Cormac McCarthy - Cities of the Plain

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VOLUME THREE OF THE BORDER TRILOGY In Cities of the Plain, two men marked by the boyhood adventures of All the Pretty Horses and The Crossing now stand together, between their vivid pasts and uncertain futures, to confront a country changing beyond recognition. In the fall of 1952, John Grady Cole and Billy Parham are cowboys on a New Mexico ranch encroached upon from the north by the military. On the southern horizon are the mountains of Mexico, where one of the men is drawn again and again, in this story of friendships and passion, to a love as dangerous as it is inevitable. 'In a lovely and terrible landscape of natural beauty and impending loss we find John Grady; a young cowboy of the old school, trusted by men and horses, and a fragile young woman, whose salvation becomes his obsession. McCarthy makes the sweeping plains a miracle' Scotsman 'This haunting, deeply felt novel completes one of the literary masterworks of the 1990s' Daily Telegraph 'The completed trilogy emerges as a landmark in American literature' Guardian

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He stood at the end of the bar and ordered a whiskey and propped his foot on the rail and looked across the room at the whores.

D-nde est++n sus compa-eros? said the barman.

He raised the glass of whiskey and turned it in his hand. En el cameo, he said. He drank.

He stood there for two hours. The whores came across the room one by one to solicit him and one by one returned. He didnt ask about her. When he left he'd had five whiskies and he paid for them with a dollar and put another dollar on top of it for the barman. He crossed Ju++rez Avenue and went limping up Mej'a to the Napole-n and took a seat in front of the cafe and ordered a steak. He sat and drank coffee while he waited and he watched the life in the streets. A man came to the door and tried to sell him cigarettes. A man tried to sell him a Madonna made of painted celluloid. A man with a strange device with dials and levers asked him if he wished to electrocute himself. After a while the steak arrived.

He went again the following night. There were half a dozen soldiers from Fort Bliss there, young recruits, their heads all but shaved. They eyed him drunkenly, they looked at his boots. He stood at the bar and drank three whiskies slowly. She did not appear.

He walked up Ju++rez Avenue through the hucksters and pimps. He saw a boy selling stuffed armadillos. He saw a tourist drunk laboring up the sidewalk carrying a full suit of armor. He saw a beautiful young woman vomit in the street. Dogs turned at the sound and ran toward her.

He walked up Tlaxcala and up Mariscal and entered another such place and sat at the bar. The whores came to tug at his arm. He said that he was waiting for someone. After a while he left and walked back to the bridge.

* * *

HE'D PROMISED MAC he wouldnt ride the horse again until his ankle was better. Sunday after breakfast he worked the animal in the corral and in the afternoon he saddled Bird and rode up into the Jarillas. Atop a raw rock bluff he sat the horse and studied the country. The flooded saltflats shining in the evening sun seventy miles to the east. The peak of El Capitan beyond. All the high mountains of New Mexico paling away to the north beyond the red plains, the ancient creosote. In the steeply canted light the laddered shadows of the fences looked like railtracks running up the country and doves were crossing below him toward a watertank on the McNew spread. He could see no cattle anywhere in that cowtrodden scrubland. The doves called everywhere and there was no wind.

When he got back to the house it was dark and by the time he'd unsaddled the horse and put it up and gone to the kitchen Socorro had already cleared away and was washing the dishes. He got a cup of coffee and sat down and she brought him his supper and while he was eating Mac came and stood in the hallway door and lit a cigar.

You about ready? he said.

Yessir.

Take your time. Take your time.

He walked back up the hallway. Socorro brought the pot from the stove and spooned the last of the caldillo onto his plate. She brought him more coffee and poured a cup for Mac and left it steaming on the far side of the table. When he was done eating he rose and carried his plate and cup to the sink and he poured more coffee and then went to the old cherrywood press hauled overland in a wagon from Kentucky eighty years ago and opened the door and took out the chess set from among the old cattleman's journals and the halfbound ledgers and leather daybooks and the old green Remington boxes of shotgun shells and rifle cartridges. On the upper shelf a dovetailed wooden box that held brass scaleweights. A leather folder of drawing instruments. A glass horsecarriage that once held candy for a Christmas in the long ago. He shut the door and carried the board and the wooden box to the table and unfolded the board and slid back the lid of the box and spilled out the pieces, carved walnut, carved holly, and set them up. Then he sat drinking his coffee.

Mac came out and pulled back the chair opposite and sat and dragged the heavy glass ashtray forward from among the bottles of ketchup and hotsauce and laid his cigar in the ashtray and took a sip of the coffee. He nodded toward John Grady's left hand. John Grady opened his hand, he set the pawns on the board.

I'm white again, said Mac.

Yessir.

He moved his pawn forward.

JC came in and got a cup of coffee from the stove and came to the table and stood.

Set down, said Mac. You're makin the room untidy.

That's all right. I aint stayin.

Better set down, said John Grady. He needs all his powers of concentration.

You got that right, said Mac.

JC sat down. Mac studied the board. JC glanced at the pile of white chesspieces at John Grady's elbow.

Son, you better cut the old man some slack. You might could be replaced with somebody that cowboys better and plays chess worse.

Mac reached and moved his remaining bishop. John Grady moved his knight. Mac took up his cigar and sat puffing quietly.

He moved his queen. John Grady moved his other knight and sat back. Check, he said.

Mac sat studying the board. Damn, he said. After a while he looked up. He turned to JC. You want to play him?

No sir. He's done made a believer out of me.

I know the feelin. He's beat me like a rented mule.

He looked at the wallclock and picked up his cigar again and put it in his teeth. I'll play you one more, he said.

Yessir, said John Grady.

Socorro took off her apron and hung it up and stood at the door.

Goodnight, she said.

Night Socorro.

JC rose from his chair. You all want some more coffee?

They played. When John Grady took the black queen JC pushed back his chair and got up.

I've tried to tell you, son. There's a cold winter comin.

He crossed the kitchen and set his cup in the sink and went to the door.

Night, he said.

Mac sat quietly studying the board. The cigar lay dead in the ashtray.

Night, said John Grady.

He pushed open the door and went out. The screendoor flapped shut. The clock ticked. Mac leaned back. He picked up the cigar stub and then he put it back in the ashtray. I believe I'll concede, he said.

You could still win.

Mac looked at him. Bullshit, he said.

John Grady shrugged. Mac looked at the clock. He looked at John Grady. Then he leaned and carefully turned the board around. John Grady moved Mac's remaining black knight.

Mac pursed his lips. He studied the board. He moved.

Five moves later John Grady mated the white king. Mac shook his head. Let's go to bed, he said.

Yessir.

He began to put away the pieces. Mac pushed back his chair and picked up the cups.

What time did Troy and Billy say they'd be back?

I dont reckon they said.

How come you not to go with em?

I just thought I'd stick around here.

Mac carried the cups to the sink. Did they ask you to go?

Yessir. I dont need to go everwhere they go.

He slid the cover shut on the box and folded the board and rose.

Is Troy fixin to go down there and go to work for his brother?

I dont know sir.

He crossed the room and put the chess set back in the press and closed the door and got his hat.

You dont know or you aint sayin?

I dont know. If I wasnt sayin I'd of said so.

I know you would.

Sir.

Yes.

I feel kind of bad about Delbert.

What do you feel bad about?

Well. I guess I feel like I took his job.

Well you didnt. He'd of been gone anyways.

Yessir.

You let me run the place. All right?

Yessir. Goodnight sir.

Switch on the barnlight yonder.

I can see all right.

You could see better with the light on.

Yessir. Well. It bothers the horses.

Bothers the horses?

Yessir.

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