Haruki Murakami - Dance Dance Dance

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Dance Dance Dance: краткое содержание, описание и аннотация

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Acclaim for DANCE DANCE DANCE «An entertaining mix of modern sci-fi, nail-biting suspense, and ancient myth ... a sometimes funny, sometimes sinister mystery spoof . . . [that] also aims at contemporary human concerns.» — «The plot is addictive.» — «There are novelists who dare to imagine the future, but none is as scrupulously, amusingly up-to-the-minute as ... Murakami.» — «[
has the fascination of a well-written detective story combined with a surreal dream narrative . . . full of appealing, well-developed characters.»
— «A world-class writer who . . . takes big risks. ... If Murakami is the voice of a generation, then it is the genera­tion of Thomas Pynchon and Don DeLillo.»
— Washington Post Book World «All the hallmarks of Murakami's greatness are here: restless and sensitive characters, disturbing shifts into altered reality, silky smooth turns of phrase and a narrative with all the momentum of a roller-coaster. . . . This is the sort of page-turner [Mishima] might have written.»
— «[Murakami's] writing injects the rock 'n' roll of everyday language into the exquisite silences of Japanese literary prose.» — «One of the most exciting new writers to appear on the inter­national scene.» —

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On days when we didn't visit Yuki's mother, we surfed, swam, lolled about on the beach, went shopping, drove around the island. Evenings, we went for strolls, saw movies, had pina coladas and fruit drinks. I had plenty of time to cook meals if I felt like it. We relaxed and got beautifully tanned, down to our fingertips. Yuki bought a new Hawaiian-print bikini at a boutique in the Hilton, and in it she looked like a real local girl. She got quite good at surfing and could catch waves that were beyond me. She listened to the Rolling Stones. Whenever I left her side on the beach, guys moved in, trying to strike up a conversation with her. But Yuki didn't speak a word of English, so she had no trouble ignoring them. They'd be shuffling off, disgruntled, when I got back.

«Do guys really desire girls so much?» Yuki asked.

«Yeah. Depends on the individual of course, but generally I guess you could say that men desire women. You know about sex, don't you?»

«I know enough,» said Yuki dryly.

«Well, men have this physical desire to sleep with women,» I explained. «It's a natural thing. The preservation of the species—»

«I don't care about the preservation of the species. I don't

want to know about science and hygiene. I want to know about sex drive . How does that work?»

«Okay, suppose you were a bird,» I said, «and flying was something you really enjoyed and made you feel good. But there were certain circumstances that, except on rare occa­sions, kept you from flying. I don't know, let's say, lousy weather conditions, the direction of the wind, the season, things like that. But the more you couldn't fly, the more you wanted to fly and your energy built up inside you and made you irritable. You felt bottled up or something like that. You got annoyed, maybe even angry. You get me?» «I get you,» she said. «I always feel that way.» «Well, that's your sex drive.»

«So when was the last time you flew? That is, before Papa bought that prostitute for you?» «The end of last month.» «Was it good?» I nodded.

«Is it always good?»

«No, not always,» I said. «Bring two imperfect beings together and things don't always go right. You're flying along nice and easy, and suddenly there's this enormous tree in front of you that you didn't see before, and cr-rash

Yuki mulled this over. Imagining, perhaps, a bird flying high, its peripheral vision completely missing the danger straight ahead. Was this a bad explanation or what? Was she going to take things the wrong way? Aww, what the hell, she'd find out for herself soon enough.

«The chance of things going right gradually improves with age,» I continued my explanation. «You get the knack of things, and you learn to read the weather and wind. On the other side of the coin, sex drive decreases with age. That's just how it goes.» «Pathetic,» said Yuki. «Yes, pathetic.»

Hawaii.

Just how many days had I been in the Islands? The con­cept of time had vanished from my head. Today comes after yesterday, tomorrow comes after today. The sun comes up, the sun goes down; the moon rises, the moon sets; tide comes in, tide goes out.

