Haruki Murakami - Dance Dance Dance

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Dance Dance Dance: краткое содержание, описание и аннотация

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Acclaim for DANCE DANCE DANCE «An entertaining mix of modern sci-fi, nail-biting suspense, and ancient myth ... a sometimes funny, sometimes sinister mystery spoof . . . [that] also aims at contemporary human concerns.» — «The plot is addictive.» — «There are novelists who dare to imagine the future, but none is as scrupulously, amusingly up-to-the-minute as ... Murakami.» — «[
has the fascination of a well-written detective story combined with a surreal dream narrative . . . full of appealing, well-developed characters.»
— «A world-class writer who . . . takes big risks. ... If Murakami is the voice of a generation, then it is the genera­tion of Thomas Pynchon and Don DeLillo.»
— Washington Post Book World «All the hallmarks of Murakami's greatness are here: restless and sensitive characters, disturbing shifts into altered reality, silky smooth turns of phrase and a narrative with all the momentum of a roller-coaster. . . . This is the sort of page-turner [Mishima] might have written.»
— «[Murakami's] writing injects the rock 'n' roll of everyday language into the exquisite silences of Japanese literary prose.» — «One of the most exciting new writers to appear on the inter­national scene.» —

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And this is where the Dolphin Hotel entered the picture. It was the spearhead of this collusive cornering of real estate. First of all, the Dolphin Hotel secured prime real estate. Hence, A enterprises could set up offices in this new chrome-and-marble wonder as its local base of operations. The place was both a beacon and a watchtower, a visible symbol of change as well as a nerve center which could redi­rect the flow of people in the district. Everything was pro­ceeding according to the most intricate plans.

That's advanced capitalism for you: The player making the maximum capital investment gets the maximum critical information in order to reap the maximum desired profit with maximum capital efficiency—and nobody bats an eye. It's just part of putting down capital these days. You demand the most return for your capital outlay. The person buying a used car will kick the tires and check under the hood, and the conglomerate putting down one hundred billion yen will check over the finer points of where that capital's going, and occasionally do a little fiddling. Fairness has got nothing to do with it. With that kind of money on the line, who's going to sit around considering abstract things like that?

Sometimes they even force hands.

For instance, suppose there's someone who doesn't want to sell. Say, a long-established shoe store. That's when the tough guys come out of the woodwork. Huge companies have their connections, and you can bet they count everyone from politicians and novelists and rock stars to out-and-out yakuza in their fold. So they just call on the boys with their samurai swords. The police are never too eager to deal with matters like this, especially since arrangements have already been made up at the top. It's not even corruption. That's how the system works. That's capital investment. Granted, this sort of thing isn't new to the modern age. But everything before is nothing compared to the exacting detail and sheer power and invulnerability of today's web of capitalism. And it's megacomputers that have made it all possible, with their inhuman capacity to pull every last factor and condition on the face of the earth into their net calculations. Advanced capitalism has transcended itself. Not to overstate things, financial dealings have practically become a religious activ­ity. The new mysticism. People worship capital, adore its aura, genuflect before Porsches and Tokyo land values. Wor­shiping everything their shiny Porsches symbolize. It's the only stuff of myth that's left in the world.

Latter-day capitalism. Like it or not, it's the society we live in. Even the standard of right and wrong has been subdi­vided, made sophisticated. Within good, there's fashionable good and unfashionable good, and ditto for bad. Within fashionable good, there's formal and then there's casual; there's hip, there's cool, there's trendy, there's snobbish. Mix 'n' match. Like pulling on a Missoni sweater over Trussardi slacks and Pollini shoes, you can now enjoy hybrid styles of morality. It's the way of the world—philosophy starting to look more and more like business administration.

