Haruki Murakami - A Wild Sheep Chase

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A Wild Sheep Chase: краткое содержание, описание и аннотация

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ACCLAIM FOR “[
is] a bold new advance in international fiction…. Youthful, slangy, political, and allegorical.”
—The New York Times “Murakami’s writing injects the rock ‘n’ roll of everyday language into the exquisite silences of Japanese literary prose.”
—Harper’s Bazaar “[Murakami belongs] in the topmost rank of writers of international stature.”
—Newsday “Greatly entertaining…. Will remind readers of the first time they read Tom Robbins or … Thomas Pynchon.”
—Chicago Tribune “Murakami captures a kind of isolation that is special in its beauty, and particular to our time…. His language speaks so directly to the mind that one remembers with gratitude what words are for.”
—Elle “[
begins as a detective novel, dips before long into screwball comedy, and at its close—when the dead speak—becomes a tale of possession. That such unruly, disjunctive elements mingle harmoniously within it is perhaps the signal feat in this highly accomplished piece of craftsmanship.”
—Brad Leithauser, “A world-class writer who has both eyes open and takes big risks…. If Murakami is the voice of a generation, then it is the generation of Thomas Pynchon and Don DeLillo.”

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Nonetheless, the devil had this terrible obsession with the town and grew furious that one last little girl refused to fall under his spell. When the devil got mad, his body shook like quivering green jelly. Admittedly, there was something endearing about that rage.

In front of us a middle-aged man was snoring away like a foghorn. To the extreme right there was some heavy petting in progress. Behind, someone let out a huge fart. Huge enough to stop the middle-aged man’s snoring for a moment. A pair of high school girls giggled.

By reflex, I thought of Kipper. And it was only when I did that it came to me that we’d really left Tokyo and were now in Sapporo.

Funny about that.

Amid these thoughts I fell asleep. In my dreams, I encountered that green devil, but he wasn’t endearing in the least. He remained silent and I just observed his machinations.

Meanwhile, the film ended, the lights came on, and I woke up. Each member of the audience yawned as if in predetermined order. I went to the snack bar and bought ice cream for us. It was hard as a rock, probably left over from last summer.

“You slept through the whole thing?”

“Uh-huh,” I said. “How was it?”

“Pretty interesting. In the end, the whole town explodes.”

“Wow.”

The movie theater was deathly quiet. Or rather everything around us was deathly quiet. Not a common occurrence.

“Say,” she said, “doesn’t it seem like your body’s in a state of transit or something?”

Now that she mentioned it, it actually did.

She held my hand. “Let’s just stay like this. I’m worried.”

“Okay.”

“Unless we stay like this, we might get transported somewhere else. Someplace crazy.”

As the theater interior grew dark again and the coming attractions began, I brushed her hair aside and kissed her ear. “It’s all right. Don’t worry.”

“You’re probably right,” she said softly. “I guess we should have ridden in transportation with names after all.”

For the next hour and a half, from the beginning to the end of the film, we stayed in a state of quiet transport in the darkness. Her head resting on my shoulder the whole time. My shoulder became warm and damp from her breath.

We came out of the movie theater and strolled the twilit streets, my arm around her shoulder. We felt closer than ever before. The commotion of passersby was comforting; faint stars were shining through in the sky.

“Are we really in the right city, the two of us?” she asked.

I looked up at the sky. The polestar was in the right position, but somehow it looked like a fake polestar. Too big, too bright.

“I wonder,” I said.

“I feel like something’s out of place,” she said.

“That’s what it’s like, coming to a new city. Your body can’t quite get used to it.”

“But after a while you do get used to it, don’t you?”

“After two or three days, you’ll be fine,” I said.

When we tired of walking, we went into the first restaurant we saw, drank draft beer, and ordered some salmon and potatoes. We’d walked in willy-nilly off the street and gotten lucky. The beer really hit the spot, and the food was actually good.

“Well then,” I said after coffee, “what say we settle on a place to stay?”