I pulled out my appointment book and checked the calen­dar. We'd been in Hawaii for ten days! It was approaching the end of April. Wasn't I going to stay for one week? Or was it one month? Days of surfing and pina coladas. Not bad as far as that went.

But how did I get to this spot? It started with me looking for Kiki, except that I didn't know that was her name at the time. I'd retraced my steps to Sapporo, and ever since, there'd been one weird character after another. And now, look at me, lying in the shade of a coconut palm, tropical drink in hand, listening to Kalapana.

What happened along the way? Mei was murdered. The police hauled me in. Whatever happened with Mei's case? Did the cops find out who she was? What about Gotanda? How was he doing? The last time I saw him he looked awful, tired and run-down. And then we left everything half-assed up in the air.

Pretty soon I had to be getting back to Japan. But it was so hard to take the first step in that direction. Hawaii had been the first real release from tension in ages—for both Yuki and me—and boy, had we needed it. Day after day I was thinking about almost nothing. Just swimming and lying in the sun getting tan, driving around the island listening to the Stones and Bruce Springsteen, walking moonlit beaches, drinking in hotel bars.

I knew this couldn't go on forever. But I couldn't get myself moving. And I couldn't bear to see Yuki get all uptight again. It was a perfect excuse.

Two weeks passed.

One day toward dusk, Yuki and I motored our way through downtown Honolulu. Traffic was bad, but we were in no hurry, content to drive around and take in all the road­side attractions. Porno theaters, thrift shops, Chinese gro­cers, Vietnamese clothing stores, used book and record shops, old men playing go, guys with blurry eyes standing on street corners. Funny town, Honolulu. Full of cheap, good, interesting places to eat. But not a place for a girl to walk

alone.

Right outside the downtown area, toward the harbor, the city blocks became sparser, less inviting. There were office buildings and warehouses and coffee shops missing letters from their signs, and the buses were full of people going home from work.

That's when Yuki said she wanted to see E.T. again.

Okay, after dinner, I said.

Then she said what a great movie it was and how she wished I was more like E.T. and then she touched my fore­head with her index finger.

«Don't do that,» I said. «It'll never heal.»

That drew a chuckle from her.

And that's when it happened.

When something connected up inside my head with a loud clink . Something happened, though I didn't know then

what it was.

It was enough to make me slam on the brakes, though. The Camaro behind us honked bitterly and showered me with abuses as it pulled around us. I had seen something, and something connected. Just there now, something very

important.

«What's the matter?» Yuki said, or so I thought she said.

I may not have heard a thing. Because I was deep in thought at that moment. I was deep in thought thinking that I'd just seen her . Kiki . I'd just seen Kiki—in downtown Hono­lulu! She was here! Why? It was definitely her. I'd driven past, close enough to have reached out and touched her. She was walking in the opposite direction, right beside the car.

«Listen, close all the windows and lock all the doors. Don't set a foot outside. And don't open up for anyone. I'll be right back,» I said, leaping out of the car. «Hey, wait! Don't leave me here!»

But I was already running down the sidewalk, bumping into people, pushing them out of my way. I didn't have time to be polite. I had to catch up with her. I had to stop her, I had to talk to her, I had found her! I ran for two blocks, I ran for three blocks. And then, way up ahead, I spotted her, in a blue dress with a white bag swinging at her side in the early evening light. She was heading back toward the hustle and bustle of town. I followed, reaching the main drag, where the sidewalk traffic got thicker. A woman three times the size of Yuki couldn't seem to get out of my way. But I kept going, trying to catch up. As Kiki kept walking. Not fast, not slow, at normal speed. But not turning around to look behind her, not glancing to the side, not stopping to board a bus, just walking straight ahead. You'd think I'd be right up with her any second now, but the distance between us never seemed to close.

The next thing I knew she turned a corner to the left. Naturally I followed suit. It was a narrow street, lined on both sides with nondescript, old office buildings. There was no sign of her anywhere. Out of breath, I came to a stand­still. What is this? How could she disappear on me again? But Kiki hadn't disappeared. She'd just been hidden from view by a large delivery truck, because there she was again, walking at the same clip on the far sidewalk.

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