Although I didn't think so at the time, things were a lot simpler in 1969. All you had to do to express yourself was throw rocks at riot police. But with today's sophistication, who's in a position to throw rocks? Who's going to brave what tear gas? C'mon, that's the way it is. Everything is rigged, tied into that massive capital web, and beyond this web there's another web. Nobody's going anywhere. You throw a rock and it'll come right back at you.

The reporter had devoted a lot of energy to following the paper trail. Still, despite his outcry—or rather, all the more because of his outcry—the article curiously lacked punch. A rallying cry it wasn't. The guy just didn't seem to realize: Nothing about this was suspect. It was a natural state of affairs. Ordinary, the order of the day, common knowledge. Which is why nobody cared. If huge capital interests obtained information illegally and bought up property, forced a few political decisions, then clinched the deal by having yakuza extort a little shoe store here, maybe beat up the owner of some small-time, end-of-the-line hotel there, so what? That's life, man. The sand of the times keeps running out from under our feet. We're no longer standing where we once stood.

The reporter had done everything he could. The article was well researched, full of righteous indignation, and hope­lessly untrendy.

I folded it, slipped it into my pocket, and drank another cup of coffee.

I thought about the owner of the old Dolphin. Mister Unlucky, shadowed by defeat since birth. No way he could have made the cut for this day and age.

«Untrendy!» I said out loud.

A waitress gave me a disturbed look.

I took a taxi back to the hotel.

8

From my room I rang up my ex-partner in Tokyo. Some­body I didn't know answered the phone and asked my name, then somebody else came on the line and asked my name, then finally my ex-partner came to the phone. He seemed busy. It had been close to a year since we'd spoken. Not that I'd been consciously avoiding him; I simply didn't have anything to talk to him about. I'd always liked him, and still did. But the fact was, my ex-partner was for me (and I for him) «foregone territory.» Again, not that we'd pushed each other into that position. We'd just gone our own separate ways, and those two paths didn't seem to cross. No more, no less.

So how's it going? I asked him.

Well enough, he said.

I told him I was in Sapporo. He asked me if it was cold.

Yeah, it's cold, I answered.

How's work? was my next question.

Busy, his one-word response.

Not hitting the bottle too much, I hoped.

Not lately, he wasn't drinking much these days.

And was it snowing up here? His turn to ask.

Not at the moment, I kept the ball in the air.

We were almost through with our polite toss-and-catch.

«Listen,» I broke in, «I've got a favor to ask.» I'd done him one a long while back. Both he and I remembered it. Otherwise, I'm not the type to go asking favors of people.

«Sure,» he said with no formalities.

«You remember when we worked on that in-house news­letter for that hotel group?» I asked. «Maybe five years ago?»

«Yeah, I remember.»

«Tell me, is that connection still alive?»

He gave it a moment's thought. «Can't say it's kicking, but it's alive as far as alive goes. Not impossible to warm it up if necessary.»

«There was one guy who knew a lot about what was going on in the industry. I forget his name. Skinny guy, always wore this funny hat. You think you can get in contact with him?»

«I think so. What do you want to know?»

I gave him a brief rundown on the Dolphin scandal arti­cle. He took down the date the piece appeared. Then I told him about the old, tiny Dolphin that was here before the present monster Dolphin and said I'd like to know more about the following things: First, why had the new hotel kept the old Dolphin name? Second, what was the fate of the old owner? And last, were there any recent developments on the scandal front?

He jotted it all down and read it back to me over the phone.

«That's it?»

«That'll do,» I said.

«Probably in a hurry, too, huh?» he asked.

«Sorry, but—»

«I'll see what I can do today. What's your number up there?»

I gave it to him.

«Talk to you later,» he said and hung up.

I had a simple lunch in a cafe in the hotel. Then I went down to the lobby and saw that the young woman with glasses was behind the counter. I took a seat in a corner of the lobby and watched her. She was busy at work and didn't seem to notice me. Or maybe she did, but was playing cool. It didn't really matter, I guess. I liked seeing her there. As I thought to myself, I could have slept with her if I wanted to.

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