Cormac McCarthy - The Crossing

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In
, Cormac McCarthy fulfills the promise of
and at the same time give us a work that is darker and more visionary, a novel with the unstoppable momentum of a classic western and the elegaic power of a lost American myth. In the late 1930s, sixteen-year-old Billy Parham captures a she-wolf that has been marauding his family's ranch. But instead of killing it, he decides to take it back to the mountains of Mexico. With that crossing, he begins an arduous and often dreamlike journey into a country where men meet ghosts and violence strikes as suddenly as heat-lightning-a world where there is no order "save that which death has put there." An essential novel by any measure,
is luminous and appalling, a book that touches, stops, and starts the heart and mind at once.

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With this difference, he said. With this difference. The priest wagered nothing. He'd nothing at hazard. He stood on no such ground as the crazed old man. Under no such shadow. Rather he chose to stand outside the critical edifice of his own church and by this choice he sacrificed his words of their power to witness.

The old man by whatever instinct stood on ground at once blessed and fraughtful. This was his choice, this his gesture. All agreed his testimony was a powerful one. The strength of his conviction was plain to them. In his words there was little measure and little of restraint. In his new life the libertine was out. Do you see? By his arrogance he had engaged the living thing. On that perilous ground he had made of himself the only witness there can ever be and if some saw in his eyes the rapture of madness what else would one look for in one who had enjoined the God of the universe on ground of that God's own choosing? For that is always the nature of such ground, perilous and transitory. And it is indeed so that you must make your case there or nowhere.

And the priest? A man of broad principles. Of liberal sentiments. Even a generous man. Something of a philosopher. Yet one might say that his way through the world was so broad it scarcely made a path at all. He carried within himself a great reverence for the world, this priest. He heard the voice of the Deity in the murmur of the wind in the trees. Even the stones were sacred. He was a reasonable man and he believed that there was love in his heart.

There was not. Nor does God whisper through the trees. His voice is not to be mistaken. When men hear it they fall to their knees and their souls are riven and they cry out to Him and there is no fear in them but only that wildness of heart that springs from such longing and they cry out to stay his presence for they know at once that while godless men may live well enough in their exile those to whom He has spoken can contemplate no life without Him but only darkness and despair. Trees and stones are no part of it. So. The priest in the very generosity of his spirit stood in mortal peril and knew it not. He believed in a boundless God without center or circumference. By this very formlessness he'd sought to make God manageable. This was his colindancia. In his grandness he had ceded all terrain. And in this colindancia God had no say at all.

To see God everywhere is to see Him nowhere. We go from day to day, one day much like the next, and then on a certain day all unannounced we come upon a man or we see this man who is perhaps already known to us and is a man like all men but who makes a certain gesture of himself that is like the piling of one's goods upon an altar and in this gesture we recognize that which is buried in our hearts and is never truly lost to us nor ever can be and it is this moment, you see. This same moment. It is this which we long for and are afraid to seek and which alone can save us.

So. The priest went away. He returned to the town. The old man to his testament. To his pacing and to his argufying. He'd become something like a barrister. He pored over the record not for the honor and glory of his Maker but rather to find against Him. To seek out in nice subtleties some darker nature. False favors. Small deceptions. Promises forsaken or a hand too quickly raised. To make cause against Him, you see. He understood what the priest could not. That what we seek is the worthy adversary. For we strike out to fall flailing through demons of wire and crepe and we long for something of substance to oppose us. Something to contain us or to stay our hand. Otherwise there were no boundaries to our own being and we too must extend our. claims until we lose all definition. Until we must be swallowed up at last by the very void to which we wished to stand opposed.

The church at Caborca continued to stand as before. Even the priest could see that the ragged pensioner encamped in the rubble was all of parishioner it was ever like to have. He went away. He left the old man to his claim there under the shadow of that dome which some said could be seen to yaw visibly in the wind. He tried to smile at the old man's posture. What news of God that this church should stand or fall? What more than the wind's whim whether the faltering dome should prove sanctuary or sepulchre to a deranged old anchorite? Nothing would be changed. Nothing known. In the end all would be as before.

Acts have their being in the witness. Without him who can speak of it? In the end one could even say that the act is nothing, the witness all. It may be that the old man saw certain contradictions in his position. If men were the drones he imagined them to be then had he not rather been appointed to take up his brief by the very Being against whom it was directed? As has been the case with many a philosopher that which at first seemed an insurmountable objection to his theories came gradually to be seen as a necessary component to them and finally the centerpiece itself. He saw the world pass into nothing in the very multiplicity of its instancing. Only the witness stood firm. And the witness to that witness. For what is deeply true is true also in men's hearts and it can therefore never be mistold through all and any tellings. This then was his thought. If the world was a tale who but the witness could give it life? Where else could it have its being? This was the view of things that began to speak to him. And he began to see in God a terrible tragedy. That the existence of the Deity lay imperiled for want of this simple thing. That for God there could be no witness. Nothing against which He terminated. Nothing by way of which his being could be announced to Him. Nothing to stand apart from and to say I am this and that is other. Where that is I am not. He could create everything save that which would say him no.

Now we may speak of madness. Now it is safe to do so. Perhaps one could say that only a madman could pace and rend his clothes over the accountability of God. What then to make of this man with claim that God had preserved him not once but twice out of the ruins of the earth solely in order to raise up a witness against Himself?

The fire ticked in the stove. He leaned back in his chair. He pressed the tips of his fingers together five to five and flexed his hands thoughtfully against each other. As if testing the strength of some membranous proposition. A large gray cat came up the table and stood looking at him. It had one ear missing almost entirely and its teeth hung down outside. The man pushed back slightly from the table and the cat stepped down into his lap and curled up and subsided and turned its head and gravely regarded the boy across the table in the manner of a consultant. A cat of counsel. The man placed one hand upon it as if to secure it there. He looked at the boy. The task of the narrator is not an easy one, he said. He appears to be required to choose his tale from among the many that are possible. But of course that is not the case. The case is rather to make many of the one. Always the teller must be at pains to devise against his listener's claimaEU'perhaps spoken, perhaps notaEU'that he has heard the tale before. He sets forth the categories into which the listener will wish to fit the narrative as he hears it. But he understands that the narrative is itself in fact no category but is rather the category of all categories for there is nothing which falls outside its purview. All is telling. Do not doubt it.

The priest visited the old man no more, the story stood unfinished. The old man of course in no wise ceased to pace and rail. He at least had no plans for forgetting the injustices of his past life. The ten thousand insults. The catalog of woes. He had the mind of the injured party, you see. Nothing was lost to him. Of the priest what can be said? As with all priests his mind had become clouded by the illusion of its proximity to God. What priest will denounce his robes even to save himself? And yet the old man was not so far from his thoughts and one day they sent for him and they told him that the old man had fallen ill. That he lay on his pallet and spoke to no one. Not even God. The priest went to see him and it was as they said. He stood without the transept and addressed the old man. He asked if he were indeed ill. The old man lay staring at the fading frescoes. At the coming and going of the golondrinas. He cast his eyes upon the priest and his look was haggard and hollow and he looked away again. The priest seeing opportunity in the weakness of others in the normal human way took up where he'd left off those weeks before and began to declaim to the old man concerning the goodness of God. The old man clapped his hands to his ears but the priest only drew nearer. At last the old man staggered up from his pallet and began to scrabble up stones from the rubble and to pelt the priest with them and so drove him away.

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