Haruki Murakami - A Wild Sheep Chase

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A Wild Sheep Chase: краткое содержание, описание и аннотация

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ACCLAIM FOR “[
is] a bold new advance in international fiction…. Youthful, slangy, political, and allegorical.”
—The New York Times “Murakami’s writing injects the rock ‘n’ roll of everyday language into the exquisite silences of Japanese literary prose.”
—Harper’s Bazaar “[Murakami belongs] in the topmost rank of writers of international stature.”
—Newsday “Greatly entertaining…. Will remind readers of the first time they read Tom Robbins or … Thomas Pynchon.”
—Chicago Tribune “Murakami captures a kind of isolation that is special in its beauty, and particular to our time…. His language speaks so directly to the mind that one remembers with gratitude what words are for.”
—Elle “[
begins as a detective novel, dips before long into screwball comedy, and at its close—when the dead speak—becomes a tale of possession. That such unruly, disjunctive elements mingle harmoniously within it is perhaps the signal feat in this highly accomplished piece of craftsmanship.”
—Brad Leithauser, “A world-class writer who has both eyes open and takes big risks…. If Murakami is the voice of a generation, then it is the generation of Thomas Pynchon and Don DeLillo.”

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“Why send boys off to war in a foreign land?” the Ainu shepherd went around asking people. By then he was forty-five.

Nobody would answer him. The Ainu shepherd broke off from the village and stayed out at the pasture, spending his waking and sleeping hours with the sheep. His wife had died from bronchitis five years earlier, and his two remaining daughters had both married. For his services in minding the sheep, the village provided him with scant wages and food.

After losing his son, the Ainu shepherd grew embittered. He died at age sixty-two. One winter morning, the boy who was his helper found him sprawled out dead on the floor of the sheep-house. Frozen. Two sorry-eyed grandpuppies of the original two Border collies whined at his side. The sheep, oblivious, were grazing away at the hay in their enclosure. The low grinding rhythm of sheep teeth sounded like a chorus of castanets.

The history of Junitaki went on, but history for the Ainu youth ended there. I got up to go to the john and piss two beers’ worth. When I returned to my seat, she was awake and gazing distractedly out the window. Rice fields stretched far and wide. Occasionally there’d be a silo. Rivers drew near, then retreated. I smoked a cigarette, taking in the scenery together with her profile taking in the scenery. She spoke not a word. Once I finished my cigarette, I went back to the book. The shadow of a steel bridge flashed across the page.

After the unhappy tale of the Ainu youth who became a shepherd, got old, and died, the remaining history was rather boring fare. An outbreak of sheep bloat claimed ten head, severe cold dealt a temporary blow to crops, but other than that everything went smoothly with the village. In the Taisho era it was incorporated as a township and newly renamed Junitaki-cho. Junitaki-cho did well, building more facilities, a primary school, a town hall, a postal service outpost. By this time, the settling of Hokkaido was nearly complete.

With arable land reaching its limit, several young men left Junitaki-cho to seek their fortune in the new worlds of Manchuria and Sakhalin. In 1937, the Sheep Professor made his appearance in town.

Read the history: “Ministry of Agriculture and Forestry technical administrator much recognized for his studies in Korea and Manchuria, Dr. _____ (aged 32) took leave of his post due to special circumstances and established his own sheep ranch in a mountain valley north of Junitaki-cho.”

Nothing else about him was written.

The author himself seemed to have gotten bored by the events of the thirties on, his reportage becoming spotty and fragmentary. Even the writing style faltered, losing the clarity of his discussion of the Ainu youth.

I skipped the thirty-one years between 1938 and 1969 and jumped to the section entitled “Junitaki Today.” Of course, the book’s “today” being 1970, it was hardly today’s “today.” Still, writing the history of one town obviously imposed the necessity of bringing it up to a “today.” And even if such a today soon ceases to be today, no one can deny that it is in fact a today. For if a today ceased to be today, history could not exist as history.

According to my Authoritative History of Junitaki Township , in 1969 the population had dropped to 15,000, a decrease of 6,000 from ten years prior, due almost entirely to a decline in farming. The unusually high rate of agrarian disenfranchisement came about in reaction, it stated, to changes within the national infrastructure in a period of rapid industrial growth, as well as to the peculiar nature of cold-climate farming in Hokkaido.

What became of their abandoned farmlands? They were reforested. The land that their forefathers had sweated blood clearing, the descendants now planted with trees. Strange how that worked.

Which was to say that the primary industry in Junitaki today was forestry and lumber milling. The town now boasted several small mills where they made television cabinets, vanities, and tourist-trade figurines of bears and Ainus. The former communal hut was converted into the Pioneer Museum, where the farming tools and eating utensils from early settlement days were kept on display. There were also keepsakes of the village youths who had died in the Russo-Japanese War. Also a lunch box bearing the teeth marks of a brown bear. And even the letter to the old hometown inquiring about the debt collectors.

But if the truth be known, Junitaki today was a dreadfully dull town. The townsfolk, when they came home from work, watched an average of four hours of television before going to bed each night. Balloting ran high, but it was never any surprise who won the election. The town slogan was “Bountiful Humanity in Bountiful Nature.” Or so the sign in front of the station read.

I closed the book, yawned, and fell asleep.

картинка 46

The Further Decline of Junitaki and Its Sheep

We caught the connecting train in Asahikawa and headed north over the Shiogari Pass, traveling by largely the same route the Ainu youth and the eighteen dirt farmers had taken a century before.

The autumn sun shone brilliantly though the last vestiges of virgin forest and the blazing red leaves of the rowan ash. The air was still and clear. So much so just looking at the scenery made your eyes hurt.

The train was empty at first, but midway a whole carload of commuting high school students piled in and we were plunged into their commotion, their shouting and dandruff and body odors and incomprehensible conversations and sexual urges with no outlet. This went on for thirty minutes until they disappeared all at the same station. Once again, the train was empty, with not a voice to be heard.

We split a chocolate bar between us and munched on it as the scenery paraded before our eyes. A tranquil light spilled over the ground. Everything seemed so far away, as if we were looking through the wrong end of a telescope. She whistled snatches of “Johnny B. Goode. This may have been the longest we two had ever not spoken.

It was afternoon when we got off the train. Standing on the platform, I took a deep breath and gave myself a good stretch. The air was so fresh I felt as if my lungs were going to collapse. The sun on my arms was warm and sensuous, even as the air was three or four degrees cooler than in Sapporo.

A row of old brick warehouses lined the tracks, and alongside these was a pyramid stack of logs three yards long, soaked and dark from the rain of the previous night. After the train we’d come on pulled out of the station, there was no one in sight, only a flowerbed of marigolds that were swaying in the cool breeze.

From the platform, we could see a typical small-scale regional city. Complete with main street, modest department store, bus terminal, tourist information center. A singularly dull town, if first impressions were any indication.

“This is our destination?” she asked.

“No, not here. We’ve got another train ride from here. Our destination is a much, much smaller town than this.”

I yawned and took another deep breath.

“This is our transit point. Here’s where the first settlers turned eastward.”

“First settlers?”

In the time before our connecting train arrived, we sat down in front of the heater in the waiting room, and I related snippets of the history of Junitaki-cho. The chronology got a bit confused, so I used a page from my notebook to make a simplified timeline based on the summary at the back of the Authoritative History . On the left side of the page, I listed dates and developments in the history of Junitaki-cho and on the right the major events in the history of Japan in the same period. A fairly respectable chronological table.

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