and parents were generally more reliable than multiple roommates.
Patrick was beginning to believe that Angie would never respond, and her soft fingers were once again working the rouge into his skin. At last Angie took a deep breath and held it, as if she were thinking of what to say; then she released another long, fruity breath. She started chewing her gum again, rapidly—her breaths were short and sweet. Wallingford was uncomfortably aware that she was scrutinizing his face for more than blemishes and wrinkles.
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