Paulo Coelho - Aleph

“I think Hilal’s wasting her talents,” says the teacher. “She’s so unsure of herself. I’ve told her this over and over, and I’ll say it again now. She has no confidence in what she does; she thinks no one recognizes her worth, that people dislike the things she plays. But it isn’t true.”

Hilal unsure of herself? I have rarely met anyone more determined.

“And like all sensitive people,” continues the teacher, fixing me with her gentle, placatory eyes, “she is a little, shall we say, unstable.”

“Unstable!” says Hilal loudly. “That’s a polite way of saying mad!”

The teacher turns affectionately toward her and then back to me, expecting me to say something. I say nothing.

“I know that you can help her. I understand that you heard her playing the violin in Moscow, and that she was applauded there. That gives you some idea of just how talented she is, because people in Moscow are very discerning when it comes to music. Hilal is very disciplined and works harder than most. She’s already played with large orchestras here in Russia and has traveled abroad with one of them. Suddenly, though, something seems to have happened, and she can’t make any more progress.”

I believe in this woman’s tender concern for Hilal. I think she really does want to help Hilal and all of us. But those words—“Suddenly, though, something seems to have happened, and she can’t make any more progress”—echo in my heart. I am here for that same reason.

The man in the suit and tie does not speak. He must be there to provide moral support for the talented young violinist and the lovely woman with the gentle eyes. Yao pretends to be concentrating on his tea.

“But what can I do?”

“You know what you can do. She’s not a child anymore, but her parents are worried about her. She can’t just abandon her professional career in the middle of rehearsals to follow an illusion.”

She pauses, realizing that she has not said quite the right thing.

“What I mean is, she can travel to the Pacific coast whenever she likes, but not now, when we’re rehearsing for a concert.”

I agree. It doesn’t matter what I say. Hilal will do exactly as she wants. I wonder if she brought these two people here to put me to the test, to find out if she really is welcome or if she should stop the journey now.

“Thank you very much for coming to see me. I respect your concern and your commitment to music,” I say, getting up. “But I wasn’t the one who invited Hilal along on the journey. I didn’t pay for her ticket. I don’t even really know her.”

Hilal’s eyes say Liar , but I go on.

“So if she’s on the train heading to Novosibirsk tomorrow, that’s not my responsibility. As far as I’m concerned, she can stay here, and if you can convince her to do so, I and many other people on the train will be most grateful.”

Yao and Hilal burst out laughing.

The pretty woman thanks me and says that she understands my situation completely and will talk to Hilal further and explain a little more about the realities of life. We all say good-bye, and the man in the suit and tie shakes my hand, smiles. For some reason, I have the distinct impression that he would love for Hilal to continue her journey. She must be a problem for the whole orchestra.

YAO THANKS ME for a very special evening and goes up to his room. Hilal doesn’t move.

“I’m going to bed,” I say. “You heard the conversation. I really don’t know why you went back to the conservatory. Was it to ask permission to continue the journey or to make your colleagues jealous by telling them that you were traveling with us?”

“I went there to find out if I really exist. After what happened on the train, I’m not sure of anything anymore. What was that?”

I know what she means. I remember my first experience of the Aleph, which happened completely by chance in the Dachau concentration camp in Germany, in 1982. I felt completely disoriented for days afterward, and if my wife hadn’t told me otherwise, I would have assumed that I’d suffered some kind of stroke.

“What happened, exactly?” I ask.

“My heart started pounding furiously, and I felt as if I were no longer in this world. I was in a state of total panic and thought I might die at any moment. Everything around me seemed strange, and if you hadn’t grabbed me by the arm, I don’t think I would have been able to move. I had a sense that very important things were appearing before my eyes, but I couldn’t understand any of them.”

I feel like telling her: “Get used to it.”

“The Aleph,” I say.

“Yes, at some point during that seemingly endless trance, unlike anything I’ve ever experienced before, I heard you say that word.”

Simply recalling what happened has filled her with fear again. It’s time to seize the moment.

“Do you think you should continue the journey?”

“Oh, yes, more than ever. Terror has always fascinated me. You remember the story I told at the embassy—”

I ask her to go to the bar and order some coffee—I send her on her own because we’re the only customers left, and the barman must be itching to turn off the lights. She has a little trouble persuading him but returns at last with two cups of Turkish coffee. Like most Brazilians, I never worry about drinking strong black coffee late at night; whether or not I have a good night’s sleep depends on other things.

“There’s no way of explaining the Aleph, as you yourself saw, but in the magical Tradition, it presents itself in one of two ways. The first is as a point in the Universe that contains all other points, present and past, large and small. You normally come across it by chance, as we did on the train. For this to happen, the person, or persons, has to be in the actual place where the Aleph exists. We call that a small Aleph.”

“Do you mean that anyone who got into the carriage and stood in that particular place would feel what we felt?”

“If you’ll let me finish, you might understand. Yes, they will, but not as we experienced it. You’ve doubtless been to a party and found that you felt much better and safer in one part of the room than in another. That’s just a very pale imitation of what the Aleph is, but everyone experiences the Divine Energy differently. If you can find the right place to be at a party, that energy will help you feel more confident and more present. If someone else were to walk past that point in the carriage, he would have a strange sensation, as if he suddenly knew everything, but he wouldn’t stop to examine that feeling, and the effect would immediately vanish.”

“How many of these points exist in the world?”

“I don’t know, exactly, but probably millions.”

“What’s the second way it reveals itself?”

“Let me finish what I was saying first. The example I gave you of the party is just a comparison. The small Aleph always appears by chance. You’re walking down a street or you sit down somewhere and suddenly the whole Universe is there. The first thing you feel is a terrible desire to cry, not out of sadness or happiness but out of pure excitement. You know that you are understanding something that you can’t even explain to yourself.”

The barman comes over to us, says something in Russian, and gives me a note to sign. Hilal explains that we have to leave. We walk over to the door.

Saved by the referee’s whistle!

“Go on. What’s the second way?” Hilal asks.

It would seem the game is not over yet.

“That’s the great Aleph.”

It’s best if I explain everything now; then she can go back to the conservatory and forget all about what happened.