Naguib Mahfouz - Palace Walk

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Palace Walk is the first novel in Nobel Prize-winner Naguib Mahfouz’s magnificent Cairo Trilogy, an epic family saga of colonial Egypt that is considered his masterwork.
The novels of the Cairo Trilogy trace three generations of the family of tyrannical patriarch al-Sayyid Ahmad Abd al-Jawad, who rules his household with a strict hand while living a secret life of self-indulgence. Palace Walk introduces us to his gentle, oppressed wife, Amina, his cloistered daughters, Aisha and Khadija, and his three sons — the tragic and idealistic Fahmy, the dissolute hedonist Yasin, and the soul-searching intellectual Kamal. The family’s trials mirror those of their turbulent country during the years spanning the two world wars, as change comes to a society that has resisted it for centuries.

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The gentlemen laughed uproariously. The laughter continued until Mr. al-Far’s voice rose to ask the sultana, "What are you planning to teach him?"

She replied teasingly, "I'll teach him to play the qanun. Wouldn't you like that?"

Al-Sayyid Ahmad implored her, "Teach me internal repetitions, if you will".

Many of them encouraged him to join the musicians and he took the tambourine. Then he rose and removed his outer cloak. In his chestnut caftan he looked so tall and broad that he could have been a charger prancing on its hind legs. He pushed back his sleeves and went to the divan to take his place beside the lady. To make room for him she rose halfway and scooted to the left. Her red dress slipped back to reveal a strong, fleshy leg which was white brushed with pink where she had plucked the hair. The bottom of her leg was adorned with a gold anklet that could barely encompass it.

One of the men who glimpsed that sight shouted in a voice like thunder, "The Ottoman caliphate forever!"

Al-Sayyid Ahmad, who was ogling the woman’s breasts, yelled after him," Say: the Ottoman grand brassiere forever!"

The performer shouted to caution them: "Lower your voices or the English will throw us in jail for the night".

Al-Sayyid Ahmad, whose head was feeling the effects of the wine, yelled, "If you're with me, I'll go for life at hard labor".

More than one voice called out, "Death to anyone who lets you two go there alone".

The woman wanted to end the debate begun by the sight of her leg and handed the tambourine to al-Sayyid Ahmad. She told him, "Show me what you can do".

He took the tambourine and smiled as he rubbed it with the palm of his hand. His fingers began to strike it skillfully and then the other instruments started playing. Zubayda glanced at the eyes fixed on her and sang:

I'm an accomplice against myself
When my lover steals my heart.

Al-Sayyid Ahmad found himself in a wonderfully intoxicating situation. The sultana’s breath fluttered toward him each time she turned his way, meeting the vapors which rose to the top of his head with every sip. He quickly forgot the refrains of the famous musicians al-Hamuli, Muhammad Uthman, and al-Manilawi, and lived in the present, happy and content. The inflections of her voice made the strings of his heart vibrate. His energy flared up and he beat the tambourine in a way no professional could match. His intoxication became a burning, titillating, inspiring, raging drunkenness the moment the woman sang:

You who are going to see him
Take a kiss from me as a pledge for my
Sweetheart’s mouth.

His companions kept pace with him or surpassed him as the wine made its ultimate impact on them. They were so agitated by desire they seemed trees dancing in the frenzy of a hurricane.

Slowly, gradually the time came for the song to close. Zubayda ended by repeating the same phrase that began it: "I'm an accomplice against myself," but with a spirit that was calm, reflective, and valedictory, and then final. The melodies vanished like an airplane carrying a lover over the horizon. Although the conclusion was greeted by a storm of applause and clapping, silence soon reigned over the hall, for their souls were worn out by all the exertion and emotion. A period passed when nothing was heard except the sound of someone coughing, clearing his throat, striking a match, or uttering a word that required no reply. The guests realized it was time to say good night. Some could be seen looking for articles of clothing they had stripped off in the heat of their musical ecstasy and placed behind them on the cushions. Others were having too good a time to leave until they had sipped every possible drop of this sweet wine.

One of these cried out, "We won't go until we have a wedding procession to present the sultana to al-Sayyid Ahmad".

The suggestion was warmly received and widely supported. Incredulous, the gentleman and the entertainer collapsed with laughter. Before they knew what was happening, several men had surrounded them and dragged them to their feet, gesturing to the troupe to commence the joyous anthem. The couple stood side by side, she like the ceremonial camel litter bound for Mecca and he like the camel. They were giants made less threatening by their good looks. Coquettishly she placed her arm under his and gestured to those surrounding them to clear the way. The woman with the tambourine started playing it, and the troupe along with many of the guests began to sing the wedding song: "Look this way, you handsome fellow". The bridal couple proceeded with deliberate steps, strutting forward, animated by both the music and the wine.

When she saw this sight, Zanuba stopped playing her lute and could not keep from emitting a long, ringing trill or shriek of joy. If it could have taken bodily form, it would have been a twisting tongue of flame splitting the heavens like a shooting star.

Their friends tried to outdo each other in offering their congratulations: "A happy marriage and many sons".

"Healthy children who are good dancers and singers".

One of the men shouted to caution them, "Don't put off until tomorrow what you can do today".

The troupe kept playing and the friends kept waving their hands until al-Sayyid Ahmad and the woman disappeared through the door leading to the interior of the house.

17

Al-Sayyid Ahmad was sitting at his desk in the store when Yasin walked in unexpectedly. The visit was not merely unexpected but extraordinary, since it was unusual for the young man to visit his father at the store. Even at home he avoided him to the best of his ability. Moreover, Yasin looked absentminded and serious. He approached his father, giving him nothing more than a mechanical salute. Seeming to forget himself, he neglected to show the pronounced respect and deference customary when in his father’s presence. Then he said in a voice that showed how upset he was, "Greetings, Father. I've come to talk to you about something important".

His father looked up at him quizzically. Although he felt anxious he relied on his willpower to conceal it and asked calmly, "Good news, God willing".

Jamil al-Hamzawi brought Yasin a chair as he welcomed him, and his father ordered him to have a seat. The young man brought the chair closer to the desk and sat down. He seemed to hesitate for a few moments. Then he sighed in exasperation at his own hesitation and said in a quavering voice with touching brevity, "The thing is, my mother’s going to get married".

Although al-Sayyid Ahmad was expecting bad news, his forebodings had not wandered in the direction of this outgrown corner of his past. Therefore the announcement caught him off guard. He frowned as he always did when he remembered anything about his first wife. It upset him and he was alarmed because of the direct threat to his son’s honor. "Who told you so?" he inquired, asking not to seek information but to escape from an unpleasant reality or provide himself time to deliberate and calm his nerves.

"Her relative Shaykh Hamdi. He visited me at al-Nahhasin School and told me the news. He confirmed it would take place within a month".

The news, then, was a fact beyond doubt, and it was nothing novel for her. If the past was any guide, it would not be her last marriage either. But what sin had this youth committed to be subjected to this harsh punishment, which hurt him again and again? The man felt pity and affection for his son. It was hard on him that he, to whom people turned in times of trouble, could do nothing to relieve Yasin’s pain. He asked himself what he would have done if he had been afflicted with such a mother. He was distressed, and his pity and affection for his son became more intense. Then he wanted to ask about her fiancé but resisted the temptation, because he was worried about making his son’s wound worse and could not bring himself to ask. Given the current disaster, curiosity about the woman who had been his wife would not be appropriate.

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