Kevin Brockmeier - The Illumination

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The Illumination: краткое содержание, описание и аннотация

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What if our pain was the most beautiful thing about us? From best-selling and award-winning author Kevin Brockmeier: a new novel of stunning artistry and imagination about the wounds we bear and the light that radiates from us all.
At 8:17 on a Friday night, the Illumination commences. Every wound begins to shine, every bruise to glow and shimmer. And in the aftermath of a fatal car accident, a private journal of love notes, written by a husband to his wife, passes into the keeping of a hospital patient and from there through the hands of five other suffering people, touching each of them uniquely.
I love the soft blue veins on your wrist. I love your lopsided smile. I love watching TV and shelling sunflower seeds with you. The six recipients—a data analyst, a photojournalist, a schoolchild, a missionary, a writer, and a street vendor—inhabit an acutely observed, beautifully familiar yet particularly strange universe, as only Kevin Brockmeier could imagine it: a world in which human pain is expressed as illumination, so that one’s wounds glitter, fluoresce, and blaze with light. As we follow the journey of the book from stranger to stranger, we come to understand how intricately and brilliantly they are connected, in all their human injury and experience. Amazon.com Review
From Publishers Weekly Amazon Best Books of the Month, February 2011
The Illumination —Lynette Mong Starred Review.
The View from the Seventh Layer (c) Copyright PWxyz, LLC. All rights reserved.

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Nearby an owl filled the night with its blooming sound, a strange low death call that grew softer and softer until Morse woke to the sight of the morning graying the trees. His heart sank. Once again, it was a question of inside versus outside, a question of proportions. The hotel rooms he rented were 90 percent inside; all they lacked was another living person—a wife, say; a child—to round them off to 100. The alcove behind New Fun Ree, by contrast, was 90 percent outside; sure, now and then, as he crouched behind the barrier of his shopping cart, a dreamlike inside seemed to form itself around him, wrapping him in an illusion of protection and tranquillity, but it was only that—an illusion—and he never quite forgot it. The camps were something else altogether. They were just as outside as the alcove, but because he was surrounded by other people, with their odors and their voices and footsteps, the illusion was even stronger, even worse. And when that beautiful inside fantasy of his finally thinned away and broke in the sunlight, he felt completely exposed and forsaken.

It happened the same way every time. Why could he never remember?

——

On Friday afternoons, when the weather was clear, he liked to go book hunting. He would push his shopping cart from one block to the next, rattling over every seam in the sidewalk, every steel vent, until he had returned to the subway entrance. To walk the whole circuit of thrift stores and libraries took him two hours and forty-five minutes. His cart’s left front wheel had become detached, and when he forgot to apply his weight to the handle, the empty holding bracket scraped the pavement and left a streak of orange rust. He was always nervous some police officer would cite him for vandalism and arrest him, so he shuffled along with his head down, glancing up only when he saw a light so bright he was sure someone must be dying, though invariably it was only the sun rebounding off a windshield or a manhole cover. Or almost invariably. One day, shortly after the Illumination, when Morse had just returned to his books, he was offering his usual pitch to the pedestrians when a few yards away, beneath the lamppost in front of the subway entrance, the one plugging quarters into the parking meter put his hand to his head and collapsed. The one walking her dachshund rushed to his side to perform CPR, and the one in the business suit phoned 911, but already the rules were second nature to Morse: light equaled pain, and as the glow from the man’s body sharpened to a million pinpoints that bleached together and then faded to a shadow, he knew that death had taken him, in his polished shoes and Burberry coat, away.

By now everyone along Morse’s route knew him so well that his question—“Any books for me today?”—was merely a formality.

“Well, someone donated a few Harlequins I can give you,” they said.

Or, “I left a couple for you back by the restrooms.”

Or, “Sorry, brother. Try us again next week.”

Or, “Here you go. They’re in pretty ratty shape, but you’re more than welcome to ’em.”

Welcome to ’em , he thought. Well come two um. Welc’m to’m .

