Naguib Mahfouz - Palace Walk

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Palace Walk is the first novel in Nobel Prize-winner Naguib Mahfouz’s magnificent Cairo Trilogy, an epic family saga of colonial Egypt that is considered his masterwork.
The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons — the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. The family’s trials mirror those of their turbulent country during the years spanning the two world wars, as change comes to a society that has resisted it for centuries.

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The breakfast hour was one of the rare times when the three women were alone. Thus it was the most appropriate occasion for them to disclose and air secrets, especially about matters they would be embarrassed to discuss when the men of the family were present. Khadija had something she wanted to say, even though she was busy eating. She remarked in a calm voice, totally different from the yell she had recently employed, "Mother, I had a strange dream".

In deference to her intimidating daughter, the mother replied, even before she swallowed the morsel in her mouth, "A good dream, daughter, God willing".

Khadija said with increased concern, "I seemed to be walking on the wall of a roof terrace. Perhaps it was the roof of our house, or another. Then an unknown person pushed me off and I fell screaming".

Aisha’s interest was serious enough to cause her to stop eating, but her sister was silent for a short time to create the greatest possible impression. Their mother murmured, "God grant it’s the best".

Trying not to smile, Aisha asked, "Wasn't I the unknown person who pushed you? Isn't that so?"

Khadija was afraid the mood would be ruined by this joke. She shouted at her, "It’s a dream, not a game. Stop your foolishness". Then, addressing her mother, she said, "I fell screaming, but I didn't hit the ground as I expected. Instead I landed on a horse that carried me off and flew away".

Amina sighed with relief as though she had grasped the meaning of the dream and was reassured by it. She smiled and resumed eating. Then she said, "Who knows, Khadija?… Perhaps it’s your bridegroom!"

Talk about bridegrooms was permitted only on an occasion like this and then only in the form of a terse allusion. The girl’s heart throbbed. She was apprehensive about marriage in a way she was about nothing else. She believed in her dream and the interpretation. Therefore she was overjoyed by her mother’s words. All the same, she wanted to disguise her embarrassment with irony as usual, even if it was at her own expense, and said, "You think the horse is a bridegroom? My bridegroom will have to be an ass".

Aisha laughed till bits of food flew from her mouth. Fearing Khadija would misinterpret her laughter, she said, "You put yourself down too much, Khadija. You're just fine".

Khadija cast her a glance full of suspicion and doubt. Then their mother started to speak: "You're an extraordinary girl. Who can match your skill or energy? Or your quick wit and pretty face? What more can you ask for?"

The girl touched the tip of her nose with her finger and asked with a laugh, "Doesn't this stand in the way of marriage?"

Smiling, her mother replied, "Nonsense… you're still young, daughter".

Khadija was distressed to have youth mentioned, since she did not consider herself young compared with the age most girls were when they married. She said to her mother, "You married, Mother, before you turned fourteen".

The mother, who was actually no less apprehensive than her daughter, replied, "Nothing comes early or late except as God grants".

Aisha sincerely wished: "May our Lord soon allow us to celebrate your wedding".

Khadija looked at her skeptically, remembering how one of the neighbor women had asked to marry Aisha to her son. Their father had refused to let the younger sister marry before the elder. She asked, "Do you really want me to marry, or do you hope it will leave the way clear for you to marry?"

Aisha answered with a laugh, "Both".

6

When they had finished breakfast, the mother said, "Aisha, you do the laundry today and Khadija will clean the house. Afterward meet me in the oven room".

Amina divided the work between them right after breakfast. They were content to be ruled by her, and Aisha would not question her assignment. Khadija would take the trouble to make a few comments, either to show her worth or to start a quarrel. Thus she said, "I'll let you clean the house if you think washing the clothes is too much. But if you make a fuss over the washing so you can stay in the bathroom till all the work in the kitchen is finished, that’s an excuse that can be rejected in advance".

Aisha ignored her remark and went off to the bath humming. Khadija commented sarcastically, "Lucky for you that sound reverberates in the bathroom like a phonograph speaker. So sing and let the neighbors hear it".

Their mother left the room and went through the hall to the stairs. She climbed to the roof to make her morning rounds there before descending to the oven room. The bickering between her daughters was nothing new to her. Over the course of time it had turned into a customary way of life when the father was not at home and no one could think of anything pleasant to say. She had tried to stop it by using entreaty, humor, and tenderness. That was the only type of discipline she employed with her children. It fit her nature, which could not stand anything stronger. She lacked the firmness that rearing children occasionally requires. Perhaps she would have liked to be firm but was not able to. Perhaps she had attempted to be firm but had been overcome by her emotions and weakness. It seemed she could not bear for the ties between her and her children to be anything but love and affection. She let the father or his shadow, which dominated the children from afar, straighten them out and lay down the law. Thus their silly quarrel did not weaken her admiration for her two girls or her satisfaction with them. Even Aisha, who was insanely fond of singing and standing in front of the mirror, her laziness notwithstanding, was no less skillful and organized than Khadija.

Amina would have been justified in allowing herself long periods of relaxation, but she was prevented by a natural tendency that was almost a disease. She insisted on supervising everything in the house, no matter how small. When the girls finished their work, she would go around energetically inspecting the rooms, living areas, and halls, with a broom in one hand and a feather duster in the other. She searched the corners, walls, curtains, and all the furnishings to eliminate an overlooked speck of dust, finding as much pleasure and satisfaction in that as in removing a speck from her eye. She was by nature such a perfectionist that she examined the clothes about to be laundered. If she discovered a piece of clothing that was unusually dirty, she would not spare the owner a gentle reminder of his duty, whether it was Kamal, who was going on ten, or Yasin, who had two clear and contradictory approaches to caring for himself. He was excessively fastidious about his external appearance-his suit, fez, shirt, necktie, and shoes-but shockingly neglectful of his underwear.

Naturally this comprehensive concern of hers did not exclude the roof and the pigeons and chickens that inhabited it. In fact, the time she spent on the roof was filled with love and delight from the opportunities it presented for work, not to mention the joys of play and merriment she found there. No wonder, for the roof was a new world she had discovered. The big house had known nothing of it until she joined the family. She had created it afresh through the force of her spirit, back when the house retained the appearance it had always had since being built ages before. It was her idea to have these cages with the cooing pigeons put on some of the high walls. She had arranged these wooden chicken coops where the hens clucked as they foraged for food. How much joy she got from scattering grain for them or putting the water container on the ground as the hens raced for it, preceded by their rooster. Their beaks fell on the grain quickly and regularly, like sewing-machine needles, leaving little indentations in the dust like the pockmarks from a drizzle. How good she felt when she saw them gazing at her with clear little eyes, inquisitive and questioning, while they cackled and clucked with a shared affection that filled her heart with tenderness.

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