Naguib Mahfouz - Palace Walk

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Palace Walk is the first novel in Nobel Prize-winner Naguib Mahfouz’s magnificent Cairo Trilogy, an epic family saga of colonial Egypt that is considered his masterwork.
The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons — the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. The family’s trials mirror those of their turbulent country during the years spanning the two world wars, as change comes to a society that has resisted it for centuries.

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He remembered Zanuba. He saw her in front of the mirror smoothing her hair with her fingers. The armhole of her dress revealed smooth, clear skin sloping down to a breast like a round loaf of unbaked bread. Intoxicating desire swept through his body, and he fell on her like a bull elephant crushing a gazelle.

40

Three automobiles proffered by friends of al-Sayyid Ahmad stopped in front of his house to wait for the bride and her party, whom they were to convey to the Shawkat residence in Sugar Street, or al-Sukkariya. It was late in the afternoon. The rays of the summer sun had withdrawn from the street and were resting on the houses opposite the bride’s home. There was no hint of a wedding there, except for the roses decorating the lead vehicle. These caught the eyes of the nearby shop owners and of many of the passers by.

The engagement had been arranged previously. The presents had arrived. The trousseau had been sent. The marriage contract had been signed. At no time during all of this had there been any ululations of joy from the house, any decorations on the door, or any other of the customary signs of a wedding to reveal what was going on inside. Families were usually proud to make a display on such occasions, using weddings as an excuse to express their concealed longing for delight with song, dance, and shrieks of joy.

Everything had been concluded in calm silence. No one knew about the marriage except for relatives and friends and a select group of neighbors. Al-Sayyid Ahmad had refused to budge from his sense of decorum or to allow any member of his family to escape from it even for an hour. Consequently, accompanied by the women of her family, the bride left the house in silence despite the protestations of Umm Hanafi. Aisha dashed for the automobile at breakneck speed, as though she feared that the eyes of the onlookers might scorch her wedding gown or her white silk tiara and veil, which were decorated with different varieties of jasmine. Khadija and Maryam followed her, together with some other girls. The mother and women relatives and neighbors found their places in the other automobiles. Meanwhile Kamal took his seat beside the driver of the bride’s car.

The mother wanted the procession to pass by al-Husayn so she could have a fresh look at his shrine, which her desire to see had cost her so dearly once before. She wished to ask al-Husayn’s blessing on her beautiful bride. The automobiles went along the streets she had taken that day with Kamal. Afterward they turned into al-Ghuriya at the corner where she had almost met her death. Finally they dropped their passengers at Mutawalli Gate in front of the entrance to Sugar Street, which was too narrow for cars to enter. They all dismounted and entered the alley, where wedding decorations could be seen. The boys of the district rushed toward them while screams and trills resounded from the Shawkat residence, the first house on the right as they entered the alley. The windows of the house were crowded with the heads of people peering down and trilling with joy. The bridegroom, Khalil Shawkat, stood at the entrance with his brother Ibrahim Shawkat as well as Yasin and Fahmy. Khalil smilingly approached the bride and offered her his arm. She did not know what to do and would not have moved if Maryam had not taken her arm and put it around his. Then he escorted her inside. They passed by the crowded courtyard as roses and sweets were showered at the bride’s feet and those of the bridal party until the women disappeared behind the door of the women’s quarters.

Although the marriage contract for Aisha and Khalil had been signed a month or more earlier, the sight of their arms being intertwined and of them walking side by side affected Yasin and Fahmy, and especially the latter, with an astonishment mixed with embarrassment and a feeling almost of disapproval. The family code did not seem to make any exception for wedding ceremonies conducted in full accord with Islamic law. This reaction was even more pronounced in Kamal, who pulled on his mother’s hand in alarm and pointed to the bridal couple preceding everyone else up the stairs. He seemed to be appealing to her to prevent an outrageous evil.

The two young men wanted to steal a look at their father’s face to see what effect that rare sight had on him. They quickly looked all around but found no trace of him. He was not at the entrance or in the adjacent courtyard, where benches and chairs were arranged in rows with a platform up in front for the singers. The fact was that al-Sayyid Ahmad had shut himself up with some of his best friends in a reception room opening on the courtyard and had not left it since he had set foot in the house. He was determined to stay there until the evening was concluded. He wanted to keep some distance between himself and the "masses" clamoring around outside. Nothing made him so uncomfortable as to be with his family at a wedding party. He did not want to impose his supervision on them at a time set aside for delight and did not care to observe at close hand their relaxed response to a festive occasion. What he hated most of all was for any of them to see him lapse from the stern dignity to which they were accustomed. If the matter had been left to him, the wedding would have been carried out in complete silence. The widow of the late Mr. Shawkat had met his suggestion with totally inflexible opposition. She had refused for the bride to be welcomed to her home with anything less than a gala evening party. For the entertainment she had hired the female vocalist Jalila and the male vocalist Sabir.

Kamal was so ecstatic with the freedom and enjoyment he was allowed that he could have been the bridegroom. He was one of the few individuals permitted to move freely back and forth between the women’s section inside and the men’s area in the courtyard by the stage. He stayed for a long time with his mother, gazing at the women’s ornaments and jewelry and listening to their jokes and conversations, which were dominated by the topic of marriage. He also heard the performer Jalila there. She sat at the front of the hall, resembling in both her huge size and her ornamentation the ceremonial camel litter sent with the pilgrims to Mecca. She proceeded to sing some popular songs, while openly drinking wine.

The jovial atmosphere was strange and attractive to Kamal, and he felt very comfortable. The most important thing of all to him was Aisha, who was dressed up more magnificently than he had ever dreamed possible. His mother encouraged him to stay with her so she could keep an eye on him. After a time she changed her mind and was forced, for reasons she had not anticipated, to urge him in a whisper to go find his brothers. One reason was his intense interest in Aisha, now with her dress and the next time with her ornaments. Amina was afraid he would spoil her outfit. Then, too, he let some childishly frank observations slip out concerning some of the ladies present. For example, one time he pointed to a woman from the bridegroom’s family and called out to his mother, "Look at the nose of that lady, Mother. Isn't it bigger than Khadija's?"

When Jalila was singing he had surprised everyone by joining with the troupe in the chorus: "Beautiful dove… where can I find her?" The performer had invited him to sit with the members of her ensemble. In this way and in others he had attracted a lot of attention, and the women had begun teasing him. His mother was not comfortable with the commotion he was causing. Apprehensive that he might upset some people and worried that he might be admired more than was safe for him, she reluctantly chose to have him leave the room to join the men’s party.

He wandered among the rows of chairs and then stood between Fahmy and Yasin until Sabir had finished singing "You beauty, why are you already in love?" Then Kamal started roving around again. When he passed by the reception room, his curiosity prompted him to have a look inside. He poked his head in and before he knew it his eyes met his father's. Kamal felt nailed to the spot and unable to turn his eyes away. One of his father’s friends, al-Sayyid Muhammad Iffat, saw him and called him. To avoid angering his father, he found himself forced to obey this summons. He approached the man fearfully and reluctantly and stood before him, straight as a ramrod with his arms at his sides, as though a soldier at attention. The man shook his hand and said, "God’s will be done… what year in school are you, Uncle?"

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