Nick Hornby - Juliet, Naked

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Juliet, Naked: краткое содержание, описание и аннотация

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The New York Times
About a Boy
High Fidelity Nick Hornby returns to his roots—music and messy relationships—in this funny and touching new novel which thoughtfully and sympathetically looks at how lives can be wasted but how they are never beyond redemption. Annie lives in a dull town on England’s bleak east coast and is in a relationship with Duncan which mirrors the place; Tucker was once a brilliant songwriter and performer, who’s gone into seclusion in rural America—or at least that’s what his fans think. Duncan is obsessed with Tucker’s work, to the point of derangement, and when Annie dares to go public on her dislike of his latest album, there are quite unexpected, life-changing consequences for all three.
Nick Hornby uses this intriguing canvas to explore why it is we so often let the early promise of relationships, ambition and indeed life evaporate. And he comes to some surprisingly optimistic conclusions about the struggle to live up to one’s promise.

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They kissed for the first time then, while the NHS website glared at them; they kissed for so long that the computer went to sleep. Annie wasn’t blushing anymore, but she was feeling embarrassingly emotional and she was worried that she’d start to cry, and he’d think she had too much invested in him, and he’d change his mind about the sex. If he asked her what the problem was, she’d tell him she always got weepy after exhibition openings.

They went upstairs, took their clothes off with their backs to each other, got into her cold bed and started to touch.

“You were right,” said Tucker.

“So far, anyway,” said Annie. “But there was that bit about maintenance.”

“And I’ll tell you,” said Tucker, “you’re not making maintenance much easier.”

“I’m sorry.”

“Have you… I didn’t come prepared. For understandable reasons. You don’t keep anything lying around, do you?”

“Oh,” said Annie. “Yes. Of course. But I don’t have any condoms. You’ll have to excuse me for a moment.”

She’d already thought about this moment; she’d been thinking about it since her conversation with Kath. She went to the bathroom, stayed in there for a couple of minutes and then went back to make love to him. She didn’t kill him, even though it felt like parts of her had been asleep for as long as Tucker’s career.

The following day, Jackson talked to his mother on the phone and became upset, and Tucker booked their flights home. On the last night, Tucker and Annie shared a bed, but they didn’t have sex again.

“I’ll come back,” said Tucker. “I like it here.”

“Nobody comes back.”

Annie didn’t know whether she meant the town or the bed, but either way there was some bitterness in there, and she didn’t want that.

“Or you could come over.”

“I’ve used up a lot of my holidays.”

“There are other jobs.”

“I’m not taking lectures on alternative careers from you.”

“Okay. So. I’m never coming back here, you’re never going over there… It’s difficult to find the place where we can at least pretend that there’s some sort of future.”

“Is that what you normally do after a one-night stand?” said Annie. “Pretend there’s a future?” She couldn’t seem to change the tone in her voice, no matter what she did. She didn’t want to scoff and taunt; she wanted to find a way to hope, but she only seemed to be able to speak one language. Typical bloody British, she thought.

“I’m just going to ignore you,” said Tucker.

She put her arms around him. “I’ll miss you. And Jackson.”

There. It wasn’t much, and it was entirely unrepresentative of the grief and panic that were already probing for promising-looking ways of escape, but she hoped at least he heard uncomplicated affection.

“You’ll e-mail, right? A lot?”

“Oh, I’ve got nothing to say.”

“I’ll tell you when I’m bored.”

“Oh, God,” she said. “Now I’ll be scared to write anything.”

“Jesus Christ,” said Tucker. “You don’t make it easy.”

“No,” said Annie. “That’s because it isn’t. That’s why mostly it goes wrong. That’s why you’ve been divorced a thousand times. Because it isn’t easy.”

She was trying to say something else; she was trying to say that the inability to articulate what one feels in any satisfactory way is one of our enduring tragedies. It wouldn’t have been much, and it wouldn’t have been useful, but it would have been something that reflected the gravity and the sadness inside her. Instead, she had snapped at him for being a loser. It was as if she were trying to find a handhold on the boulder of her feelings, and had merely ended up with grit under her nails.

Tucker sat up in bed and looked at her.

“You should make up with Duncan,” he said. “He’d take you back. Especially now. You’ve got about nine years’ worth of material for him.”

“Why? What good would that do me?”

“None at all,” said Tucker. “That would be the point.”

She tried one last time.

“I’m sorry. I don’t know what to say. I know that… that love is supposed to be transformative.” Now that she’d used the word she felt her tongue loosen. “And that’s how I’m trying to look at it. There. Bang. I’ve been transformed, and however it happened it doesn’t matter. You can go or stay, and it will still have happened. So I’ve been trying to look at you as a metaphor or something. But it doesn’t work. The terribly inconvenient fact is that, without you around, everything slides back to how it was before. It can’t do otherwise. And I have to say, books haven’t helped much with all this. Because whenever you read anything about love, whenever anyone tries to define it, there’s always a state or an abstract noun, and I try to think of it like that. But actually, love is… Well, it’s just you. And when you go, it’s gone. Nothing abstract about it.”

“Dad.”

Annie was confused, but Tucker seemed to know who it was immediately. Jackson was standing by the bed, damp and malodorous.

“What’s up, son?”

“I just threw up in my bed.”

“Okay.”

“I don’t think I like Twiglets anymore.”

“You’ve maybe been hitting them a little hard. We’ll get you cleaned up. Do you have any spare sheets, Annie?”

As they washed him and changed the bedding, Annie was trying not to feel unlucky, doomed, born under a bad sign. Feeling unlucky, she had noticed, was her default mood, and yet she could see that there were alternative interpretations of her current predicament. For example: if you choose to fall in love with an American—an American with a young son and a home in America—who comes to stay for a couple of days, how much ill fortune is involved in his leaving you? Or could someone brighter have seen that coming? Or here’s another way of looking at it: you write a review on an obscure website of an album by an artist who has chosen to remain a recluse for over twenty years. Said artist reads the review, gets in touch, comes to stay. He’s very attractive and seems to be attracted to you, and you sleep with him. Is there any bad luck in that? Or could someone with a sunnier disposition come to the conclusion that the last few weeks contained something like seventeen separate miracles? Yes, well. She didn’t have a sunny disposition, so tough. She was going to stick with the notion that she was the unluckiest woman alive.

How did that fit in with the previous night, when she had pretended to put in a contraceptive device in an attempt to secretly get pregnant? How lucky would she have to be, at her age, at his age, in his state of health? But maybe there was no contradiction. She could already feel the disappointment that would arrive along with her period, and maybe that was the point: final, incontrovertible proof that there was no point in trying anything that might make her happier, because she’d fail regardless.

“Can I get into your bed?” said Jackson.

“Sure,” said Tucker.

“Can it be just you?”

“Sure.”

Tucker looked at Annie and shrugged.

“Thanks,” he said. Over the next few weeks, that one word was subjected to more analysis than it could probably stand.

* * *

“What should I tell Mom about the trip?” said Jackson, when they were waiting for the plane to take off.

“Tell her anything you want.”

“She knows you got sick, right?”

“I think so.”

“And she knows you didn’t die?”

“Yep.”

“Cool. And how do you spell Gooleness?”

Tucker told him.

“It’s funny,” said Jackson. “It seems like I haven’t seen Mom for ever. But when I think about what we did… It wasn’t that exciting, was it?”

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