“I’ve already got an image of a place,” she said.

“Like what?”

“Never mind. Get a list of hotels and read off the names in order.”

I asked a waiter to bring over the yellow pages and started reading the names listed in the “Hotels, Inns” section. After forty names, she stopped me.

“That’s the one.”

“Which one?”

“The last one you read.”

“Dolphin Hotel,” I said.

“That’s where we’re staying.”

“Never heard of it.”

“But I can’t see us staying at any other hotel.”

I returned the phone book, then called the Dolphin Hotel. A man with an indistinct voice answered, indicating they had double and single rooms available. And did they have other types of rooms besides doubles and singles? No. Doubles and singles were all. Confused, I reserved a double. The price: forty percent less than what I’d expected.

The Dolphin Hotel was located three blocks west and one block south of the movie theater we’d gone to. A small place, totally undistinguished. Its undistinguishedness was metaphysical. No neon sign, no large signboard, not even a real entryway. The glass front door, which resembled an employees’ kitchen entrance, had next to it only a copper plate engraved with DOLPHIN HOTEL. Not even a picture of a dolphin.

The building was five stories tall, but it might as well have been a giant matchbox stood on end. It wasn’t particularly old; still it was strikingly run-down. Most likely it was run-down when it was built.

This was our Dolphin Hotel.

Yet she apparently fell in love with the place the moment she set eyes on it.

“Not a bad hotel, eh?” she said.

“Not bad?” I tossed back her words.

“Cozy, no frills.”

“No frills,” I repeated. “By frills, I’m sure you mean clean sheets or a sink that doesn’t leak or an air conditioner that works or reasonably soft toilet paper or fresh soap or curtains that prevent sunstroke.”

“You always look at the dark side of things,” she laughed. “Anyway, we didn’t come here as tourists.”

On opening the door, I found the lobby bigger than expected. In the middle of it was a set of parlor furniture and a large color TV; there was a quiz show on. Not a soul was in sight.

Large potted ornamentals sat on both sides of the front door, their leaves faded, nearly brown. I stood there taking everything in. The lobby was actually a lot less spacious than it had initially seemed. It appeared large because there were so few pieces of furniture. The parlor set, a grandfather clock, and a mirror. Nothing else.

I walked over and checked out the clock and mirror. Both were commemorative presents of some event or another. The clock was seven minutes off; the mirror made my head crooked on my body.

The parlor set was about as run-down as the hotel itself. The sofa was an unappealing orange, the sort of orange you’d get by leaving a choicely sunburnt weaving out in the rain for a week, then throwing it into the cellar until it mildewed. This was an orange from the early days of Technicolor.

On closer inspection, a balding middle-aged man lay, stretched out like a dried fish, asleep on the parlor set chaise longue. At first, I thought he was dead, but his nose twitched. There were the indentations of eyeglasses on the bridge of his nose, but no glasses anywhere. Which would mean that he hadn’t fallen asleep while watching television. It didn’t make sense.

I stood at the front desk and peeked over the counter. Nobody there. She rang the bell. It chimed across the expanse of lobby.

We waited thirty seconds and got no response. The man on the chaise longue didn’t stir.

She rang the bell again.

Now the man on the chaise longue grunted. A self-accusing grunt. Then he opened his eyes and looked us over vacantly.

She gave the bell a third, serious ring.

The man sprang up and dashed across the lobby. He edged by me and went behind the counter. He was the desk clerk.

“Terrible of me,” he said. “Really terrible of me. Fell asleep waiting for you.”

“Sorry to wake you,” I said.

“Not at all,” said the desk clerk. He brought out a registration card and a ballpoint pen. He was missing the tips of the little and middle fingers on his left hand.

I wrote my name on the card but had second thoughts and crumpled it up and stuffed it in my pocket. I took another card and wrote a fake name and a fake address. An ordinary name and address, but not bad for a spur-of-the-moment name and address. I put down my occupation as real estate.

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