John Irving - The Fourth Hand

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The Fourth Hand: краткое содержание, описание и аннотация

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The Fourth Hand While reporting a story from India, a New York television journalist has his left hand eaten by a lion; millions of TV viewers witness the accident. In Boston, a renowned hand surgeon awaits the opportunity to perform the nation’s first hand transplant; meanwhile, in the distracting aftermath of an acrimonious divorce, the surgeon is seduced by his housekeeper. A married woman in Wisconsin wants to give the one-handed reporter her husband's left hand-that is, after her husband dies. But the husband is alive, relatively young, and healthy.
This is how John Irving’s tenth novel begins; it seems, at first, to be a comedy, perhaps a satire, almost certainly a sexual farce. Yet, in the end,
is as realistic and emotionally moving as any of Mr. Irving’s previous novels-including
, and
or his Oscar-winning screenplay of
.
The Fourth Hand

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Of course! The photographs of Zajac’s famous patients—they were gone! In their place were children’s drawings. One child’s drawings, actually—they were all Rudy’s. Castles in heaven, Patrick would have guessed, and there were several of a large, sinking ship; doubtless the young artist had seen Titanic. (Both Rudy and Dr. Zajac had seen the movie twice, although Zajac had made Rudy shut his eyes during the sex scene in the car.)

As for the model in the series of photos of an increasingly pregnant young woman

… well, not surprisingly, Wallingford felt drawn to her coarse sexuality. She must have been Irma, the self-described Mrs. Zajac, who’d spoken to Patrick on the phone. Wallingford learned that Irma was expecting twins only when he inquired about the empty picture frames that were hanging from the walls in half a dozen places, always in twos.

“They’re for the twins, after they’re born,” Zajac told Patrick proudly. No one at Schatzman, Gingeleskie, Mengerink, Zajac & Associates envied Zajac having twins, although that moron Mengerink opined that twins were what Zajac deserved for fucking Irma twice as much as Mengerink believed was “normal.”

Schatzman had no opinion of the upcoming birth of Dr. Zajac’s twins, because Schatzman was more than retired—Schatzman had died. And Gingeleskie (the living one) had shifted his envy of Zajac to a more virulent envy of a younger colleague, someone Dr. Zajac had brought into the surgical association. Nathan Blaustein had been Zajac’s best student in clinical surgery at Harvard. Dr. Zajac didn’t envy young Blaustein at all. Zajac simply recognized Blaustein as his technical superior—“a physical genius.”

When a ten-year-old in New Hampshire had lopped off his thumb in a snow blower, Dr. Zajac had insisted that Blaustein perform the reattachment surgery. The thumb was a mess, and it had been unevenly frozen. The boy’s father had needed almost an hour to find the severed thumb in the snow; then the family had to drive two hours to Boston. But the surgery had been a success. Zajac was already lobbying his colleagues to have Blaustein’s name added to the office nameplate and letterhead—a request that caused Mengerink to seethe with resentment, and no doubt made Schatzman and Gingeleskie (the dead one) roll in their graves.

As for Dr. Zajac’s ambitions in hand-transplant surgery, Blaustein was now in charge of such procedures. (There would soon be many procedures of that kind, Zajac had predicted.) While Zajac said he would be happy to be part of the team, he believed young Blaustein should head the operation because Blaustein was now the best surgeon among them. No envy or resentment there. Quite unexpectedly, even to himself, Dr. Nicholas M. Zajac was a happy, relaxed man. Ever since Wallingford had lost Otto Clausen’s hand, Zajac had contented himself with his inventions of prosthetic devices, which he designed and assembled on his kitchen table while listening to his songbirds. Patrick Wallingford was the perfect guinea pig for Zajac’s inventions, because he was willing to model any new prosthesis on his evening newscast—even though he chose not to wear a prosthesis himself. The publicity had been good for the doctor. A prosthesis of his invention—it was predictably called “The Zajac”—was now manufactured in Germany and Japan. (The German model was marginally more expensive, but both were marketed worldwide.) The success of “The Zajac” had permitted Dr. Zajac to reduce his surgical practice to half-time. He still taught at the medical school, but he could devote more of himself to his inventions, and to Rudy and Irma and (soon) the twins.

“You should have children,” Zajac was telling Patrick Wallingford, as the doctor turned out the lights in his office and the two men awkwardly bumped into each other in the dark. “Children change your life.”

Wallingford hesitantly mentioned how much he wanted to construct a relationship with Otto junior. Did Dr. Zajac have any advice about the best way to connect with a young child, especially a child one saw infrequently?

“Reading aloud,” Dr. Zajac replied. “There’s nothing like it. Begin with Stuart Little, then try Charlotte’s Web.

“I remember those books!” Patrick cried. “I loved Stuart Little, and I can remember my mother weeping when she read me Charlotte’s Web.

“People who read Charlotte’s Web without weeping should be lobotomized,” Zajac responded. “But how old is little Otto?”

“Eight months,” Wallingford answered.

“Oh, no, he’s just started to crawl,” Dr. Zajac said. “Wait until he’s six or seven—I mean years . By the time he’s eight or nine, he’ll be reading Stuart Little and Charlotte’s Web to himself, but he’ll be old enough to listen to those stories when he’s younger.”

“Six or seven,” Patrick repeated. How could he wait that long to establish a relationship with Otto junior?

After Zajac locked his office, he and Patrick rode the elevator down to the ground floor. The doctor offered to drive his patient back to the Charles Hotel since it was on his way home, and Wallingford gladly accepted. It was on the car radio that the famous TV journalist finally learned of Kennedy’s missing plane. By now it was mostly old news to everyone but Wallingford. JFK, Jr., was, together with his wife and sister-in-law, lost at sea, presumed dead. Young Kennedy, a relatively new pilot, had been flying the plane. There was mention of the haze over Martha’s Vineyard the previous night. Luggage tags had been found; later would come the luggage, then the debris from the plane itself.

“I guess it would be better if the bodies were found,” Zajac remarked. “I mean better than the speculation if they’re never found.”

It was the speculation that Wallingford foresaw, regardless of finding or not finding the bodies. There would be at least a week of it. The coming week was the week Patrick had almost chosen for his vacation; now he wished he had chosen it. (He’d decided to ask for a week in the fall instead, preferably when the Green Bay Packers had a home game at Lambeau Field.)

Wallingford went back to the Charles like a man condemned. He knew what the news, which was not the news, would be all the next week; it was everything that was most hateful in Patrick’s profession, and he would be part of it. The grief channel, the woman at breakfast had said, but the deliberate stimulation of public mourning was hardly unique to the network where Wallingford worked. The overattention to death had become as commonplace on television as the coverage of bad weather; death and bad weather were what TV did best. Whether they found the bodies or not, or regardless of how long it might take to find them—with or without what countless journalists would call “closure”—there would be no closure. Not until every Kennedy moment in recent history had been relived. Nor was the invasion of the Kennedy family’s privacy the ugliest aspect of it. From Patrick’s point of view, the principal evil was that it wasn’t news—it was recycled melodrama.

Patrick’s hotel room at the Charles was as silent and cool as a crypt; he lay on the bed trying to anticipate the worst before turning on the TV. Wallingford was thinking about JFK, Jr.’s older sister, Caroline. Patrick had always admired her for remaining aloof from the press. The summer house Wallingford was renting in Bridgehampton was near Sagaponack, where Caroline Kennedy Schlossberg was spending the summer with her husband and children. She had a plain but elegant kind of beauty; although she would be under intense media scrutiny now, Patrick believed that she would manage to keep her dignity intact. In his room at the Charles, Wallingford felt too sick to his stomach to turn the TV

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