One mid-April evening, he had just completed his itinerary when he passed a pile of furniture resting at the base of someone’s stoop, the remnants, he guessed, of an estate sale or an eviction. The lamps, chairs, mirrors, and such had already been picked over, but he found a stack of old books sitting in a cardboard box and loaded them into his cart. When he reached the subway entrance, he fanned them out next to the rest of his merchandise. At the bottom of the stack was a flat wooden coffer that hardly resembled a book at all, but he included it anyway, using it to shore down the corner of the blanket.

A school bus backfired, striping the air with a plume of black exhaust. The sidewalks were bustling with people. The one taking the tiniest, most judicious steps as she walked out of New Fun Ree winced at the blast. She felt as if she were crossing a high wire hundreds of feet above the ground. Her name was Zoe, and for her it had been a long life of falling ill whenever the seasons changed, regarding her body as it slowly broke down and defeated her. Its agonies and odors. Its sad animal deterioration. They always followed the same pattern, her sicknesses: first the raw burred patch of a sore throat spread slowly across the roof of her mouth, and then she felt a tack in her left ear when she swallowed, and then her neck grew stiff, and her eyes burned, and finally her joints ached and her nose ran and every inch of her incandesced inside the bright aura of a fever. But that wasn’t right, was it? The pain was old, as old as she was, but the light was new. It was easy to forget it had not always been there. It was so soft, so intimate, like the colors in a Giroux print. Or that was how she saw it, at least. Some of her colleagues in the Art Department described it rather differently: like the marshy blotches of a Jaeger painting; like the sun-streaked elliptica of an Ozu film. She would not have been surprised if every person in the world observed her own distinct version of the phenomenon, eight billion unique, privileged variations. Another car honked. She tried to keep going. How would she ever cross the street to her apartment? Feed a cold, starve a fever, they said, but she really needed to get something solid in her stomach.

Because the sky was bright and the air was warm, Morse worked later than usual that night. The traffic was fitful, moving forward in clots and gaps, and the moon was already rising over the buildings when three boys dashed across the street, cheating the signal. They leaped onto the curb a few steps in front of a pickup truck and headed toward New Fun Ree, the colors of their clothes shuddering around them. The one whose shoelaces were whipping at the pavement was named Wallace. He had three pizzas from Pie R. Squared in his hands: a cheese, a pepperoni, and for Camarie, the vegetarian, a black olive and pineapple, which was pretty damn disgusting, if you asked him. He was thinking about the campaign he was running—how if the group followed the Eastern path, they would encounter the last of the elder folk, and if they followed the Western path, they would find the seal of Raxhura, but if they strayed toward the Smoke Mountains, the fire genasai would consume them in flames—when he spotted it, a pale wooden box the size of a laptop computer, sitting at the margin of that old book guy’s blanket. Holy shit, was that what he thought it was? He said, “Hey, hold up, guys,” and Ben P. and Conrad turned around. Wallace handed the pizzas over to them, then bent down to give the wooden box a closer look. His palms were sweating something ridiculous. His heart was racing like he didn’t know what kind of crazy engine. Everything was exactly right: the scorched brown lettering, the blurred illustration of the Phoenix, the “Arise, Oh Generations of the Dead” slogan with the famous “Generations of the Dad” misprint. No doubt about it—what they had here was a first-edition Cities in Dust manual. And not only that, but the brads on the corners of the box were still in place, which meant that odds were the set was intact, with both the Twelve Nations supplement and the original Gazetteer. Unbe-fucking-mazing. Buy it, Wallace. Buy it. Borrow the money. Do whatever it takes.

“How much is that book right there?” he asked, keeping his voice nonchalant.

“One for two or cash money.”

“Mm-hmm. What exactly does that mean?”

And after Morse had explained it to him, the one with the loose shoelaces said, “Dude, my mom’s got a whole wallful of books at home. Come with us. You can take your pick.” So Morse followed the boys to an apartment building on the 1400 block, then onto an antique elevator with an operator’s stool in the corner. The walls were so narrow the four of them were barely able to fit inside. He had to leave his shopping cart in the lobby. The one with the crickety voice led them into the front room of his apartment, which, just as he had promised, contained seven full-length rows of recessed shelving, jammed with several thousand books.

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